April – November 2014
SAN FRANCISCO PREMIERE! SKYPE Q&A w/ FILMMAKER ELIZA HITTMAN on MONDAY, APRIL 7!
In the middle of an uneventful summer on the outskirts of Brooklyn, Lila, a lonely fourteen-year-old from Gravesend, turns her attentions to Sammy, an older thug she sees at Rockaway beach. Wanting something to brag about, she weaves a story about him and becomes fixated on seeing it realized. When her attempts fail, she propels the lie even further, claiming they’ve had sex. During her sexual quest, Lila turns from predator to prey. IT FELT LIKE LOVE captures the confusing emotions and developing identity of an adolescent girl that explores what could euphemistically be called love. Starring Gina Piersanti. Directed by Eliza Hittman. 2013. Digital.
SAN FRANCISCO PREMIERE!
From his birth in Queens to his mysterious death in New Orleans, LOOKING FOR JOHNNY chronicles the life of rock’n’roll true believer Johnny Thunders. A founding member of the New York Dolls and the leader of the Heartbreakers, Thunders epitomized a sort of post- Stones platonic ideal of how a rock star should be, minus the worldwide fame but with all the riffs, excess, excellence and tragedy that implies. Features interviews with Lenny Kaye, Alan Vega, Sylvain Sylvain and more!
Dir: Danny Garcia. 2014. Digital. 90 mins
Co-Presented by Noise Pop
Friday, June 20 – Thursday, June 26
SAN FRANCISCO PREMIERE! RECORD GIVEAWAYS COURTESY OF POLYVINYL RECORDS ON TUESDAY, WEDNESDAY AND THURSDAY NIGHT! THE PAST IS A GROTESQUE ANIMAL is a personal, accessible look at an artist – Kevin Barnes, frontman of the endlessly versatile indie pop band of Montreal – whose pursuit to make transcendent music at all costs drives him to value art over human relationships. As he struggles with all of those around him, family and bandmates alike, he’s forced to reconsider the future of the band, begging the question – is this really worth it? Dir: Jason Miller. 2014. Digital. 77 mins.
NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations. In the 2nd season of the series, we introduce Japanese cinema themed with Music.
This is a documentary about Japan’s law regulating entertainments.
Noon, a venerable Osaka club, was busted in April 2012 for violating Japan’s law regulating entertainment establishments. This documentary covers the music event held in July of the same year by over 90 artist teams, who rallied in protest. The law regulating entertainment businesses makes it illegal to allow patrons to dance, but the law went into effect in 1948, and in many ways is out of step with contemporary society. This film delves into problems in Japan’s music industry with interviews of performers like Ito Seiko and Hanaregumi, who have their doubts about the law.
Dancers displeased with the anti-dance law and the shutdown of a popular club in Osaka are taking their arguments to the screens this month in a documentary titled “Save The Club Noon.”
Noon, located in the Nakazaki-cho district of Osaka, was forced to shut down in April 2012 after local police claimed the club violated the 1948 fueihō entertainment business control law. Eight were arrested in the case, their charges being that the club allowed approximately 20 people to dance on its premises “without permission.” The 65-year-old law was created when so-called dance clubs were used as hotbeds of prostitution. Clubbers have been quick to rise up against a recent crackdown that has caused some lawmakers to push for a reform of the law.
Directed by Moriro Miyamoto, the film’s title derives from an event held in July 2012 in which more than 90 artists gathered to protest Noon’s closure. The film features prominent media figures including novelist Seiko Ito as well as the manager of the club. -Japan Times
Directed by Moriro Miyamoto, 93mins., 2013, JAPAN, English Subtitled.
SAVE THE CLUB NOON」Production Committee.