Good Skies Almost All the Time

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First show: August 21

Bruce Baillie Memorial Screening + Publication Launch

Still from “Still Life”. Courtesy of Canyon Cinema.

Co-presented by San Francisco Cinematheque

All three shows are at capacity!

This inaugural edition of Canyon at the Roxie is dedicated to Canyon Cinema’s founding filmmaker, Bruce Baillie (1931-2020), who brought to life exceptional works of film art and a thriving cinema counterculture. Beginning in the late 1950s, Baillie created a vagabond, romantic, first-person filmmaking style that continues to enchant and influence new generations drawn to the artistic possibilities of the 16mm film medium. Beginning with a visit to the filmmaker’s editing bench and a few words from Dr. Bish himself, this memorial screening focuses attention on some of Baillie’s lesser-known lyrical films (Little Girl, Still Life) and Canyon newsreels (Termination), culminating with two of his distinctly different masterpieces: the expansive, densely-layered Quixote, and the compact, elegant All My Life.

A wandering poet, Baillie was also an inveterate community builder. From the 1961 backyard screenings of films by Baillie and friends emerged two essential institutions of American independent filmmaking: San Francisco Cinematheque and the Canyon Cinema Co-op. In addition to marking the 60th anniversary of these sister organizations, this program coincides with the release of Canyon’s newest publication. Dear Folks: Notes and Letters from Bruce Baillie collects some of Baillie’s many dispatches to and about Canyon Cinema, ranging from a 1962 announcement co-signed with Chick Strand to voicemail messages left on Canyon’s office answering machine in the last years of his life. The bulk of this material derives from the Canyon Cinemanews, which began in 1962 as a newsletter to solicit and circulate “fugitive information” related to a fledgling independent film movement. Years before Canyon was formally organized as a distribution cooperative, the lively pages of the Cinemanews demonstrated that there was such a community of filmmakers to be incorporated.

Copies of Dear Folks: Notes and Letters from Bruce Baillie will be available for purchase at a special price.


Screening Line-Up:

Introduction to the Holy Scrolls (1998, 10 minutes, color, sound, digital file): Bruce Baillie edits film and talks to the audience. This video work was often used by the filmmaker to introduce, in his absence, film programs scheduled in distant venues. Created also as an formal introduction to an 11-hour archival collection of unfinished films.

Show Leader (1966, 1 minute, b&w, sound, 16mm): A repeated shot of me in a stream talking to the audience, used as an introduction to Baillie film programs. (BB)

Little Girl (1966, 9 minutes, color and b&w, sound, 16mm): This film by Bruce Baillie, completed in 1966 but unreleased until 2014, is contemporaneous with Castro Street, but is much more formally connected to All My Life or Still Life, also from the same year. In three sections with three different formal strategies, Baillie shares distilled moments of found natural beauty as he encountered them in the North Bay outside San Francisco. The first section features a study of plum blossoms, rendered in rich, multiple superimpositions that allow the white flowers to explode into a blizzard of visual complexity, framed by a panning shot of purple mountains. In the second section, Baillie allows us a furtive glimpse of the titular little girl, waving to cars with her dog on the side of the road, lost in her world and thoughts. Bruce’s framing remains unadorned, feeling no need to add to or take away from a beautiful piece of simple portraiture. The third section, of waterbugs on the surface of a pond, remind us how remarkable and sensitive Baillie’s camerawork can be, as he observes their graceful dances, and the subtle light and water effects they produce by their movements. (Mark Toscano)

Termination (1966, 5 minutes, b&w, sound, 16mm): [Paul] Tulley and I made this film for some people up at the Laytonville Rancheria. They were being “terminated” under a new Bureau of Indian Affairs program. (BB)

Still Life (1966, 2 minutes, color, sound, 16mm): From the commune life at Morning Star, where I made Castro Street. (BB)

Quixote (1965, 45 minutes, color and b&w, sound, 16mm): One-year journey through the land of incessant progress, researching those sources which have given rise twenty years later to the essential question of survival. (BB)

All My Life (1966, 3 minutes, color, sound, 16mm): “Singing fence,” Caspar, California. One continuous moving shot. Ella Fitzgerald singing “All My Life” on the soundtrack. (BB)

 Approx. running time: 75 minutes


NOTE FILMS START RIGHT AT THE LISTED SHOWTIME.

Health and safety are our priority. Please read our health and safety protocols and precautions.

FREE OR DISCOUNTED FOR MEMBERS

STARTING 8/20, IN ACCORDANCE WITH SAN FRANCISCO’S SAFER RETURN TOGETHER ORDER, WE ARE REQUIRING PROOF OF VACCINATION FOR ENTRY. WE THANK YOU FOR YOUR COOPERATION. 

 

Good Skies Almost All the Time: Upcoming Showtimes