& a special introduction by performance artist Jason Jenn, who will be performing an excerpt of his one man show ECSTASY FOR EVERYONE, inspired by the work of James Broughton.
A chronicle of the iconoclastic life of gay poet, filmmaker, and spiritual visionary James Broughton, one of the defining voices of the sexual revolution, whose groundbreaking artistic celebrations of sexuality and the body influenced generations of the 1960’s and 70’s to profoundly embrace life and ‘follow your own weird’.
A charismatic and visionary poet and filmmaker who emerged in the artistic renaissance of post – WWII San Francisco, James Broughton led a completely unconventional existence in his lifelong quest for creative artistry, sexual and spiritual love and an evolved state of happiness. BIG JOY is a celebratory mosaic of Broughton’s deeply intertwined creative and personal lives, vividly depicted through his involvement with a wide array of artists, activists and spiritual guides.
Directed by Eric Slade, Stephen Silha and Dawn Logsdon. USA. 2013. Digital. 82 mins.
About the filmmakers
Stephen Silha, producer and co-director, is a freelance writer, facilitator, and futurist who has made a practice of communicating about what makes communities and relationships work. He has reported for The Christian Science Monitor, the Minneapolis Star, and Yes! Magazine. He knew James Broughton, and was present at his death in 1999. Inspired by Broughton’s philosophy, life and work, he began a biography project which morphed into this film and multi-media project.
Eric Slade, co-director and producer, is an independent producer/director based in Portland, OR who has extensive experience with PBS. His independent documentary work includes Hope Along the Wind: The Story of Harry Hay (2002), The Impact of AIDS, Housing the American Dream, Safety in Numbers, Sex Life, and Acting Up for Prisoners.
Jason Jenn is an LA-based performance artist, director, designer, and event planner who was inspired by the film BIG JOY and James Broughton’s poetry to create performance events using Broughton’s poetry and films, bringing them a vibrant contemporary feel.
Be sure to catch the full performance of Jenn’s ECSTASY FOR EVERYONE the following day. The performance is a full hour of sensual delights that will leave audiences uplifted and aptly experiencing the ecstasy of James’ wondrous wit and wild whimsy. FREE & OPEN TO THE PUBLIC! Friday, September 5, 2014 at 8pm at the SFAI Lecture Hall.
In the hyper-charged powder keg of the late 1960s, Los Angeles native and Pittsburgh Pirates pitcher Dock Ellis was ready to light the match. Proudly black, loudly opinionated, ready to rumble and almost always high on one substance or another, Dock was considered the Muhammad Ali of the ballpark.
He made history on June 12, 1970, when he pitched a no-hitter while completely flying on LSD. Flash forward a few years, and he is broke and essentially unemployable. But Dock Ellis was a born fighter, whether battling a racist society, the baseball establishment or his own demons.
There are a lot of colorful characters in the story of this larger-than-life figure, and filmmaker Jeffrey Radice corrals colleagues, ex-wives, journalists, managers, children, gadflies and protégés to produce a balanced biography of Ellis with the generosity of spirit the man himself embraced in the last few decades of his life. No No: A Dockumentary is a lot of things: sports movie, redemption narrative and portrait of an era, but at its core it is quintessentially Dock.
Embroidering this indelible character study is a fantastic hard psychedelic funk score by Adam Horovitz of the Beastie Boys.
Dir: Jeffrey Radice. USA. 2014. 100 mins.
The Longest Week tells the story of Conrad Valmont (Jason Bateman). Approaching middle age, Conrad is the over-educated, under-employed heir to the Valmont Hotel fortune. He’s also never had a job or any goals in life beyond accepting his parents’ wealth and living off of it until he eventually dies. One day, Conrad is cut off from his allowance following his parents’ abrupt divorce and tossed out into the unforgiving streets of the Upper West Side. Luckily, he is taken in by his old friend Dylan (Billy Crudup), and returns the favor by immediately falling for Dylan’s girlfriend, Beatrice.
Starring Jason Bateman, Olivia Wilde and Billy Crudup. Directed by Peter Glanz. 2014. 86 min. Digital.
It is a 2014 Canadian mockumentary comedy/crime film directed by Mike Clattenburg, and based on the Canadian television series Trailer Park Boys. It is the third film in the Trailer Park Boys franchise, and a sequel to Trailer Park Boys: Countdown to Liquor Day (2009). In the film, Ricky (Robb Wells), Julian (John Paul Tremblay) and Bubbles (Mike Smith) attempt a series of get-rich-quick schemes after being released from prison, but are again pursued by former Sunnyvale Trailer Park supervisor Jim Lahey (John Dunsworth).
Recently out of jail and completely broke, Julian has a plan to get outrageously rich. However, he first has to deliver his product to Montreal where his rival Cyrus is waiting to close the deal. In the meantime, the government’s plan to legalize marijuana threatens Ricky and his dope business, so he goes to Ottawa to take action against the impending bill. With Julian and Ricky on a road trip, Bubbles joins the pair with his own agenda – to go find the inheritance left for him by his long-lost parents. The trio runs into trouble when ex-park supervisor Jim Lahey and Randy go after the boys in hopes of making them rot in jail.
The film marks the final appearance of series regular Richard Collins (appearing in the film as Philadelphia “Phil” Collins), who died during filming. In addition to Collins, the film is also dedicated to series regular Brian Huggins (who played Shitty Bill in the television series), and country/folk singer Rita MacNeil.
Director: Mike Clattenburg, Stars: John Paul Tremblay, Robb Wells, Mike Smith
95mins, 2014, CANADA
Filmmaker Patrick Lovell in person!
FREE ADMISSION FOR ALL!!
Patrick Lovell is an accidental filmmaker/activist. Lovell was in the midst of living his American Dream. He was a television producer traveling the country giving away homes throughout the nation on a nationally distributed TV show. Patrick had a great income, he was married to the love of his life and together they had a child they had both longed for. Suddenly on September 15th, 2008, their lives were turned upside down. The Lovells would find themselves in the midst of the collapse of Americas middle class and like millions would eventually lose their home to foreclosure. Patrick figured out a way to make a film using his story as the entry point to broader truth that America is no longer a Democracy, that free markets have been overrun by global monopolies and the American Dream is Dead! Lovell crisscrossed the country surfing the Occupy Wall Street Wave to discover America is corrupt, defunct and unsustainable, but most importantly, how we can reboot the American Dream.
Starring Bernie Sanders, Van Jones, James Hansen, Jeremy Rifkin, Mary Boyle, Jeffry Sachs, and a slew of ordinary Americans becoming extraordinary. 90 min. Forward 13: Waking UP the American Dream, because the bigger the problems the greater the opportunity. WAKE UP AMERICA!
SKYPE Q&A with lead actor Jake Macapagal after the screening!
Co-presented by FACINE – Filipino Arts & Cinema International
Winner of the Audience Award @ Sundance Film Festival
Seeking a better life, Oscar Ramirez and his family decide to move from the poverty stricken rice fields of the Northern Philippine mountain ranges, and journey towards the capital mega city of Metro Manila. Upon arriving in the big city, Oscar and his family fall foul to various city inhabitants whose manipulative ways are a daily part of city survival. Oscar manages to land a job as a driver for an armored truck company and is befriended by Ong, his senior officer. Before long, it becomes apparent that Ong, has been planning the arrival of someone just like Oscar for sometime.
Directed by Sean Ellis. 2013. Tagalog with English subtitles. 115 min.
—Graham Fuller, New York Daily News
“Ralph W. Moss has stayed the course in stating his case. I am glad his voice is being heard.”
— Harold P. Freeman, MD Past National President, American Cancer Society
“Mr. Moss’s message is clear, shrewdly edited and peculiarly interesting.”
—Anita Gates, The New York Times
The story of Ralph W. Moss, PhD—a young science-writer at Memorial Sloan-Kettering Cancer Center (MSKCC), who risked everything by blowing the whistle on a massive cover-up involving an unconventional, yet promising cancer therapy.
Ralph lived a double life, working as a loyal employee at MSKCC while also recruiting fellow employees to help anonymously leak their positive results of an unconventional therapy called “Laetrile” to the public—through a newly formed underground organization they called—“Second Opinion”.
FREE to ALL!!
In Lady Valor: The Kristin Beck Story, former U.S. Navy SEAL Christopher Beck embarks on a new mission as Kristin Beck. Kristin’s journey in search of the American ideals that she protected have a whole new meaning as she lives her life truthfully as a transgender woman.
Kristin served for over 20 years as a member of the elite special forces Navy SEALs on SEAL Team 1 as well as the United States Special Warfare Development Group – what many in the public refer to as SEAL Team 6. She retired in 2011 with the rank of Senior Chief and continued high-level clearance work for the United States government and the Pentagon. But Kristin hid her true identity throughout and after her service knowing she would lose it all if anyone were to know her secret. In 2013, a year and a half after retirement, Kristin came out publicly first on LinkedIn and on CNN’s Anderson Cooper 360 soon thereafter. Many friends, colleagues and family were taken by surprise.
This film brings exclusive interviews from Kristin’s family and friends about her service, as well as their reactions to her coming out. It also includes exclusive footage of Chris Beck in training and combat. The documentary was filmed only a few months after the AC360 piece had aired, and the truth is still fresh and emotional for those closest to her. While many people have been supportive, some in the public have expressed more bigotry than she ever expected. After a lifetime of service, Kristin has learned that her fight for life, liberty and the pursuit of happiness did not end on the battlefield.
Directed by Mark Herzog, Sandrine Orabona, 90 Minutes, U.S.A., 2014
Official Selection, Sundance Film Festival 2014
A strange singer with “god given talent” drifts through the mythic city of Memphis under its canopy of ancient oak trees, shattered windows, and burning spirituality. Surrounded by lovers, legends, hustlers, preachers, and a wolfpack of kids, the unstable performer avoids the recording studio and is driven to spend time in his own form of self-discovery. Shown in fragments, his journey drags him from love and happiness right to the edge of another dimension. Featuring an explosive performance and score from the singular recording artist-cum-wizard, Willis Earl Beal, MEMPHIS is a film steeped in folklore, music, surrealism, and the abstract search for glory.
It is legend in Memphis that a blessed and cursed singer by the name of O.V. Wright fell from grace and was buried in an unmarked grave. I learned of his myth around the same time I was brought to Peace Baptist Church, and witnessed a deep spirituality as ancient as the oak trees that dress every street in the city. A true believer in ghost stories and a scholar of African American studies, I was drawn to tell my own folk tale, and there was only one place on my mind. Our film captures the descent of a troubled singer as he drifts through an urban landscape looking to save his very soul. We surrounded ourselves with real Memphians and made a film that hopes to project a cool, beautiful world – as old as dirt and yet entirely new, and deserved of the title MEMPHIS.
Written and Directed by Tim Sutton.
Cast: Willis Earl Beal, Lopaka Thomas, Constance Brantley, Devonte Hull, John Gary Williams, Larry Dodson Music by Willis Earl Beal. Digital. USA 79 mins.
Official Site is Here.
San Francisco Premiere Screening – September 20 only!!
NEW DOCUMENTARY “MICROBIRTH” REVEALS THE MICROSCOPIC SECRETS OF CHILDBIRTH
Join the San Francisco Doula Group for the Premier Screening of MICROBIRTH, followed by a discussion by a panel of birth experts.
September 20th, 2014, 4:30-6:30pm, $12 in advance/$15 door price
The way we give birth has changed dramatically over the past 30 years. Some leading scientists are warning that these changes could have serious repercussions for the lifelong health of our children.
Featuring prominent scientists from the UK and North America, “Microbirth” examines how modern birth practices could be interfering with critical biological processes potentially making our children more susceptible to disease later in life. Recent population studies have shown babies born by Caesarean Section have approximately a 20% increased risk of developing asthma, 20% increased risk of developing type 1 diabetes, a similar risk with obesity and slightly smaller increases with gastro-intestinal conditions like Crohn’s disease or coeliac disease. These conditions are all linked to the immune system. “Microbirth” explores several possible explanations. If a baby is born by Caesarean Section, scientists hypothesise this could alter the “seeding” of the baby’s microbiome, the critical transfer of good bacteria from mother to baby at birth. Scientists suggest this could lead to the baby’s immune system not developing to its full potential. Another hypothesis is the actual process of vaginal birth, including the cocktail of hormones produced during labour, could profoundly affect the baby’s immune regulation and metabolism. Dr Rodney R Dietert, Professor of Immunotoxicology at Cornell University, says, “Over the past 20-30 years, we’ve seen dramatic increases in childhood asthma, type 1 diabetes, coeliac disease, childhood obesity. We’ve also seen increases in Caesarean delivery. Does Caesarean cause these conditions? No. What Caesarean does is not allow the baby to be seeded with the microbes. The immune system doesn’t mature. And the metabolism changes. It’s the immune dysfunction and the changes in metabolism that we now know contribute to those diseases and conditions.” Dr Matthew Hyde, Research Associate of Neonatal Medicine, Imperial College London says, ”We are increasingly seeing a world out there with what is really a public health time-bomb waiting to go off. And the research we are doing suggests it is only going to get worse, generation on generation. So tomorrow’s generation really is on the edge of the precipice unless we can begin to do something about it.”
The film’s co-director Alex Wakeford says, “The World Health Organization has stated non- communicable disease has reached epidemic levels. Leading economists have predicted that, by the year 2030, the cost of treating this epidemic could bankrupt global healthcare systems. Governments are extremely concerned about the repercussions of antibiotic resistance and the effect this level of disease could have upon social and economic stability on a global scale. What is not even on their agenda, however, is the possible effect of mode of birth.” The film’s co-director Toni Harman adds, “Caesarean Sections are often essential and can be life-saving. A few leading individuals have been raising the alarm and building up a picture of potential long-term outcomes for some time. Over the last couple of years, more and more people have joined this debate and the weight of this emerging research is painting a very worrying picture in terms of future health across populations. The film raises awareness of the potential importance of “seeding” the microbiome for all babies, whether born naturally or by C-section. This is an issue not just for parents and health professionals, but also for all our world leaders. For surely now is the time for childbirth to be the focus of serious, urgent attention at the highest level?”
Produced and directed by British filmmaking couple, Toni Harman and Alex Wakeford.
Their previous film “Freedom For Birth” premiered in over 1,100 public screenings in
50 countries in 2012. Microbirth runs 70 minutes.
Official Site is Here.