Calendar

November – December 2014

Nov
14
Fri
THE FRENCH HAD A NAME FOR IT: Classic French Noir from the 40s through the 60s
November 14, 2014 - November 17, 2014

The French Had a Name for It

Elliot Lavine and Don Malcolm proudly present a stellar four-day festival of Gallic noir, twelve dazzling noir films featuring works by famed directors like Melville and Clouzot as well as films from equally talented but somewhat less widely known group of filmmakers such as Julien Duvivier, Jacques Becker, Robert Hossein, and Claude Autant-Lara.

The big Roxie screen will glisten with unimaginable star power provided by Jean Gabin, Simone Signoret, Brigitte Bardot, and 1950s French glamour couple Robert Hossein and Marina Vlady. Most of these exciting films have been absent from US movie screens for decades and we are indeed honored to be hosting this incredible event.

→ View the complete program guide, images and in-depth festival coverage of THE FRENCH HAD A NAME FOR IT at the MidCentury Productions site.

FESTIVAL SCHEDULE

Friday, November 14
TWO BY CLOUZOT
LA VERITÉ (Clouzot, 1960) 8:00 • MANON (Clouzot, 1949) 6:0010:15

SaturdayNovember 15
(matinee)
SALUTE TO HENRI VIDAL
LES MAUDITS (Clement, 1947) 1:30 • UNE MANCHE ET LA BELLE aka A KISS FOR A KILLER (Verneuil, 1957) 3:30
(evening)
BE CAREFUL WHAT YOU SEARCH FOR!
UN TEMOIN DANS LA VILLE aka WITNESS IN THE CITY (Molinaro, 1959) 8:00 • 
TOI LE VENIN aka BLONDE IN A WHITE CAR (Hossein, 1958) 6:15, 9:45

SundayNovember 16
(matinee)
THE HAZARDS OF STREETWALKING
DEDEE D’ANVERS (Yves Allegret, 1948) 1:30 • EN CAS DE MALHEUR aka LOVE IS MY PROFESSION (Claude Autant-Lara, 1958) 3:15
(evening)
SALUTE TO JULIEN DUVIVIER
CHAIR DE POULE aka HIGHWAY PICKUP (Duvivier, 1964) 5:309:30 • VOICI LE TEMPS DES ASSASSINS aka DEADLIER THAN THE MALE (Duvivier, 1956) 7:30

MondayNovember 17
BLACK vs. WHITE IN A BLACK-AND-WHITE WORLD
LA P… RESPECTUEUSE aka THE RESPECTUL PROSTITUTE (Pagliero/Brabant, 1952) 6:009:45 • J’IRAI CRACHER SUR VOS TOMBES aka I SPIT ON YOUR GRAVES (Gast, 1959) 7:45

Dec
16
Tue
NIPPON NIGHTS #6: WONDER FULL!!
December 16, 2014

 NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations. In the 2nd season of the series, we introduce Japanese cinema themed with Music.

I heard Mizue is making animation. How exciting! I can’t wait to see!!  

                                                                                                    —Darren Aronofsky (Black Swan)

s_wonder_omoteInternationally Noteworthy, Japanese Animation Creator : Mirai Mizue! His works have been screened and judged at many international film festivals and he continues to forge the future of the Japanese independent animation scene. Since 2002, he has been creating abstract animations, known as his ‘cell animations’, in which cell structures form the central motif.

In 2011, Modern No.2 was nominated to the Orizzonti section at the Venice Film Festival and to the Spectrum section at the Rotterdam International Film Festival, enthralling audiences with its vivid colors and dynamic, delicate movements synchronized with music. In 2012, Modern No.2 won the SACEM Award for Original Music Prize at the Annecy International Animated Film Festival, the world’s biggest animation festival. With his vast experience and boundless energy, Mizue is in his prime as a filmmaker.
In “WONDER FULL!!”, a film that Mirai selected and joined some films from his works himself will be screened.

Director’s statements

wonderfull_making03Getting this pleasant opportunity to show many of my films first time, I take into account of the order, music and screen size of my works since 2003 to make those like one long-animation film. I believe it will help you to enjoy and understand all films naturally and smoothly.

(As life and death is never-ending and have existed since extremely long time ago, it is probably just one tiny piece what I can feel.)
s_wonderfull_wonder1Our body is composed of over 60 trillion cells. Surprisingly, it is way much more than the number of all stars in the solar system. Needless to say, each of our cells is alive and both life and death take place for each cell again and again and again until our lives will end. The world is always full of WONDER.
If you feel wonder, miracle, surprise, and a mass of happiness through my masterpiece, I am very much satisfied.

wonderfull_playg■Modern No. 2 –We went for it without any hesitation. We’ve formed the world at a quickening pace. What on earth is this world that we have created?

■JAM– The sound is piled up. The image is piled up as well. Before long, the screen becomes chaotic.

wonderfull_lostu■Minamo– Made by a frame-by-frame shooting of ink streaming on the surface of water.

■FANTASTIC CELL– This animation is Mirai Mizue’s debut film.vThe birth of ‘cell animations’.

■METROPOLIS– This film was requested from the Seoul International Cartoon And Animation Festival, and produced for the appeal of Seoul City, South Korea.

■TATAMP– wonderfull_devourdEach living object has its own sound.a Thus the sounds varied when there are more living objects. It becomes chaotic, and at the same time, melodic.

■TRIP! TRAP!– An expression of a chaotic world. A mixture of different techniques.Graduation film.

■MODERN– The hexahedron keeps changing shape. Besides, anything doesn’t happen.

wonderfull_jam■LOST UTOPIA– The tale of the Biblical Adam and Eve is used as the motif in this anthropomorphic phantasmagoria of animated images.

■DEVOUR DINNE– Various dinners made with different living things…

■Adamski– A subjective view of an UFO. Shot frame-by-frame along the Tama River.

wonderfull_making01■Playground– An improvisation that combines several images: the innocent world-view of a child, the continuousness of life, order and chaos, unity and division and the real streaming world.

■AND AND– It is born. It dies. They repeat. The mandala of a life. Hypnotic patterns by Mirai Mizue for Toru Matsumoto’s And And.

 

Mirai Mizue Director/Animator

He was born in Tokyo, 1981. People around him was surprised by his drawing a perfect circle when he was three. He started making animation by himself when someone told him that his illustrations looked like it was moving in his study at the Department of Graphic Design, Tama Art University.

His high quality pictures that he drew by hand on paper and his method to make animation by computer with scanning all papers with his original drawings attract people beyond the border or stereotyped animation.
His first work “FANTASTIC CELL”(2003) debuted on the world stage after received recommendation of the jury at Japan Media Arts Festival.
The short animated films he made has been always beloved around the world.
His graduation film “LOST UTOPIA”(2007) has screened over eighty film festivals in the world.
In 2011, “MODEERN NO.2″ was screened in the Orizzonti section of the Venice International Film Festival,
and he became the first Japanese who received SACEM Award(an award for best music)
at Annecy International Animation Film Festival in the next year.
Director : Mirai Mizue Produce : Shuma Hirose Ad & Pub Advisor : Keiko Kusakabe DCP : Makotoya Co.,Ltd./Silk Purse Enterprises
ORIGINAL TITLE ( JAPANESE ) : ワンダー・フル!! / ENGLISH TITLE : WONDER FULL!! / GENRE : ANIMATION / PRODUCTION YEAR : 2014 / PRODUCTION COUNTRY:JAPAN / SCREEN SIZE : 16:9 / VISUAL : Color / SOUND : Stereo / SCREENING FORMAT : DCP, Blu-ray / LENGTH 79min /Distributed by Makotoya Co.,Ltd + CALF / ©2014 CALF

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Endorsed by Consulate General of Japan in San Francisco & Japan Foundation