July – September 2014
Post Screening Q&A with Director Kerry Candaele!
“Thrilling…smartly assembled and gracefully paced.” — New York Times
“The film is beautiful and powerful…If millions could experience its affirming and incandescent message, we might turn around the destructive dynamics that are overwhelming the earth.”–Bill Moyers
“Each anecdote builds upon the next to create that rarest of films: a documentary as ineffable and transformative in its reach as it sets out to be.”–Village Voice
FOLLOWING THE NINTH tells the story of people whose lives have been transformed, repaired and healed by Beethoven’s Ninth message: Alle Menschen werden Bruder (All People Are Brothers) Director Kerry Candaele follows the artistic, cultural, and political impact of the Ninth across five continents and ten countries, from Tiananmen Square to the Berlin Wall to the prisons of Pinochet’s Chile and the townships of South Africa, tracing the ways in which its grand, soaring melody and inspiring words of peace, tolerance, and love have sustained hope in a manner that few works of art have ever achieved. Dir: Kerry Candaele – 2013 – 85 Minutes
JOHN HUBLEY AT 100
Sunday, July 20
Q&A WITH NOTED ANIMATOR – AND DAUGHTER OF JOHN AND FAITH – EMILY HUBLEY AFTER THE 6PM SHOW! A traveling program of films by animators John and Faith Hubley, all in new 35mm prints, celebrating John Hubley’s 100th birthday.
ADVENTURES OF AN * – A baby, represented by the “ * ” symbol, delights in the visual excitement of the world. As he matures, his ability to see diminishes. Eventually, his own child freshens his vision. Produced and Written by John and Faith Hubley in collaboration with James Johnson Sweeney. Dir: John Hubley. 1956, 11 mins.
TENDER GAME – A jazz version of the song “Tenderly,” provides the soundtrack for a delicate tale of love. Produced and Written by John Hubley Music Performed by Ella Fitzgerald and the Oscar Peterson Trio: Ray Brown, bass and Herb Ellis, guitar. 1958, 6 mins.
MOONBIRD - In a magical adventure, two brothers hunt an imaginary bird. Their dialogue is improvised. Produced and Written by John and Faith Hubley. Voices of Mark and Ray Hubley. Dir: John Hubley. 1959. 10 mins.
THE HAT – Two soldiers patrol the border between their counties. When one accidentally drops his helmet over the line, the other refuses to give it back – setting the scene for a witty exploration of peace through world law. Music and Voices by Dizzy Gillespie and Dudley Moore. Produced and Written by John and Faith Hubley for The World Law Fund. Dir: John Hubley. 1964. 19 mins.
URBANISSIMO – A comic allegory depicting a runaway “city” devouring its environs. A farmer has an encounter with the “city” and deserts his rural home for the imagined joys of urban life. Produced by John and Faith Hubley for Expo ’67, Montreal. Music by Benny Carter. Dir: John Hubley. 1967. 6 mins.
WINDY DAY - An improvised dialogue of two little girls is the background for the expressive visualization of their view of marriage and babies, love and death. Voices of Emily and Georgia Hubley. Produced and Directed by John and Faith Hubley. 1968. 9 mins.
OF MEN AND DEMONS - A simple fisherman faces the challenges posed by climate and modernity as personified by three resourceful demons. Music by Quincy Jones Produced and Directed by John and Faith Hubley. 1968. 9 mins.
EGGS - Mother Nature bickers with Death over control of humankind before a fateful decision is made. Music by Quincy Jones. Voices of David Burns, Anita Ellis, and Grady Tate. Produced and Written by John and Faith Hubley
Dir: John Hubley. 1970. 10 mins.
STORY OF RELEASE
Organized in collaboration with the Hubley family, Cinema Conservancy’s centennial tour coincides with The Believer Magazine’s 2014 Film Issue. The issue will feature a DVD with a number of the Hubleys’ films, including “Cockaboody” (1973), “The Hole” (1963), and “Date With Dizzy” (1958), as well as commercials, home movies and storyboards.
Visually striking, playful and innovative, the selected films address a wide range of topics – from urbanization and overpopulation to two boys’ search for a pet bird – and feature the voices of Dizzy Gillespie, Dudley Moore, and the Hubleys’ children (Emily, Georgia, Mark and Ray), as well as music from Benny Carter, The Oscar Peterson Trio and Quincy Jones.
John Hubley began his training at Disney (where his participation in the studio’s famous 1941 strike caused him and other animators to be fired and later blacklisted) and went on to the Army’s Motion Picture Unit and UPA. The personal and creative partnership between John and Faith (Elliott) Hubley lasted from the 1950′s until John’s death in 1977. True to their marriage vow to finish one independent film per year, the Hubleys created over 20 animated films together, winning three Academy Awards (for “Moonbird,” “The Hole,” and 1966’s “Herb Alpert and The Tijuana Brass Double Feature”), in addition to taking on ads, commissions and segments for TV shows such as Sesame Street and The Electric Company. Faith Hubley went on to make 23 more films after 1977.
Breaking new artistic ground and exploring urgent topics in their films, the Hubleys rebelled, as John told animation historian John Canemaker, “against the sweet sentimental chipmunk and bunnies idiom of animation.” They favored a modern aesthetic, using techniques such as wax-resistance, oil painting and bottom-lit watercolors. In their experimentations with improvised dialogue and music, the pair found inspiration everywhere, from conversations between New York construction workers to the musings of their own children. Cinema Conservancy is thrilled to be bringing the Hubley’s work back to theaters in 2014.
ADVENTURES OF AN *, THE TENDER GAME, and URBANISSIMO were preserved by The Museum of Modern Art with support from the Celeste Bartos Fund for Film Preservation.
A CINEMA CONSERVANCY RELEASE. TOTAL PROGRAM RUNNING TIME: 80 mins. 35mm. Shows Sunday, July 20 at (2pm), 4pm, 6pm & 8pm.
“A Woman in Trouble”, reads the poster for David Lynch’s 2006 magnum opus (and possibly his final movie?), INLAND EMPIRE. It’s about a struggling actress, the barren outskirts of Los Angeles, the shadowy inner-workings of Hollywood, a troubled remake of a cursed, never-completed Polish movie. There’s a family of rabbits on television and two musical numbers. In many ways, it is the ultimate David Lynch movie, and we’re very excited to let you know he’s letting us borrow his personal 35mm print of the film!
Dir: David Lynch. 2006. 35mm. 180 mins. Nightly at 7:15pm.
Free for members!
Co-presented by San Francisco Cinematheque
NEW 35MM PRINT COURTESY OF JANUS FILMS!
In its native land, František Vláčil’s MARKETA LAZAROVÁ has been hailed as the greatest Czech film ever made; for many U.S. viewers, it will be a revelation. Based on a novel by Vladislav Vančura, this stirring and poetic depiction of a feud between two rival medieval clans is a fierce, epic, and meticulously designed evocation of the clashes between Christianity and paganism, humankind and nature, love and violence. Vláčil’s approach was to re-create the textures and mentalities of a long-ago way of life, rather than to make a conventional historical drama, and the result is dazzling. With its inventive widescreen cinematography, editing, and sound design, Marketa Lazarová is an experimental action film.
Dir: František Vláčil. 1967. 35mm. In Czech w/ English subtitles. 167 mins.
Free for members!
NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations.
Neon Tokyo : Anime World #2 – AKIRA
Thursday, August 21st
The 2nd program of the special series “Neon Tokyo” is “AKIRA”, Japanese animated action film directed by Katsuhiro Otomo.
“A fever-dream masterpiece” Village Voice
“A towering achievement of imagination” Time Out
Neo-Tokyo is about to E•X•P •L•O•D•E
Clandestine army activities threaten the war torn city of Neo-Tokyo when a mysterious being with powerful psychic abilities escapes his prison and inadvertently draws a violent motorcycle gang into a heinous web of experimentation. As a result, a biker with a twisted mind embarks on a path of war, seeking revenge against a society what once called him weak.
The film depicts a dystopian version of Tokyo in the year 2019, with cyberpunk tones. The plot focuses on teenage biker Tetsuo Shima and his psychic powers, and the leader of his biker gang, Shotaro Kaneda. Kaneda tries to prevent Tetsuo from releasing the imprisoned psychic Akira. While most of the character designs and settings were adapted from the original 2182-page manga epic, the restructured plot of the movie differs considerably from the print version, pruning much of the last half of the manga. It became a hugely popular cult film and is widely considered to be a landmark in Japanese animation. (Wikipedia)
Directed by Katsuhiro Otomo. Written by Katsuhiro Otomo and Izo Hashimoto.
Voices Mitsuo Iwata, Nozomu Sasaki, Mami Koyama, and Taro Ishida.
1988. Japan. 124min. Digital. Rating: R
Based on the graphic novel “Akira” by Katsuhiro Otomo. First published by “Young Magazine”, Kodansha Ltd.
©1988 Akira Committee. Licensed by FUNimation® Productions, Ltd. All Rights Reserved.
Endorsed by Consulate General of Japan in San Francisco /
Co-Presented by CAAM / Promotional Partner: btrax, Asian Art Museum, Cosplay San Francisco
Dr. Strangelove and the Shining – 35mm double feature – presented by Spoke Art
Join us Sunday, September 28th for a one night only screening of two classic Stanley Kubrick films, Dr. Strangelove and the Shining, both shown in glorious 35mm. Presented by Spoke Art gallery, this special event closes out their month long Kubrick themed art exhibit, on view at their Sutter street gallery from September 6th – 27th. *SPOKE ART GALLERY “Kubrick an art show tribute”
A selection of limited edition posters will be available for purchase at this event.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper’s executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all out nuclear war with the Soviets. Against Turgidson’s wishes, Muffley brings Soviet Ambassador Alexi de Sadesky into the War Room, and get his boss, Soviet Premier Dimitri Kisov, on the hot line to inform him of what’s going on.
The Americans in the War Room are dismayed to learn that the Soviets have a yet as unannounced Doomsday Device to detonate if any of their key targets are hit. As Ripper, Mandrake and those in the War Room try and work the situation to their end goal, Major T.J. “King” Kong, one of the B-52 bomber pilots, is working on his own agenda of deploying his bomb where ever he can on enemy soil if he can’t make it to his intended target.
Directed by Stanley Kubrick, 95 minutes, 1964, U.S.A.
A novelist – Jack Torrance take a job interview as winter caretaker of the isolated, old, huge and beautiful Overlook Hotel. In the interview, Jack is told by the manager himself, that the previous caretaker – Grady, chopped his family and later killed himself with a shotgun. Ignoring the story, Jack brings his wife – Wendy and his son Danny. It happens that Danny, has a mysterious power known as “The Shining” that shows him things from the past and future. Some of the visions come from Tony – “the little boy who lives in Danny’s mouth”. Danny meets Hallorann – the hotel cook in their first day arriving at the Overlook, who also has this “Shining” and he warns him about the hotel and the sinister Room 237. As the days go by, Danny has visions of previous guests and employees who died at the hotel years before, meanwhile Jack starts driving into insanity, turning more and more aggressive, at the point that Danny and Wendy gets convinced that Jack might try to do the same thing, Grady did.
Directed by Stanley Kubrick, 144 minutes, 1980, U.S.A.