September – November 2014
& a special introduction by performance artist Jason Jenn, who will be performing an excerpt of his one man show ECSTASY FOR EVERYONE, inspired by the work of James Broughton.
A chronicle of the iconoclastic life of gay poet, filmmaker, and spiritual visionary James Broughton, one of the defining voices of the sexual revolution, whose groundbreaking artistic celebrations of sexuality and the body influenced generations of the 1960’s and 70’s to profoundly embrace life and ‘follow your own weird’.
A charismatic and visionary poet and filmmaker who emerged in the artistic renaissance of post – WWII San Francisco, James Broughton led a completely unconventional existence in his lifelong quest for creative artistry, sexual and spiritual love and an evolved state of happiness. BIG JOY is a celebratory mosaic of Broughton’s deeply intertwined creative and personal lives, vividly depicted through his involvement with a wide array of artists, activists and spiritual guides.
Directed by Eric Slade, Stephen Silha and Dawn Logsdon. USA. 2013. Digital. 82 mins.
About the filmmakers
Stephen Silha, producer and co-director, is a freelance writer, facilitator, and futurist who has made a practice of communicating about what makes communities and relationships work. He has reported for The Christian Science Monitor, the Minneapolis Star, and Yes! Magazine. He knew James Broughton, and was present at his death in 1999. Inspired by Broughton’s philosophy, life and work, he began a biography project which morphed into this film and multi-media project.
Eric Slade, co-director and producer, is an independent producer/director based in Portland, OR who has extensive experience with PBS. His independent documentary work includes Hope Along the Wind: The Story of Harry Hay (2002), The Impact of AIDS, Housing the American Dream, Safety in Numbers, Sex Life, and Acting Up for Prisoners.
Jason Jenn is an LA-based performance artist, director, designer, and event planner who was inspired by the film BIG JOY and James Broughton’s poetry to create performance events using Broughton’s poetry and films, bringing them a vibrant contemporary feel.
Be sure to catch the full performance of Jenn’s ECSTASY FOR EVERYONE the following day. The performance is a full hour of sensual delights that will leave audiences uplifted and aptly experiencing the ecstasy of James’ wondrous wit and wild whimsy. FREE & OPEN TO THE PUBLIC! Friday, September 5, 2014 at 8pm at the SFAI Lecture Hall.
FILMMAKER ANITA CHANG IN PERSON!
“You already know the importance of saving a language. You know the reason, but not the motivation to save it,” admits Anchi Chen, one of the collaborators for TONGUES OF HEAVEN. With 96% of the world’s population speaking only 4% of the world’s languages, what does it mean today to speak your mother tongue?
To put it another way, what do you lose when you lose your native language? Using video as the primary medium of expression, four young indigenous women from the Austronesian language territories Taiwan and Hawai’i share their questions, desires and challenges of learning their native languages.
Dir: Anita Chang. 2013. 60 min.
Anita Chang is a Bay Area independent filmmaker, educator and writer. Her award-winning works have screened internationally and broadcast on U.S. and Taiwan public television. She has taught in community centers and film departments in San Francisco, Nepal and Taiwan’s College of Indigenous Studies at National Dong Hwa University. Honors include grant awards from the Fulbright, San Francisco Arts Commission, and KQED Peter J. Owens Filmmaker programs.
Artist website: anitachangworks.com
Tongues of Heaven is a Creative Capital and National Geographic All Roads Seeds funded project.
BAY AREA DOCS is a monthly program featuring the best films made in the mecca of documentary filmmaking.
Filmmakers in Person!
On October 2nd, 1977 Dusty Baker hit his 30th homerun of the season, making history as the 4th player on the Dodgers to hit 30 or more home runs. As Baker rounded the bases, an excited rookie named Glenn Burke met him at home plate, raised his arm high in the air and slapped Baker five. It was the first high five recorded in the history of sports. A year later, Burke was forced about of baseball amid rumors of his sexual orientation. The film takes audiences back to the spontaneous moment between the two men and tells the story of how the celebratory gesture spread throughout the sports world at same time Burke was being forced from the game he loved. The film won the Jury Award and Best Short Doc at the 2014 San Francisco International Film Festival.
10 Minutes, Short Documentary, A Film by Michal Jacobs
Michael Jacobs debut feature Audience of One won awards at SXSW, Silverdocs and screened at New Directors/New Films before going on to theatrical release and a premiere on Sundance Channel. Jacobs has directed documentaries for Sony Pictures, Current TV and Popup Magazine. Jacobs is currently a founding member of Strike Anywhere Films.
Santa Cruz del Islote
Santa Cruz Isolate is less than three acres large and is one of the world’s most densely populated islands. This remote but family-like community resides fifty miles from Cartagena, Colombia. Such isolation has provided a peaceful existence for generations, but sufficient resources are becoming increasingly scarce. This short documentary explores the daily lives of a young boy and a fisherman as they come to terms with their changing paradise.
19 Minutes, Short Documentary, A Film by Luke Lorentzen
Luke Lorentzen is an undergraduate Film Studies major and American Studies minor at Stanford University. He has a particular interest in visually centered stories that explore everyday ways of life. His work has won awards at the San Francisco International Film Festival and Full Frame Documentary Film Festival. Luke is currently working on a new documentary about the variety of barber shops and hair salons throughout the five boroughs of New York City.
The Delano Manong
The Delano Manongs tells the story of the Filipino farmworkers who spurred the Great Grape Strike in 1965 and joined forces with the other ethnic workers to create the United Farmworkers Union.
The film chronicles the untold story of the Filipino farmworkers who instigated one of the biggest labor struggles in American history — the Delano Grape Strike of 1965. Led by Larry Itliong, Philip Vera Cruz and Pete Velasco, the Manongs (a Filipino term of respect for an older man) joined forces with Chicano farmworkers, led by Cesar Chavez and Dolores Huerta, to create the United Farm Workers Union (UFW). The documentary, compounded by interviews and both archival and present-day footage, sheds light on the lives of these Filipino farmworkers from their arrival into the United States in the 1920s and ’30s to the demise of their assemblage in the 1980s, highlighting their many struggles and achievements. The legacy created by the Manongs — out of a necessity and want for basic equality and humanity — is one still significant to and celebrated by thousands of Filipino Americans today. The Trailer is Here.
27 Minutes, Short Documentary, A Film By Marissa Aroy
Marissa Aroy, director, of The Delano Manongsreceived an Emmy for the documentary “Sikhs in America,” which was shown on PBS. She produced and directed “Little Manila: Filipinos in California’s Heartland” also for PBS and produced “Sounds of Hope” for Frontline World. Aroy holds a bachelor’s degree in psychology from Boston College and a master’s degree in journalism from University of California, Berkeley. She recently came back from Tacloban where she was filming the aftermath of Typhoon Haiyan in Tacloban, Philippines for the United Nations Children’s Fund (UNICEF). Aroy was named one of the most influential Filipina women in the US in 2009 by the Filipina Womens Network. She and her filmmaking partner, Niall McKay, founded Media Factory, a media production company in 2004. For more about Media Factory: http://www.mediafactory.tv
As a 13 year-old, Matthew Boger was thrown out of his home for being gay. While living on the streets of Hollywood, he was savagely beaten in a back alley by a group of neo-Nazi skinheads. Boger managed to survive the attack and escape life on the streets. Twenty-five years later, Boger found himself in a chance meeting with a former neo-Nazi skinhead, Tim Zaal. The two men soon realized that they had met before…Zaal was one of the attackers who beat Boger and left him for dead.
With their worlds turned upside down, the two embarked on a journey of forgiveness and reconciliation that challenged both to grapple with their own beliefs and fears. Neither could imagine that it would to lead to an improbable collaboration…and friendship.
23 Minutes, Short Documentary, A Film By Jason Cohen
Academy Award-nominated Jason Cohen has produced and directed all formats of film and television on projects that cover a broad range of topics over the past 20 years. Currently, Cohen is in production on a global film about love and forgiveness that has taken him around the world to highlight stories in Uganda, India, Haiti, Spain and Italy.
Cohen has had an ongoing relationship with Academy Award-winning director Steven Okazaki for over 15 years. Last year he produced the Okazaki-directed APPROXIMATELY NELS CLINE, about the world-renowned lead guitarist of the rock band Wilco. He co-produced HBO’s Emmy-nominated BLACK TAR HEROIN: DARK END OF THE STREET, with Okazaki and was a producer on his Emmy Award-winning HBO doc on the dropping of the atomic bomb, WHITE LIGHT/BLACK RAIN, which also screened at the 2007 Sundance Film Festival. *Full Biography
Depressed and frustrated with his life, Dr. John Kitchin abandons his career as a neurologist and moves to Pacific Beach. There, he undergoes a radical transformation into SLOMO, trading his lab coat for a pair of rollerblades and his IRA for a taste of divinity.
18 Minutes, Short Documentary, A Film by Josh Izenberg
Josh hails from Ann Arbor, where he earned a degree in Screenwriting from the University of Michigan. He’s since worked as a copywriter, a cab driver, and a carpenter. SLOMO is his first documentary.