November – December 2015

November 27, 2015 - December 3, 2015

Stan Goman – former Tower C.O.O. – IN PERSON, Monday, November 30th after the 7:00pm show!

Tower1All Things Must Pass explores the rise and fall of Tower Records and the legacy forged by its rebellious founder Russ Solomon. Established in 1960, Tower Records was once a retail powerhouse with two hundred stores, in thirty countries, on five continents. From humble beginnings in a drugstore in Sacramento, to the go-to music retailer in San Francisco, Tower Records eventually became the heart and soul of the music world, and a powerful force in the music industry. In 1999, Tower Records made $1 billion. In 2006, the company filed for bankruptcy. What went wrong? Everyone thinks they know what killed Tower Records: The Internet. But that’s not the story. Tower2ALL THINGS MUST PASS is a feature documentary film examining this iconic company’s explosive trajectory, tragic demise, and legacy forged by Russ Solomon. Directed by Collin Hanks. With Bruce Springsteen, Elton John, Dave Grohl, Chuck D, Chris Cornell and David Geffen, and many more. 94 mins.

November 27, 2015 - December 3, 2015

Rififi1Du Rififi chez les hommes (1955)


Fri, Nov. 27 – Thurs, Dec 3

 Back from the pen, homme dur Jean Servais first belts around his ex-girlfriend Marie Sabouret, then rejoins copain Carl Möhner and cohort Robert Manuel, who’ve got a little jewel store smash-and-grab job lined up — but Servais wants the whole works. With the aid of freshly imported safecracker “César the Milanese” (director Dassin billed as “Perlo Vita”), the resulting classic heist — a legendary 30-minute sequence with no dialogue or music — provided a usable blueprint for real-life professionals (causing outright bans in some countries) — but then, another of Sabouret’s ex-boyfriends wants a big cut. A world-wide smash, Rififi raised eyebrows for its excessive gunplay, décolletage, and dope use — all of which led to its condemnation by the American Legion of Decency. Blacklisted Hollywood exile Dassin turned a Rififi2potboiler by milieu specialist Auguste Le Breton into an existential thriller that earned him Cannes’ Best Director prize and set the standard for screen robberies for decades to come — from his own Topkapi to Mission: Impossible — while “Rififi” was subsequently stolen for titles of non-related thrillers. Philippe Agostini’s all-weather location shooting provides an invaluable time capsule of Paris in the 50s, with the late Magali Noël warbling the title song. Approx. 118 mins. DCP.

“THE BEST OF ALL HEIST MOVIES! Rififi mirrors the arcs of the criminal lives it examines: It seduces you in, and then won’t let you out cleanly. THIS IS TOUGH-GUY NOIR OF THE HIGHEST PROOF.” 
– Alan Scherstuhl, Village Voice 
Read full review here


Rfifi7“THE UNFORGETTABLE MASTERPIECE OF CRIME… Dassin’s meditative magnum opus. A MUST-SEE.” 
– Indiewire’s The Playlist

– Andrew Sarris


– Francois Truffaut

“The underworld equivalent of a sublime French meal… As Rififi goes on, it becomes as savage as Reservoir Dogs, The Killing, or any of the other dozens of films over which it still casts a shadow.”
– Owen Gleiberman, Entertainment Weekly

Rififi6“JUST ABOUT FLAWLESS! For lovers of tough-guy moviemaking, Rififi really means perfection. A genre movie brought off so keenly that it defines that genre’s strengths and limits… As a director, Mr. Dassin has perfect pitch. When anything disrupts the film’s dry yet convivial tone — like Tony beating his ex-lover for taking up with that nightclub owner in his absence — it registers as a troubling portent, not a dramatic miscue. The movie has been criticized for its astringency: no spontaneous emotion, no tender or playful impulse, goes unpunished. But that’s what gives the film its hardscrabble integrity. Mr. Dassin seduces you into thinking that you’re joining four underworld musketeers. Then he shows you there’s no room in this band for carefree camaraderie.”
– Michael Sragow, The New York Times

November 27, 2015 - December 3, 2015

Forbidden3One Week: Friday, Nov. 27 – Thur., Dec 3

THE FORBIDDEN ROOM is Guy Maddin’s ultimate epic phantasmagoria. Honoring classic cinema while electrocuting it with energy, this Russian nesting doll of a film begins (after a prologue on how to take a bath) with the crew of a doomed submarine chewing flapjacks in a desperate attempt to breathe the oxygen within. Suddenly, impossibly, a lost woodsman wanders into their company Forbidden1and tells his tale of escaping from a fearsome clan of cave dwellers. From here, Maddin and co-director Evan Johnson take us high into the air, around the world, and into dreamscapes, spinning tales of amnesia, captivity, deception and murder, skeleton women and vampire bananas. Playing like some glorious meeting between Italo Calvino, Sergei Eisenstein and a perverted six year-old child, THE FORBIDDEN ROOM is Maddin’s grand ode to Forbidden2lost cinema. Created with the help of master poet John Ashbery, the film features Mathieu Amalric, Udo Kier, Charlotte Rampling, Geraldine Chaplin, Roy Dupuis, Clara Furey, Louis Negin, Maria de Medeiros, Jacques Nolot, Adele Haenel, Amira Casar and Elina Lowensohn as a cavalcade of misfits, thieves and lovers, all joined in the joyful delirium of the kaleidoscopic viewing experience. Directed by Guy Maddin. Written by Evan Johnson , Guy Maddin , John Ashbery , Kim Morgan , Robert Kotyk. Canada. In English. 2015. 120 mins, DCP.


Unlocking THE FORBIDDEN ROOM: A Q&A with Guy Maddin and Evan Johnson 
- Pam Grady

November 29, 2015 - December 5, 2015
IMG_2158Get ready for the Iranian COMEDY OF THE YEAR!
Here is the Box Office Hit of Iranian cinema in 2015 which is still selling strongly after three months in the cinemas of Iran. It has already broken the record of City Of Mice 2 comparing the number of screenings it has had in Iran.
کمدی سال ایران ، نهنگ عنبر‌، با حضور رضا عطاران، مهناز افشار و ویشکا آسایش.
کارگردان:‌ سامان مقدم
A film by Saman Moghadam ( director of Max & Cafe Setareh) and starring Reza Attaran, Mahnaz Afshar & Vishka Asayesh.
Arjang (Reza Attaran), who was born before the revolution in Iran, has been in love with his childhood sweetheart, Roya (Mahnaz Afshar), for the past 40 years. Roya, however, has brought him nothing but trouble. Now 50, and having experienced a revolution, a war, a divorce and both poverty and wealth, Arjang finds himself still in love with Roya.
DOCUNIGHT #21: I Want to Be a King
December 2, 2015


Abbas has a dream: a dream that one day, he will be king of a tribe that will be revered by people the world over. The trouble is, he’s got a pretty busy day job. After two German tourists stumbled into his hut in nomadic Iran and left having much enjoyed the hospitality, he began an ecotourism business that a decade later is thriving. But Abbas is convinced that his destiny lies in establishing his tribe, and is spending more and more time trying to realize his vision – including taking a second wife to be queen. Unfortunately for Abbas, his bitter and hardworking first wife and kids – who keep his business running smoothly – are not at all on board with his plan. Single minded in his focus, garrulous, stubborn, self-absorbed, and emotional, Abbas is on the verge of big change – and begins confessing all to director Mehdi Ganji.

Born in Iran 1978. Mehdi Ganji is a 2002 filmmaking graduate from the Tehran University of Art. Having specialized in imagery, he started working as a cameraman and film editor in fiction films and in documentaries, working with various Iranian channels and International networks and television like Newsweek, Arte and etc. He is member of Iranian Documentary Film Society. He won the best director award in the Fajr Film Festival for I Want to Be a King.

Directed by Mehdi Ganji , 2015 / 70 min., Persian with English subtitles.

December 3, 2015 - December 9, 2015

ALINE-3Director Fredrik Gertten in person on Thursday, December 3 for Q&A after the film!

Co-presented by the San Francisco Green Film Festival and sponsored by the Consulate General of Sweden.

The bicycle, an amazing tool for change. Activists and cities all over the world are moving towards a new system. But will the economic powers allow it? Bikes vs Cars, a new film project from BANANAS!* and Big Boys Gone Bananas!* director Fredrik Gertten, looks into and investigates the daily global drama in traffic around the world.

Bikes vs Cars. A vigil in São Paulo for a cyclist killed by a busThe film will follow the individuals around the world that are fighting to create change. We meet Aline at Sao Paulo’s Ciclofaxia, the weekly Sunday ride where one lane of Paulista Avenue is opened for bikes only. Aline is an inspirational person in the city’s bicycle movement, who tries to focus on the positive aspects of being a cyclist. But that can be difficult in a city where one bicyclist is killed every four days. And in Toronto, where mayor Rob Ford strips away the city’s bike lanes in his battle to win the “war on cars,” we watch as members of the Urban Repair Squad infiltrate the streets at night, using spray paint and stencils to replace them.

Directed by Fredrik Gertten, 2015, 90 min, USA.


Consulate General of Sweden San Fransisco1280x720(1)SFGFF-Logo-Horizontal-WEB

December 4, 2015 - December 10, 2015

Fri, Dec 4 – Thur, Dec 10!
5th April 1969: Rock singer Janis Joplin (1943 - 1970). (Photo by Evening Standard/Getty Images)

“There’s a special, rich, satisfying pleasure that comes of seeing a doc about someone you feel you know almost too well, and by the end the film has brought you so close to her that in your imagination, she’s been reborn.” – Owen Gleiberman, BBC

To celebrate the completion of her posthumous masterpiece, Pearl, Janis Joplin decide to celebrate. Unfortunately, celebration for Joplin often equated to injecting heroin. When she passed away on October 4th, 1970 in Hollywood, it seemed the mourning would never stop. That the pain would never subside. There are only a handful of artists in any medium that deeply connect with people. For many, Joplin was not merely a musician, but a beloved icon, an inimitable iconoclast, an additional member of their family.

Her memorialization continues in Janis: Little Girl Blue, the moving documentary from Amy Berg. In less than two hours, the gifted documentarian creates a transfixing portrait of Joplin, the multi-hyphenate artist whose life and legacy lives on through this film.

Directed by Amy J. Berg, 105 min, USA.

Additional Showtimes To Be Announced!

Richard Pryor Live on the Sunset Strip with Author Jason Bailey
December 6, 2015


“A gift, as if Pryor had come back from the dead to perform in his own one-man memory of himself.” – Roger Ebert

Richard Pryor’s seminal concert film LIVE ON THE SUNSET STRIP is one of the great stand-up comedy acts ever filmed: a personal, fierce, and hilarious take on racism, addiction, America, and much more. Jason Bailey, author of the new book RICHARD PRYOR: AMERICAN ID, will introduce this special screening and then discuss Pryor, SUNSET STRIP, and its legacy with American comedy with Scott Saul (author of BECOMING RICHARD PRYOR).

Following the screening there will be a Q&A moderated by Sam Fragoso with author Jason Bailey and Scott Saul.

A book signing will take place afterwards.

You may purchase Jason’s book, “Richard Pryor: American Id”, here.


THE QUAY BROTHERS on 35MM: Curated by Christopher Nolan
December 11, 2015 - December 17, 2015

Opens Friday, December 11

Quay2Featuring IN ABSENTIA, THE COMB, STREET OF CROCODILES and the world premiere of Christopher Nolan’s QUAY. In all new 35mm prints!

Quay1“American identical twins working in London, stop motion animators Stephen and Timothy Quay (born 1947 in Norristown, Pennsylvania) find their inspiration in Eastern European literature and classical music and art, their work distinguished by its dark humor and an uncanny feeling for color and texture. Masters of miniaturization, they turn their tiny sets into unforgettable worlds suggestive of long-repressed childhood dreams. These three Quay masterworks, selected by director Christopher Nolan, feature broken pencils and lead shavings in IN ABSENTIA (2000; “a dazzling piece of work” – The Guardian); a porcelain doll’s explorations of a Quay4dreamer’s imagination in THE COMB (1991; “most beautiful of their recent films” – The New Yorker); and the nightmarish netherworld of STREET OF CROCODILES (1986; “their crowning achievement” – Film Comment); and for the first time ever, QUAY (2015), Nolan’s new short film revealing the inner workings of the Brothers’ studio. All four films in 35mm.” –Film Forum.  Year: 1986-2015 Origin: UK/USA. Color and B&W Approx. 70 mins. All four films in 35mm.


The Quay Twins: Spinning Magic From Marginalia – Christopher Nolan, NY Times

Popcorn for Breakfast: Saturday Morning Cartoons for Roxie Kids
December 12, 2015

bimbos-initiationJoin us on December 12th for a special winter holiday show!

Stay in your PJs, come on over to the Roxie, and have popcorn for breakfast! On the second Saturday of each month, we’re showing an assortment of great classic cartoons (in both black & white and full color) for Saturday-morning slackers of all ages.

Kids under 12 years old are FREE! Kids 12 and over: just $7.50. FREE OR DISCOUNTED FOR MEMBERS