Calendar

January – February 2015

Jan
2
Fri
2014 SUNDANCE FILM FESTIVAL SHORTS
January 2, 2015 - January 8, 2015

Friday, January 2 – Thursday, January 8

Separate Admission

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The Sundance Film Festival has been widely acknowledged as the premier showcase for short films and the launch pad for careers of many now-prominent independent filmmakers.  Spotlighting an impressive assortment of stories and styles, this year’s tour of Sundance shorts is comprised of two separate programs, one featuring live-action films, while another focuses on highlights from their animated presentations.


2014 SUNDANCE FILM FESTIVAL SHORTS: LIVE ACTION

sshorts_dawn_sm_WPShowcasing a wide variety of story and style, the live action segment is a 94- minute program of eight short films from the 2014 edition of the January Festival and features both fiction and documentary. The diverse program ranges from beautiful insight and the struggle to understand the meaning of life to a hilarious, all-too familiar government deposition.   The shorts featured include Afronauts (Frances Bodomo, US), The Cut (Genevi`eve Dulude-Decelles, Canada, Short Film Jury Award: International Fiction), Dawn (Rose McGowan, US), I Think This Is the Closest to How the Footage Looked (Yuval Hameiri, Israel, Short Film Jury Award: Non-fiction), I’m a Mitzvah (Ben Berman, US), Love. Love. Love. (Sandhya Daisy Sundaram, Russia, Short Film Special Jury Award: Non-fiction), MeTube: August Sings Carmen “Habanera” (Daniel Moshel, Austria) and Verbatim (Brett Weiner, US).

For Further More Contents Information at OFFICIAL SITE (Live Action)


2014 SUNDANCE FILM FESTIVAL SHORTS: ANIMATION

 

belly_webThe touring program of Animated Shorts from 2014 and past editions of the Sundance features styles ranging from handmade drawing and painting to puppetry, with stories of love, art, bubbles, nudism, the creation of the universe and what it all means to you. The 95 minute program includes: Belly (Julia Pott, UK), It’s Such a Beautiful Day (Don Hertzfeldt, US), Marilyn Myller (Mikey Please, US/UK), The Obvious Child (Stephen Irwin, UK), Oh Willy… (Marc James Roels & Emma De Swaef, Belgium/France/Netherlands), Subconscious Password (Chris Landreth, Canada), Voice on the Line (Kelly Sears, US) and Yearbook (Bernardo Britto, US, Short Film Jury Award: Animation, Sundance 2014).  For Further More Contents Information at OFFICIAL SITE (Animation)

Feb
20
Fri
2015 Noise Pop Film Series: Hardcore DEVO Live
February 20, 2015

WEST COAST PREMIERE!

Q&A filmmaker Keirda Bahruth and Jerry Casale from Devo

Devo PosterNo matter how messy, beginnings are exciting. Especially when what happens next endures the test of time. For DEVO the beginning happened in the basements and garages of Akron, Ohio. The songs they wrote were raw and unfiltered with no commercial intent. They called it Hardcore DEVO.  In the summer of 2014, DEVO performed 10 shows playing the seminal, experimental songs they created between 1974 and 1977. They have not played most of these songs that pre-dated any fame or record contracts since that time. This film captures these ground breaking artists performing the songs that started it all. It’s DEVO unmasked, coming face to face with their past and paying tribute to their fallen brother, Bob Casale. It’s their “thank you” to everyone who believed in them before it was safe to be DEVO!

Director: Keirda Bahruth. 2014. Digital. 94 minutes.

Event link: http://film.noisepop.com/events/2015/2/20/hardcore-devo-live

2015 Noise Pop Film Series: Ollies, Dollies & Drones: A Survey of Spike Jonze’s Skate Videos
February 20, 2015

NOISE POP EXCLUSIVE PREMIERE!

Q&A with special guests

Spike Jonze PosterOne of the best filmmakers of his generation (and indisputably the greatest music video director ever) Spike Jonze learned his craft in the last remaining Wild West for filmmakers growing up in the ‘80s and ‘90s – skateboard videos. From early work with World Industries through his contemporary contributions to Lakai and Girl (of which he is a co-owner) Spike’s grasp on the formal restraints of the genre – namely, a loose interpretation of trespass and copyright laws – were immediate, and the boundary shattering imagination he applied to his skate videos changed the game forever. As skate videos, they’re thrilling and hilarious and super cool; viewed as a sort of sketchbook for a restlessly creative artist sharpening his craft, they’re invaluable. Join us for a survey of Spike’s skateboard videos.

Director: Spike Jonze. 2014. Digital. 90 minutes.

Event link: http://film.noisepop.com/events/2015/2/20/ollies-dollies-drones-a-survey-of-spike-jonzes-skate-videos

 

 

Feb
21
Sat
2015 Noise Pop Film Series: SALAD DAYS: The Birth of Punk in the Nation’s Capital
February 21, 2015

WEST COAST PREMIERE!

Q&A with director Scott Crawford and Mark Haggerty (Gray Matter), Meghan Adkins and Nicky Thomas (Fire Party)

Salad Days PosterThey weren’t the first and they weren’t the last, but they never got hit by the adult crash. SALAD DAYS tells the story of birth, childhood, awkward adolescence and triumphant young adulthood of Washington, D.C.’s extremely tight-knit and world renown punk scene. From all-ages shows to straight edge hardcore to Go Go music to Revolution Summer to Repeater, it’s all here in this sprawling love letter to the most vibrant regional music scene of the last forty years. Featuring jaw-dropping, archival footage and interviews with Ian MacKaye, Henry Rollins, Dave Grohl and many more, SALAD DAYS is mandatory viewing for punk lifers and social anthropologists alike.

Director: Scott Crawford. 2014. Digital. 103 minutes.

Event Link: http://film.noisepop.com/events/2015/2/21/salad-days-the-birth-of-punk-in-the-nations-capital