July – October 2014
Starts Friday, July 18
From executive producer Zach Braff comes an epic feature length documentary chronicling the meteoric rise of video games from nerd niche to multi-billion dollar industry. Featuring in-depth interviews with the godfathers who started it all, the icons of game design, and the geek gurus who are leading us into the future, VIDEO GAMES: THE MOVIE is a celebration of gaming from Atari to Xbox, and an eye-opening look at what lies ahead.
Featuring interviews with Zach Braff, Sean Astin, Chris Hardwick, Wil Wheaton, Nolan Bushnell, Hideo Kojima, Cliff Bleszinski & Alison Haislip. Dir: Jeremy Snead. 2014. Digital. 100 mins.
JOHN HUBLEY AT 100
Sunday, July 20
Q&A WITH NOTED ANIMATOR – AND DAUGHTER OF JOHN AND FAITH – EMILY HUBLEY AFTER THE 6PM SHOW! A traveling program of films by animators John and Faith Hubley, all in new 35mm prints, celebrating John Hubley’s 100th birthday.
ADVENTURES OF AN * – A baby, represented by the “ * ” symbol, delights in the visual excitement of the world. As he matures, his ability to see diminishes. Eventually, his own child freshens his vision. Produced and Written by John and Faith Hubley in collaboration with James Johnson Sweeney. Dir: John Hubley. 1956, 11 mins.
TENDER GAME – A jazz version of the song “Tenderly,” provides the soundtrack for a delicate tale of love. Produced and Written by John Hubley Music Performed by Ella Fitzgerald and the Oscar Peterson Trio: Ray Brown, bass and Herb Ellis, guitar. 1958, 6 mins.
MOONBIRD – In a magical adventure, two brothers hunt an imaginary bird. Their dialogue is improvised. Produced and Written by John and Faith Hubley. Voices of Mark and Ray Hubley. Dir: John Hubley. 1959. 10 mins.
THE HAT – Two soldiers patrol the border between their counties. When one accidentally drops his helmet over the line, the other refuses to give it back – setting the scene for a witty exploration of peace through world law. Music and Voices by Dizzy Gillespie and Dudley Moore. Produced and Written by John and Faith Hubley for The World Law Fund. Dir: John Hubley. 1964. 19 mins.
URBANISSIMO – A comic allegory depicting a runaway “city” devouring its environs. A farmer has an encounter with the “city” and deserts his rural home for the imagined joys of urban life. Produced by John and Faith Hubley for Expo ’67, Montreal. Music by Benny Carter. Dir: John Hubley. 1967. 6 mins.
WINDY DAY – An improvised dialogue of two little girls is the background for the expressive visualization of their view of marriage and babies, love and death. Voices of Emily and Georgia Hubley. Produced and Directed by John and Faith Hubley. 1968. 9 mins.
OF MEN AND DEMONS – A simple fisherman faces the challenges posed by climate and modernity as personified by three resourceful demons. Music by Quincy Jones Produced and Directed by John and Faith Hubley. 1968. 9 mins.
EGGS – Mother Nature bickers with Death over control of humankind before a fateful decision is made. Music by Quincy Jones. Voices of David Burns, Anita Ellis, and Grady Tate. Produced and Written by John and Faith Hubley
Dir: John Hubley. 1970. 10 mins.
STORY OF RELEASE
Organized in collaboration with the Hubley family, Cinema Conservancy’s centennial tour coincides with The Believer Magazine’s 2014 Film Issue. The issue will feature a DVD with a number of the Hubleys’ films, including “Cockaboody” (1973), “The Hole” (1963), and “Date With Dizzy” (1958), as well as commercials, home movies and storyboards.
Visually striking, playful and innovative, the selected films address a wide range of topics – from urbanization and overpopulation to two boys’ search for a pet bird – and feature the voices of Dizzy Gillespie, Dudley Moore, and the Hubleys’ children (Emily, Georgia, Mark and Ray), as well as music from Benny Carter, The Oscar Peterson Trio and Quincy Jones.
John Hubley began his training at Disney (where his participation in the studio’s famous 1941 strike caused him and other animators to be fired and later blacklisted) and went on to the Army’s Motion Picture Unit and UPA. The personal and creative partnership between John and Faith (Elliott) Hubley lasted from the 1950’s until John’s death in 1977. True to their marriage vow to finish one independent film per year, the Hubleys created over 20 animated films together, winning three Academy Awards (for “Moonbird,” “The Hole,” and 1966’s “Herb Alpert and The Tijuana Brass Double Feature”), in addition to taking on ads, commissions and segments for TV shows such as Sesame Street and The Electric Company. Faith Hubley went on to make 23 more films after 1977.
Breaking new artistic ground and exploring urgent topics in their films, the Hubleys rebelled, as John told animation historian John Canemaker, “against the sweet sentimental chipmunk and bunnies idiom of animation.” They favored a modern aesthetic, using techniques such as wax-resistance, oil painting and bottom-lit watercolors. In their experimentations with improvised dialogue and music, the pair found inspiration everywhere, from conversations between New York construction workers to the musings of their own children. Cinema Conservancy is thrilled to be bringing the Hubley’s work back to theaters in 2014.
ADVENTURES OF AN *, THE TENDER GAME, and URBANISSIMO were preserved by The Museum of Modern Art with support from the Celeste Bartos Fund for Film Preservation.
A CINEMA CONSERVANCY RELEASE. TOTAL PROGRAM RUNNING TIME: 80 mins. 35mm. Shows Sunday, July 20 at (2pm), 4pm, 6pm & 8pm.
Free Admission for Kids under 12 / Adults $7.50 only
The 2nd program of the special series “ROXIE KIDS” is Hayao Miyazaki’s directorial debut film.
Where dreams become nightmares….
at the Castle of Cagliostro
While driving through the streets of Europe, Lupin and Jigen, a sharpshooter, find a young woman named Clarise in a bridal gownchased by villains. A spectacular car chase ensues in order to save this damsel in distress.
Lupin frees Clarise from the hands of these hoodlums and she shows her gratitude by giving Lupin a precious and cherished ring of hers. Feeling quite uneasy about this bizarre experience, Lupin and Jigen proceed to the dukedom of Cagliostro.
The ruler of the dukedom, the Duke of Cagliostro died a few years back and now Clarise whom Lupin had saved previously is to marry her Uncle, the Count of Cagliostro and thus become a Princess. After learning that her Uncles intentions are devious, Clarise is imprisoned in the clock tower of the Castle. When becoming aware of this, Lupin forces his way into the tower to try once again to rescue Clarise.
Inspector Zenigata, who is in pursuit of Lupin, learns of his whereabouts and proceeds to travel to Cagliostro in order to catch him. In his search for Lupin, the Inspector stumbles upon a factory located in the Castle which manufactures counterfeit coins and paper money to be circulated throughout the world. Putting his search for Lupin aside, the Inspector now devotes his efforts to exposing this crime taking place in the Castle. This diverts his attention to capturing the notorious Lupin.
The day now arrives when the Count is to be married and before a worldwide television audience, Lupin disguised as a priest carries Clarise away just before the wedding vows are to be exchanged.
This causes an incredible state of confusion at the Castle. The Count pursues Lupin and the great chase is about to begin….
100 mins / 1979 / English dubbed IMDB trailer
Executive Producer: Yutaka Fujioka
Producer : Tetsuo Katayama
Director: Hayao Miyazaki
Script Writers : Hayao Miyazaki & Haruya Yamazaki
Art Director Shichiro Kobayashi
Music Composer: Yuji Ohno
Recording Director: Satoshi Kato
Original Author : Monkey Punchi
Production Company: TMS ENTERTAINMENT CO.LTD.
Original comic books created by Monkey Punch
©TMS All Rights Reserved.
☆Other Roxie Kids programs are here.
Endorsed by Consulate General of Japan in San Francisco /
Co-Presented by CAAM / Promotional Partner: btrax
Commemorating the 50th Anniversary of The Beatles U.S. Invasion
Meet the Beatles! Just one month after they exploded onto the U.S. scene with their Ed Sullivan Show appearance, John, Paul, George, and Ringo began working on a project that would bring their revolutionary talent to the big screen. A Hard Day’s Night, in which the bandmates play slapstick versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever. Directed with raucous, anything-goes verve by Richard Lester and featuring a slew of iconic pop anthems, including the title track, “Can’t Buy Me Love,” “I Should Have Known Better,” and “If I Fell,” A Hard Day’s Night, which reconceived the movie musical and exerted an incalculable influence on the music video, is one of the most deliriously entertaining movies of all time.
The Beatles–the world’s most famous rock and roll band–travel from their home town of Liverpool to London to perform in a television broadcast. Along the way they must rescue Paul’s unconventional grandfather from various misadventures and drummer Ringo goes missing just before the crucial concert.
The plot is a study of a day in the life of the Fab Four beginning with them running from their adoring fans to catch a train. Every plot point circles around the band getting to a television show in order to perform a live concert, and within this stream of action is a series of slapstick, zany, and otherwise wacky bits of funniness. One obstacle in the works is Paul McCartney’s babysitting of his grandfather (Wilfrid Brambell), a first class mixer always getting into mischief. It becomes one of the running jokes in the film that Brambell is a “clean old man,” at least physically (this contrasts with Brambell’s most famous role as Albert Steptoe in Steptoe and Son where he was a “dirty old man” both physically and psychologically). Ringo Starr gets a sense of liberation and goes off on his own to find happiness only to land in jail for loitering.
John Lennon fires playful barbs at TV director (Victor Spinetti), whose biggest worry is that if for some reason the Beatles stand him up his next job will be doing “news in Welsh.” One great story line is with George Harrison, in which he is mistaken for an actor auditioning for some trendy TV show for some trend setter hostess. The earnest demeanor of the casting head and his associates is undercut by George’s declaration that she is a well-known drag. Norman Rossington and John Junkin as The Beatles’ managers are stalwart English character actors who fill out the cast and support the general lunacy of the film with a more traditional presence, but still sustain an on-going battle about one being taller than the other. Anna Quayle has a great bit with John Lennon about his being someone he’s not. The whole thing ends with an ear-shattering concert and the band yet again running from the adoring fans.
Director: Richard Lester
Stars: John Lennon, Paul McCartney, George Harrison, Ringo Starr
87min. 1964, U.K.
We’re excited to team up with one of our favorite film festivals – the mighty SLAMDANCE – for a night of film and fun.
FILMMAKER RECEPTION – 6PM! Come hang out with Jay Alvarez and drink wine at the
Bargetto Winery Filmmaker Reception!
I PLAY WITH THE PHRASE EACH OTHER
Jake, a young neurotic, is persuaded to leave his small home town and move to the city to live with Sean, a fanatical poet who survives by swindling inexperienced Craigslist customers. When Jake arrives, Sean has disappeared, and as he struggles to secure a job and a place to stay, Jake discovers a nocturnal world of neon poverty in which his friend is thriving. Written & Directed by Jay Alvarez. Digital. 2014. 110 mins.
Special Jury Prize for Original Vision at the Slamdance Film Festival.
Co-presented by Istituto Italiano di Cultura
“Beautifully made… a meditation on the transformative possibilities of a relationship.”
– Stephen Holden, New York Times
“[Bertolucci] is still a force to be reckoned with.”
– The Guardian
Bertolucci’s first Italian-language feature in 32 years follows Lorenzo, a quirky 14-year-old loner who has difficult relationships with his parents and peers. Lorenzo decides to take a break from it all by hiding out in his building’s neglected basement where for an entire week he will finally avoid all conflict and pressure to be a “normal” teenager. But an unexpected visit from Lorenzo’s older half-sister Olivia changes everything. A worldly 25-year-old beauty, her problematic and fragile state upsets Lorenzo’s total escape from reality, and their forced cohabitation in the basement’s confined space brings forth confrontation and old resentments, but also a need for affection and intimacy. A few emotional days and nights with his sister Olivia will inspire Lorenzo to see the world through new eyes. Directed by Bernardo Bertolucci. Written by Niccolò Ammaniti, Umberto Contarello, Francesca Marciano and Bernardo, based on the novel “Io e Te,” by Mr. Ammaniti. Director of photography: Fabio Cianchetti. With Jacopo Olmo Antinori, Tea Falco, Sonia Bergamasco, Veronica Lazar, Tommaso Ragno and Pippo Delbono. Not Rated. In Italian, with English subtitles. Running time: 97 mins.
JOIN US FOR TRIVIA AND SOME (AWESOME) GIVEAWAYS AT THE 7:00PM SHOW ON OPENING NIGHT!!
God Help The Girl is a musical feature film, written and directed by Stuart Murdoch, lead singer of the group Belle and Sebastian. It was produced by Barry Mendel and stars Emily Browning, Olly Alexander and Hannah Murray.
Stuart aspired to tell the story of “a better summer, or at least a summer when something happened. It happened to a boy and a girl and a girl in a city roughly the same size and population of Glasgow. Perhaps the canals were a bit grimier, the high-rise buildings taller, the streets emptier when you needed them to be, and the beat clubs busier than the ones around here. But on the whole the city was this one.”
According to Barry Mendel, “It’s a simple story – about the brief moment after you’ve realised what you want to do with your life, before your dream settles into becoming your job, when you’re filled with enthusiasm, meeting like-minded friends and the possibilities are endless.”
The film was shot, edited, scored and mixed in Glasgow over the course of 2012-2013 and is be released in cinemas around the world in 2014.
Director: Stuart Murdoch, 111 min. 2014
Official Site is here.
Official Selection, Sundance Film Festival 2014
A strange singer with “god given talent” drifts through the mythic city of Memphis under its canopy of ancient oak trees, shattered windows, and burning spirituality. Surrounded by lovers, legends, hustlers, preachers, and a wolfpack of kids, the unstable performer avoids the recording studio and is driven to spend time in his own form of self-discovery. Shown in fragments, his journey drags him from love and happiness right to the edge of another dimension. Featuring an explosive performance and score from the singular recording artist-cum-wizard, Willis Earl Beal, MEMPHIS is a film steeped in folklore, music, surrealism, and the abstract search for glory.
It is legend in Memphis that a blessed and cursed singer by the name of O.V. Wright fell from grace and was buried in an unmarked grave. I learned of his myth around the same time I was brought to Peace Baptist Church, and witnessed a deep spirituality as ancient as the oak trees that dress every street in the city. A true believer in ghost stories and a scholar of African American studies, I was drawn to tell my own folk tale, and there was only one place on my mind. Our film captures the descent of a troubled singer as he drifts through an urban landscape looking to save his very soul. We surrounded ourselves with real Memphians and made a film that hopes to project a cool, beautiful world – as old as dirt and yet entirely new, and deserved of the title MEMPHIS.
Written and Directed by Tim Sutton.
Cast: Willis Earl Beal, Lopaka Thomas, Constance Brantley, Devonte Hull, John Gary Williams, Larry Dodson Music by Willis Earl Beal. Digital. USA 79 mins.
Official Site is Here.
Dr. Strangelove and the Shining – 35mm double feature – presented by Spoke Art
Join us Sunday, September 28th for a one night only screening of two classic Stanley Kubrick films, Dr. Strangelove and the Shining, both shown in glorious 35mm. Presented by Spoke Art gallery, this special event closes out their month long Kubrick themed art exhibit, on view at their Sutter street gallery from September 6th – 27th. *SPOKE ART GALLERY “Kubrick an art show tribute”
A selection of limited edition posters will be available for purchase at this event.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper’s executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all out nuclear war with the Soviets. Against Turgidson’s wishes, Muffley brings Soviet Ambassador Alexi de Sadesky into the War Room, and get his boss, Soviet Premier Dimitri Kisov, on the hot line to inform him of what’s going on.
The Americans in the War Room are dismayed to learn that the Soviets have a yet as unannounced Doomsday Device to detonate if any of their key targets are hit. As Ripper, Mandrake and those in the War Room try and work the situation to their end goal, Major T.J. “King” Kong, one of the B-52 bomber pilots, is working on his own agenda of deploying his bomb where ever he can on enemy soil if he can’t make it to his intended target.
Directed by Stanley Kubrick, 95 minutes, 1964, U.S.A.
A novelist – Jack Torrance take a job interview as winter caretaker of the isolated, old, huge and beautiful Overlook Hotel. In the interview, Jack is told by the manager himself, that the previous caretaker – Grady, chopped his family and later killed himself with a shotgun. Ignoring the story, Jack brings his wife – Wendy and his son Danny. It happens that Danny, has a mysterious power known as “The Shining” that shows him things from the past and future. Some of the visions come from Tony – “the little boy who lives in Danny’s mouth”. Danny meets Hallorann – the hotel cook in their first day arriving at the Overlook, who also has this “Shining” and he warns him about the hotel and the sinister Room 237. As the days go by, Danny has visions of previous guests and employees who died at the hotel years before, meanwhile Jack starts driving into insanity, turning more and more aggressive, at the point that Danny and Wendy gets convinced that Jack might try to do the same thing, Grady did.
Directed by Stanley Kubrick, 144 minutes, 1980, U.S.A.
Anger rages in Philip as he awaits the publication of his second novel. He feels pushed out of his adopted home city by the constant crowds and noise, a deteriorating relationship with his photographer girlfriend Ashley, and his own indifference to promoting the novel. When Philip’s idol Ike Zimmerman offers his isolated summer home as a refuge, he finally gets the peace and quiet to focus on his favorite subject: himself.
Following up his critically acclaimed The Color Wheel, Alex Ross Perry scripts a complex, intimate, and highly idiosyncratic comedy filled with New Yorkers living their lives somewhere between individuality and isolation. Jason Schwartzman leads an impressive cast, including Elisabeth Moss, Krysten Ritter, and Jonathan Pryce, balancing Perry’s quick-witted dialogue and their characters’ painful, personal truths. With narration by Eric Bogosian, we switch perspectives as seasons and attitudes change, offering a literary look into the lives of these individuals and the triumph of reality over the human spirit.
Directed by Alex Ross Perry 108 min. U.S.A. 2014
I can’t think of a recent movie that stages with as much joy and wonder the sense of living a life that becomes, directly or obliquely, in action or in idea, the stuff of art. -Richard Brody, New Yorker