October – December 2014
NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations. In the 2nd season of the series, we introduce Japanese cinema themed with Music.The 1st title is “IDOL IS DEAD”, musical horror comedy stared by real Japanese idol group, BiS.
In Japan, beautiful pop pin-up Idols rule the music scene. Frustrated in her dreams of being a star in Tokyo, Rui ended up a hostess in a provincial bar. When her former rival Momoko returns home a successful Idol singer, Rui flips out and kills her and the rest of her pop group. In order to hide the crime, she and her friends take the dead girls’ place, creating BiS (Brand-new Idol Society). But when a mad scientist reanimates Momoko as a half-robot half zombie, she retaliates on the new starlets and their fans. A strikingly original part-horror, part-comedy, part-music-video starring one of Japan’s freshest pop sensations. (in Japanese with English subtitles)
(C) Copenhagen Theater 2013
Director/Screenwriter : Yukihiro Kato, JAPAN, 2012, 63min.
Casts : BiS (Brand New Idol Society)
Endorsed by Consulate General of Japan in San Francisco & Japan Foundation
FREE TO ALL!!
REGARDING SUSAN SONTAG is an intimate and nuanced investigation into the life of one of the most influential and provocative thinkers of the 20th century. Passionate and gracefully outspoken throughout her career, Susan Sontag became one of the most important literary, political and feminist icons of her generation. The documentary explores Sontag’s life through evocative experimental images, archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, read by actress Patricia Clarkson. From her early infatuation with books and her first experience in a gay bar; from her marriage in adolescence to her last lover, REGARDING SUSAN SONTAG is a fascinating look at a towering cultural critic and writer whose works on photography, war, illness, and terrorism still resonate today. More than any other thinker of her day, Sontag was watched, viewed, photographed and stared at. She was gazed at, and she looked back, very carefully, particularly at language and metaphor and at photography and what she called “the ecology of images.” REGARDING SUSAN SONTAG gives viewers the chance to watch Sontag while she examines the world. REGARDING SUSAN SONTAG has been made in partnership with HBO Documentary Films and will be broadcast Fall 2014.
Directed by Nancy D. Kates, 100 Minutes, U.S.A., 2014
Elliot Lavine and Don Malcolm proudly present a stellar four- day festival of Gallic noir, twelve dazzling noir films featuring works by famed directors like Melville and Clouzot as well as films from equally talented but somewhat less widely known group of filmmakers such as Julien Duvivier, Jacques Becker, Robert Hossein, and Claude Autant-Lara. The big Roxie screen will glisten with unimaginable star power provided by Jean Gabin, Simone Signoret, Brigitte Bardot, and 1950s French glamour couple Robert Hossein and Marina Vlady.
Most of these exciting films have been absent from US movie screens for decades and we are indeed honored to be hosting this incredible event. Be watching the Roxie website for a complete schedule of films!
For Much More Info, check out :
Friday, November 14
TWO BY CLOUZOT
LA VERITÉ (Clouzot, 1960) 8:00 • MANON (Clouzot, 1949) 6:00, 10:15
Saturday, November 15
SALUTE TO HENRI VIDAL
LES MAUDITS (Clement, 1947) 1:30 • UNE MANCHE ET LA BELLE aka A KISS FOR A KILLER (Verneuil, 1957) 3:30
Sunday, November 16
THE HAZARDS OF STREETWALKING
DEDEE D’ANVERS (Yves Allegret, 1948) 1:30 • EN CAS DE MALHEUR aka LOVE IS MY PROFESSION (Claude Autant-Lara, 1958) 3:15
SALUTE TO JULIEN DUVIVIER
CHAIR DE POULE aka HIGHWAY PICKUP (Duvivier, 1964) 5:30, 9:30 • VOICI LE TEMPS DES ASSASSINS aka DEADLIER THAN THE MALE (Duvivier, 1956) 7:30
Monday, November 17
BLACK vs. WHITE IN A BLACK-AND-WHITE WORLD
LA P… RESPECTUEUSE aka THE RESPECTUL PROSTITUTE (Pagliero/Brabant, 1952) 6:00, 9:45 • J’IRAI CRACHER SUR VOS TOMBES aka I SPIT ON YOUR GRAVES (Gast, 1959) 7:45
FREE TO ALL!!
A middle-aged Asian woman leaves her bland marriage and winds up crashing in her gay son’s apartment. Mother and son attempt to reconcile their estranged relationship and rediscover their zest for life in this hilarious food-centered dramatic comedy.Food becomes a metaphor for relating through deep nourishing sustenance in Eat With Me. Filmmaker David Au has cooked up a laugh-out-loud poignant dramedy—and a food lover’s dream. This Frameline Encore screening is free and open to the public.
Emma only knows how to add spice to her life in one way… by squirting it from a bottle of hot sauce. The rest of her life is cushy but bland: scrambled egg whites, decaffeinated coffee and her husband, Ray. She’s had enough and runs away from home. Her estranged son, Elliot, finds her lurking outside his restaurant with suitcase in hand. They try to start over again as mother and son in this odd-couple living situation. But she’s old-fashioned. He’s gay. Between them are years of awkward moments and unspoken tensions. Feeling lonely, Emma accidentally befriends the lady next door who’s so eccentric that Emma’s way over her head. Meanwhile, a passionate encounter with a man in a bar turns Elliot’s fear of commitment on its head. With dumplings, dessert, whiskey, and even Ecstasy in front of them, will they give into their indulgences? And can mother and son reconcile while struggling to discover their own appetites for life?
Directed by David Au, 95 Minutes, U.S.A. 2014
NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations. In the 2nd season of the series, we introduce Japanese cinema themed with Music.
I heard Mizue is making animation. How exciting! I can’t wait to see!!
—Darren Aronofsky (Black Swan)
Internationally Noteworthy, Japanese Animation Creator : Mirai Mizue! His works have been screened and judged at many international film festivals and he continues to forge the future of the Japanese independent animation scene. Since 2002, he has been creating abstract animations, known as his ‘cell animations’, in which cell structures form the central motif.
In 2011, Modern No.2 was nominated to the Orizzonti section at the Venice Film Festival and to the Spectrum section at the Rotterdam International Film Festival, enthralling audiences with its vivid colors and dynamic, delicate movements synchronized with music. In 2012, Modern No.2 won the SACEM Award for Original Music Prize at the Annecy International Animated Film Festival, the world’s biggest animation festival. With his vast experience and boundless energy, Mizue is in his prime as a filmmaker.
In “WONDER FULL!!”, a film that Mirai selected and joined some films from his works himself will be screened.
Getting this pleasant opportunity to show many of my films first time, I take into account of the order, music and screen size of my works since 2003 to make those like one long-animation film. I believe it will help you to enjoy and understand all films naturally and smoothly.
(As life and death is never-ending and have existed since extremely long time ago, it is probably just one tiny piece what I can feel.)
Our body is composed of over 60 trillion cells. Surprisingly, it is way much more than the number of all stars in the solar system. Needless to say, each of our cells is alive and both life and death take place for each cell again and again and again until our lives will end. The world is always full of WONDER.
If you feel wonder, miracle, surprise, and a mass of happiness through my masterpiece, I am very much satisfied.
■JAM– The sound is piled up. The image is piled up as well. Before long, the screen becomes chaotic.
■FANTASTIC CELL– This animation is Mirai Mizue’s debut film.vThe birth of ‘cell animations’.
■METROPOLIS– This film was requested from the Seoul International Cartoon And Animation Festival, and produced for the appeal of Seoul City, South Korea.
■TATAMP– Each living object has its own sound.a Thus the sounds varied when there are more living objects. It becomes chaotic, and at the same time, melodic.
■TRIP! TRAP!– An expression of a chaotic world. A mixture of different techniques.Graduation film.
■MODERN– The hexahedron keeps changing shape. Besides, anything doesn’t happen.
■LOST UTOPIA– The tale of the Biblical Adam and Eve is used as the motif in this anthropomorphic phantasmagoria of animated images.
■DEVOUR DINNE– Various dinners made with different living things…
■Adamski– A subjective view of an UFO. Shot frame-by-frame along the Tama River.
■AND AND– It is born. It dies. They repeat. The mandala of a life. Hypnotic patterns by Mirai Mizue for Toru Matsumoto’s And And.
Mirai Mizue Director/Animator
He was born in Tokyo, 1981. People around him was surprised by his drawing a perfect circle when he was three. He started making animation by himself when someone told him that his illustrations looked like it was moving in his study at the Department of Graphic Design, Tama Art University.
His high quality pictures that he drew by hand on paper and his method to make animation by computer with scanning all papers with his original drawings attract people beyond the border or stereotyped animation.
His first work “FANTASTIC CELL”(2003) debuted on the world stage after received recommendation of the jury at Japan Media Arts Festival.
The short animated films he made has been always beloved around the world.
His graduation film “LOST UTOPIA”(2007) has screened over eighty film festivals in the world.
In 2011, “MODEERN NO.2″ was screened in the Orizzonti section of the Venice International Film Festival,
and he became the first Japanese who received SACEM Award(an award for best music)
at Annecy International Animation Film Festival in the next year.
Director : Mirai Mizue Produce : Shuma Hirose Ad & Pub Advisor : Keiko Kusakabe DCP : Makotoya Co.,Ltd./Silk Purse Enterprises
ORIGINAL TITLE ( JAPANESE ) : ワンダー・フル!! / ENGLISH TITLE : WONDER FULL!! / GENRE : ANIMATION / PRODUCTION YEAR : 2014 / PRODUCTION COUNTRY:JAPAN / SCREEN SIZE : 16:9 / VISUAL : Color / SOUND : Stereo / SCREENING FORMAT : DCP, Blu-ray / LENGTH 79min /Distributed by Makotoya Co.,Ltd + CALF / ©2014 CALF
Endorsed by Consulate General of Japan in San Francisco & Japan Foundation