August – November 2014
Beautiful Moment, a San Francisco based film which captures a cinematic perspective, expressing a viewpoint that is shared by many that aim to thrive in skateboarding. The film offers a glimpse into this world’s subtleties, passion, innovation, consternation, and unacceptability. A moment is simply this film’s representation in which, we all may relate to the beautiful feeling of fruition regardless of life’s hurdles.
Free admission + product raffle!!
Film-Maker: Dayman Cash, Run-Time: 40 min, 2014 USA
& a special introduction by performance artist Jason Jenn, who will be performing an excerpt of his one man show ECSTASY FOR EVERYONE, inspired by the work of James Broughton.
A chronicle of the iconoclastic life of gay poet, filmmaker, and spiritual visionary James Broughton, one of the defining voices of the sexual revolution, whose groundbreaking artistic celebrations of sexuality and the body influenced generations of the 1960’s and 70’s to profoundly embrace life and ‘follow your own weird’.
A charismatic and visionary poet and filmmaker who emerged in the artistic renaissance of post – WWII San Francisco, James Broughton led a completely unconventional existence in his lifelong quest for creative artistry, sexual and spiritual love and an evolved state of happiness. BIG JOY is a celebratory mosaic of Broughton’s deeply intertwined creative and personal lives, vividly depicted through his involvement with a wide array of artists, activists and spiritual guides.
Directed by Eric Slade, Stephen Silha and Dawn Logsdon. USA. 2013. Digital. 82 mins.
About the filmmakers
Stephen Silha, producer and co-director, is a freelance writer, facilitator, and futurist who has made a practice of communicating about what makes communities and relationships work. He has reported for The Christian Science Monitor, the Minneapolis Star, and Yes! Magazine. He knew James Broughton, and was present at his death in 1999. Inspired by Broughton’s philosophy, life and work, he began a biography project which morphed into this film and multi-media project.
Eric Slade, co-director and producer, is an independent producer/director based in Portland, OR who has extensive experience with PBS. His independent documentary work includes Hope Along the Wind: The Story of Harry Hay (2002), The Impact of AIDS, Housing the American Dream, Safety in Numbers, Sex Life, and Acting Up for Prisoners.
Jason Jenn is an LA-based performance artist, director, designer, and event planner who was inspired by the film BIG JOY and James Broughton’s poetry to create performance events using Broughton’s poetry and films, bringing them a vibrant contemporary feel.
Be sure to catch the full performance of Jenn’s ECSTASY FOR EVERYONE the following day. The performance is a full hour of sensual delights that will leave audiences uplifted and aptly experiencing the ecstasy of James’ wondrous wit and wild whimsy. FREE & OPEN TO THE PUBLIC! Friday, September 5, 2014 at 8pm at the SFAI Lecture Hall.
In the hyper-charged powder keg of the late 1960s, Los Angeles native and Pittsburgh Pirates pitcher Dock Ellis was ready to light the match. Proudly black, loudly opinionated, ready to rumble and almost always high on one substance or another, Dock was considered the Muhammad Ali of the ballpark.
He made history on June 12, 1970, when he pitched a no-hitter while completely flying on LSD. Flash forward a few years, and he is broke and essentially unemployable. But Dock Ellis was a born fighter, whether battling a racist society, the baseball establishment or his own demons.
There are a lot of colorful characters in the story of this larger-than-life figure, and filmmaker Jeffrey Radice corrals colleagues, ex-wives, journalists, managers, children, gadflies and protégés to produce a balanced biography of Ellis with the generosity of spirit the man himself embraced in the last few decades of his life. No No: A Dockumentary is a lot of things: sports movie, redemption narrative and portrait of an era, but at its core it is quintessentially Dock.
Embroidering this indelible character study is a fantastic hard psychedelic funk score by Adam Horovitz of the Beastie Boys.
Dir: Jeffrey Radice. USA. 2014. 100 mins.
God Help The Girl is a musical feature film, written and directed by Stuart Murdoch, lead singer of the group Belle and Sebastian. It was produced by Barry Mendel and stars Emily Browning, Olly Alexander and Hannah Murray.
Stuart aspired to tell the story of “a better summer, or at least a summer when something happened. It happened to a boy and a girl and a girl in a city roughly the same size and population of Glasgow. Perhaps the canals were a bit grimier, the high-rise buildings taller, the streets emptier when you needed them to be, and the beat clubs busier than the ones around here. But on the whole the city was this one.”
According to Barry Mendel, “It’s a simple story – about the brief moment after you’ve realised what you want to do with your life, before your dream settles into becoming your job, when you’re filled with enthusiasm, meeting like-minded friends and the possibilities are endless.”
The film was shot, edited, scored and mixed in Glasgow over the course of 2012-2013 and is be released in cinemas around the world in 2014.
CHECK OUT OH SO MUCH MORE AT:
Director: Stuart Murdoch, 111 min. 2014
Official Site is here.
“Ralph W. Moss has stayed the course in stating his case. I am glad his voice is being heard.” – Harold P. Freeman, MD Past National President, American Cancer Society
The story of Ralph W. Moss, PhD—a young science-writer at Memorial Sloan-Kettering Cancer Center (MSKCC), who risked everything by blowing the whistle on a massive cover-up involving an unconventional, yet promising cancer therapy.
Ralph lived a double life, working as a loyal employee at MSKCC while also recruiting fellow employees to help anonymously leak their positive results of an unconventional therapy called “Laetrile” to the public—through a newly formed underground organization they called—“Second Opinion”.
San Francisco Premiere Screening - September 20 only!!
NEW DOCUMENTARY “MICROBIRTH” REVEALS THE MICROSCOPIC SECRETS OF CHILDBIRTH
Join the San Francisco Doula Group for the Premier Screening of MICROBIRTH, followed by a discussion by a panel of birth experts.
September 20th, 2014, 4:30-6:30pm, $12 in advance/$15 door price
The way we give birth has changed dramatically over the past 30 years. Some leading scientists are warning that these changes could have serious repercussions for the lifelong health of our children.
Featuring prominent scientists from the UK and North America, “Microbirth” examines how modern birth practices could be interfering with critical biological processes potentially making our children more susceptible to disease later in life. Recent population studies have shown babies born by Caesarean Section have approximately a 20% increased risk of developing asthma, 20% increased risk of developing type 1 diabetes, a similar risk with obesity and slightly smaller increases with gastro-intestinal conditions like Crohn’s disease or coeliac disease. These conditions are all linked to the immune system. “Microbirth” explores several possible explanations. If a baby is born by Caesarean Section, scientists hypothesise this could alter the “seeding” of the baby’s microbiome, the critical transfer of good bacteria from mother to baby at birth. Scientists suggest this could lead to the baby’s immune system not developing to its full potential. Another hypothesis is the actual process of vaginal birth, including the cocktail of hormones produced during labour, could profoundly affect the baby’s immune regulation and metabolism. Dr Rodney R Dietert, Professor of Immunotoxicology at Cornell University, says, “Over the past 20-30 years, we’ve seen dramatic increases in childhood asthma, type 1 diabetes, coeliac disease, childhood obesity. We’ve also seen increases in Caesarean delivery. Does Caesarean cause these conditions? No. What Caesarean does is not allow the baby to be seeded with the microbes. The immune system doesn’t mature. And the metabolism changes. It’s the immune dysfunction and the changes in metabolism that we now know contribute to those diseases and conditions.” Dr Matthew Hyde, Research Associate of Neonatal Medicine, Imperial College London says, ”We are increasingly seeing a world out there with what is really a public health time-bomb waiting to go off. And the research we are doing suggests it is only going to get worse, generation on generation. So tomorrow’s generation really is on the edge of the precipice unless we can begin to do something about it.”
The film’s co-director Alex Wakeford says, “The World Health Organization has stated non- communicable disease has reached epidemic levels. Leading economists have predicted that, by the year 2030, the cost of treating this epidemic could bankrupt global healthcare systems. Governments are extremely concerned about the repercussions of antibiotic resistance and the effect this level of disease could have upon social and economic stability on a global scale. What is not even on their agenda, however, is the possible effect of mode of birth.” The film’s co-director Toni Harman adds, “Caesarean Sections are often essential and can be life-saving. A few leading individuals have been raising the alarm and building up a picture of potential long-term outcomes for some time. Over the last couple of years, more and more people have joined this debate and the weight of this emerging research is painting a very worrying picture in terms of future health across populations. The film raises awareness of the potential importance of “seeding” the microbiome for all babies, whether born naturally or by C-section. This is an issue not just for parents and health professionals, but also for all our world leaders. For surely now is the time for childbirth to be the focus of serious, urgent attention at the highest level?”
Produced and directed by British filmmaking couple, Toni Harman and Alex Wakeford.
Their previous film “Freedom For Birth” premiered in over 1,100 public screenings in
50 countries in 2012. Microbirth runs 70 minutes.
Official Site is Here.
“entertaining and fairly insightful.” -Variety
A documentary that follows Dan Harmon on tour for his podcast series after he was fired from Community in 2012.
Harmontown is a fascinating glimpse into the mind of a man that would quote himself saying that a movie about him is fascinating, Harmon said. It’s more than a documentary. It’s your chance to figure out what’s wrong with me while cutting me in on the profit.
Harmon is planning to start another podcast tour in concert with the film’s theatrical release.
Director: Neil Berkeley, 101min. U.S.A. 2014
Official Site is Here.
NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations. In the 2nd season of the series, we introduce Japanese cinema themed with Music.The 1st title is “IDOL IS DEAD”, musical horror comedy stared by real Japanese idol group, BiS.
In Japan, beautiful pop pin-up Idols rule the music scene. Frustrated in her dreams of being a star in Tokyo, Rui ended up a hostess in a provincial bar. When her former rival Momoko returns home a successful Idol singer, Rui flips out and kills her and the rest of her pop group. In order to hide the crime, she and her friends take the dead girls’ place, creating BiS (Brand-new Idol Society). But when a mad scientist reanimates Momoko as a half-robot half zombie, she retaliates on the new starlets and their fans. A strikingly original part-horror, part-comedy, part-music-video starring one of Japan’s freshest pop sensations. (in Japanese with English subtitles)
Once, Rui has aimed at a singer. However, now, she was frustrated and was doing the hostess’s work in the country. When Rui goes home together with a friend’s Tsunko, She met Momoko, the rival at the time of her having aimed as a singer. Momoko became an idol singer and was successful. On the grounds that Momoko has ridiculed Rui, Rui killed two friends, her and her. In order that Rui may escape a crime, She formed the idol group together with Tsunko pretending to be Momoko and others.
(C) Copenhagen Theater 2013
Director/Screenwriter : Yukihiro Kato, JAPAN, 2012, 63min.
Casts : BiS (Brand New Idol Society)
FREE TO ALL!!
REGARDING SUSAN SONTAG is an intimate and nuanced investigation into the life of one of the most influential and provocative thinkers of the 20th century. Passionate and gracefully outspoken throughout her career, Susan Sontag became one of the most important literary, political and feminist icons of her generation. The documentary explores Sontag’s life through evocative experimental images, archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, read by actress Patricia Clarkson. From her early infatuation with books and her first experience in a gay bar; from her marriage in adolescence to her last lover, REGARDING SUSAN SONTAG is a fascinating look at a towering cultural critic and writer whose works on photography, war, illness, and terrorism still resonate today. More than any other thinker of her day, Sontag was watched, viewed, photographed and stared at. She was gazed at, and she looked back, very carefully, particularly at language and metaphor and at photography and what she called “the ecology of images.” REGARDING SUSAN SONTAG gives viewers the chance to watch Sontag while she examines the world. REGARDING SUSAN SONTAG has been made in partnership with HBO Documentary Films and will be broadcast Fall 2014.
Directed by Nancy D. Kates, 100 Minutes, U.S.A., 2014
NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations. In the 2nd season of the series, we introduce Japanese cinema themed with Music.
This is a documentary about Japan’s law regulating entertainments.
Noon, a venerable Osaka club, was busted in April 2012 for violating Japan’s law regulating entertainment establishments. This documentary covers the music event held in July of the same year by over 90 artist teams, who rallied in protest. The law regulating entertainment businesses makes it illegal to allow patrons to dance, but the law went into effect in 1948, and in many ways is out of step with contemporary society. This film delves into problems in Japan’s music industry with interviews of performers like Ito Seiko and Hanaregumi, who have their doubts about the law.
Dancers displeased with the anti-dance law and the shutdown of a popular club in Osaka are taking their arguments to the screens this month in a documentary titled “Save The Club Noon.”
Noon, located in the Nakazaki-cho district of Osaka, was forced to shut down in April 2012 after local police claimed the club violated the 1948 fueihō entertainment business control law. Eight were arrested in the case, their charges being that the club allowed approximately 20 people to dance on its premises “without permission.” The 65-year-old law was created when so-called dance clubs were used as hotbeds of prostitution. Clubbers have been quick to rise up against a recent crackdown that has caused some lawmakers to push for a reform of the law.
Directed by Moriro Miyamoto, the film’s title derives from an event held in July 2012 in which more than 90 artists gathered to protest Noon’s closure. The film features prominent media figures including novelist Seiko Ito as well as the manager of the club. -Japan Times
Directed by Moriro Miyamoto, 93mins., 2013, JAPAN, English Subtitled.
SAVE THE CLUB NOON」Production Committee.