September – October 2014
NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations.
NIPPON NIGHTS 〜 Neon Tokyo : Anime World #3 – TAMALA2010 a punk cat in space & Wake Up!! TAMALA
★Get a TAMALA stickers with your ticket (only 50 first people)!! ★TAMALA × The Roxie Theater SPECIAL POSTER Limited Edition is now on sale.
The 3rd program of the special series “Neon Tokyo” is “TAMALA”, Japanese animated film about kitten from the Planet of Cats, who sets out to solve the mystery of her birth.
TAMALA 2010 a punk cat in space
With large eyes and a cherubic face. She is cute enough to make go crazy for her until she opens her mouth that is. Don’t be fooled by her innocent face; TAMALA is a real hell-on-wheels, bitter-sweet punk cat.
Playful, one year old, female cat. She played the heroine in the theatrical film ”TAMALA 2010 a punkcat in space” in 2002.
t.o.L FILM “TAMALA2010 a punkcat in space”
Originally Written, and Directed by t.o.L / Music by t.o.L & trees of Life /Voice Over : ATSUKO HARASIMA, SHINJI TAKEDA, TAKESHI KATO, SATO(54-71),
BEATRICE DALLE Producers : t.o.L & SEIICHI TSUKADA & KAZUKO MIO / 2D Animation : KENTARO NEMOTO /3D CG Direction :MICHIRO TSUTSUMOTO & KENJI OKADA / Editor : KENSUKE KAWAMURA & DAISHIN SUZUKI
92 mins. /2002 / English Subtitled Presented by CULTURE PUBLISHES
Wake Up!! TAMALA
In 2010, the new “TAMALA” film project started cooperated with one of the world most famous environmental preservation fund, WWF Japan. 『Wakeup!! TAMALA』 depicts the vision of the crisis which has been destroying the biodiversity by human civilization during the poetic time travel with TAMALA. The subject of death and rebirth, as the place of origin of its concept, has been set in this film with the perspective of the nature conservation.” -
Animation Creator : Kentaro Nemoto, Production : Tokyo News Service,Ltd,
Executive Producer: Takashi Okuyama（Tokyo News Service,Ltd), Producer : Akira Takeuchi（Tokyo News Service,Ltd）
Associate Production : Team From JP. http://www.myspace.com/fromjp
Voice Over : Atsuko Harashima, Chiaki Kuriyama 17mins. /2010 / English Subtitled
TAMALA × The Roxie Theater Special Poster
Endorsed by Consulate General of Japan in San Francisco /
Co-Presented by CAAM / Promotional Partner: btrax
Welcome to the Synesthesia Film Festival!
This is a once a night monthly film festival that screens independent short films, student films, web series, documentaries, music videos, experimental films and animations from around the world.
The goal is to bring an eclectic mix of media and filmmakers together to mingle, share ideas, and collaborate on future projects.
The screening night starts at 6:30 PM in the lobby where the filmmakers, writers, producers, directors, actors, and editors of the short films can get to know each other.
Then the show begins at 7:00 PM and ends at 9:00 PM, followed by a short Q&A with the key filmmakers.
Afterparty at 9:30 PM down the street at a local bar or restaurant where we will tally up the scores and announce the winners of the Audience Choice Awards.
Beginning in 2004, filmmaker/novelist Catherine Breillat had a series of debilitating strokes connected to a previously undiagnosed cerebrovascular disease.During her long, grueling recovery, she became fascinated by international con man Christophe Rocancourt. She decided only he could play the leading part in her next film. Their close friendship ended with a bang in 2009—when Breillat sued Rocancourt for conning her out of nearly $1 million.
No stranger to discomfiting her audience—or herself—Breillat fictionalizes that recent life chapter here, with the inimitable Isabelle Huppert as stroke-felled filmmaker/novelist “Maud Shainberg.” Maud invites into her life notorious celebrity “crook” Vilko Piran (French rapper Kool Shen). The two fast become thick as, well, thieves. The title Abuse of Weakness suggests a simple victimization that is in fact much more complex and ambiguous in Breillat’s queasy, thinly veiled self-portrait.
In Huppert’s fearless performance, Maud is perversely willing prey to “wild animal” Vilko. He’s rude, bullying, seductive—but then she is often demanding, arrogant and contrary herself. Their interdependency has elements of a marriage (though he’s already married) and an affair (though it’s platonic). These are two prickly, high-maintenance people determined to get the most out of each other, for better or worse. The fact that it’s very likely to be “for worse” seems key to their mutual attraction. –Dennis Harvey
Directed and Written by Catherine Breillat,
Casts: Isabelle Huppert, Kool Shen, Laurence Ursino
2014, France | Germany | Belgium, 105min.
The subject of Somali pirates still strikes fear in the hearts of us Westerners, for it’s all a landscape that’s totally different than anything we could possibly know about. Shot in East Africa using first-time Somali actors, Fishing Without Nets ls the mesmerizing, sobering story of the region’s bandits from the Somali point-of-view. In Somalia, principled, young husband and father Abdi turns to piracy to support his family. While his wife and child wait for him in Yemen, an outdated and fragile satellite phone is his only connection to all he truly values. Here (in Sundance 2014′s winner for the Directing Award, U.S. Dramatic), debut feature filmmaker Cutter Hodierne combines the epic cinematic vision of a glorious action thriller with the intimate, textured qualities of an arthouse film, humanizing the pirates by bringing us inside their moral dilemmas and gut-wrenching struggles.
Dir: Cutter Hodierne – 2014 – 110 mins
* Berlin Film Festival 2014 * * New York Film Festival 2014 * * South By Southwest 2014 *
Last Highjack directed by Tommy Pallotta (animator and collaborator of Richard Linklater on “A Scanner Darkly” and “Waking Life”) tells the true tale of survival in Somalia from the pirate’s perspective. Combining animation with documentary storytelling, the film takes an innovative hybrid approach to explore how one Somali pirate – Mohamed – came to live such a brutal and dangerous existence. Animatedre-enactments exploring Mohamed’s memories, dreams and fears from his point of view are juxtaposed with raw footage from his everyday life in an original non-fiction narrative. Dir: Tommy Palotta. 2014. 83 min.
Dir: Tommy Palotta – 2014 – 83 mins
FILMMAKER ANITA CHANG IN PERSON!
“You already know the importance of saving a language. You know the reason, but not the motivation to save it,” admits Anchi Chen, one of the collaborators for TONGUES OF HEAVEN. With 96% of the world’s population speaking only 4% of the world’s languages, what does it mean today to speak your mother tongue?
To put it another way, what do you lose when you lose your native language? Using video as the primary medium of expression, four young indigenous women from the Austronesian language territories Taiwan and Hawai’i share their questions, desires and challenges of learning their native languages.
Dir: Anita Chang. 2013. 60 min.
Anita Chang is a Bay Area independent filmmaker, educator and writer. Her award-winning works have screened internationally and broadcast on U.S. and Taiwan public television. She has taught in community centers and film departments in San Francisco, Nepal and Taiwan’s College of Indigenous Studies at National Dong Hwa University. Honors include grant awards from the Fulbright, San Francisco Arts Commission, and KQED Peter J. Owens Filmmaker programs.
Artist website: anitachangworks.com
Tongues of Heaven is a Creative Capital and National Geographic All Roads Seeds funded project.
BAY AREA DOCS is a monthly program featuring the best films made in the mecca of documentary filmmaking.
FREE TO ALL!!
Part love story, part thriller, and all astonishingly true, The Circle weaves a gorgeous 1950s period drama around a documentary to reveal the story of Zürich’s groundbreaking gay magazine Der Kreis—and its network of readers, friends, and lovers, who formed one of the first modern homophile societies.
In the years following World War II, a small band of Swiss writers dared to publish their bimonthly magazine Der Kreis (The Circle), smuggling it into countries throughout Europe. It provided subscribers with news and erotica (in German, French, and English), “artistic” physique pictorials, and—perhaps most importantly—a sense of community. The magazine’s sumptuous galas helped give Zürich a reputation as the gay capital of Europe. At one of these balls, in 1958, closeted schoolteacher Ernst Ostertag meets local drag celebrity Röbi Rapp—who is very much out of the closet (his loving mother sews his gowns for him). This encounter is the beginning of a love affair that endures today: in 2007, Ostertag and Rapp became Switzerland’s first same-sex civil partners. The film follows their relationship and the challenges faced by the controversial magazine after a gay prostitute murders a prominent client, igniting press hysteria and police crackdowns that threaten to end Zürich’s era of freedom.
Directed by Stefan Haupt, 102 Minutes, Switzerland, 2014
The Arab Film Festival returns to the Roxie this fall for its 18th edition. With an international standing, the Arab Film Festival is considered one of the most important festivals of Arab films outside the Arab world. It strives to present the best contemporary films that provide insight into the beauty, complexity and diversity of the Arab world alongside realistic perspectives on Arab people, culture, art, history and politics. This year the festival will screen in San Francisco, Berkeley, Oakland and Palo Alto, October 10-23.
NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations. In the 2nd season of the series, we introduce Japanese cinema themed with Music.The 1st title is “IDOL IS DEAD”, musical horror comedy stared by real Japanese idol group, BiS.
In Japan, beautiful pop pin-up Idols rule the music scene. Frustrated in her dreams of being a star in Tokyo, Rui ended up a hostess in a provincial bar. When her former rival Momoko returns home a successful Idol singer, Rui flips out and kills her and the rest of her pop group. In order to hide the crime, she and her friends take the dead girls’ place, creating BiS (Brand-new Idol Society). But when a mad scientist reanimates Momoko as a half-robot half zombie, she retaliates on the new starlets and their fans. A strikingly original part-horror, part-comedy, part-music-video starring one of Japan’s freshest pop sensations. (in Japanese with English subtitles)
Once, Rui has aimed at a singer. However, now, she was frustrated and was doing the hostess’s work in the country. When Rui goes home together with a friend’s Tsunko, She met Momoko, the rival at the time of her having aimed as a singer. Momoko became an idol singer and was successful. On the grounds that Momoko has ridiculed Rui, Rui killed two friends, her and her. In order that Rui may escape a crime, She formed the idol group together with Tsunko pretending to be Momoko and others.
(C) Copenhagen Theater 2013
Director/Screenwriter : Yukihiro Kato, JAPAN, 2012, 63min.
Casts : BiS (Brand New Idol Society)