September – October 2014
Official Selection, Sundance Film Festival 2014
A strange singer with “god given talent” drifts through the mythic city of Memphis under its canopy of ancient oak trees, shattered windows, and burning spirituality. Surrounded by lovers, legends, hustlers, preachers, and a wolfpack of kids, the unstable performer avoids the recording studio and is driven to spend time in his own form of self-discovery. Shown in fragments, his journey drags him from love and happiness right to the edge of another dimension. Featuring an explosive performance and score from the singular recording artist-cum-wizard, Willis Earl Beal, MEMPHIS is a film steeped in folklore, music, surrealism, and the abstract search for glory.
It is legend in Memphis that a blessed and cursed singer by the name of O.V. Wright fell from grace and was buried in an unmarked grave. I learned of his myth around the same time I was brought to Peace Baptist Church, and witnessed a deep spirituality as ancient as the oak trees that dress every street in the city. A true believer in ghost stories and a scholar of African American studies, I was drawn to tell my own folk tale, and there was only one place on my mind. Our film captures the descent of a troubled singer as he drifts through an urban landscape looking to save his very soul. We surrounded ourselves with real Memphians and made a film that hopes to project a cool, beautiful world – as old as dirt and yet entirely new, and deserved of the title MEMPHIS.
Written and Directed by Tim Sutton.
Cast: Willis Earl Beal, Lopaka Thomas, Constance Brantley, Devonte Hull, John Gary Williams, Larry Dodson Music by Willis Earl Beal. Digital. USA 79 mins.
Official Site is Here.
Dr. Strangelove and the Shining – 35mm double feature – presented by Spoke Art
Join us Sunday, September 28th for a one night only screening of two classic Stanley Kubrick films, Dr. Strangelove and the Shining, both shown in glorious 35mm. Presented by Spoke Art gallery, this special event closes out their month long Kubrick themed art exhibit, on view at their Sutter street gallery from September 6th – 27th. *SPOKE ART GALLERY “Kubrick an art show tribute”
A selection of limited edition posters will be available for purchase at this event.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, he believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper’s executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all out nuclear war with the Soviets. Against Turgidson’s wishes, Muffley brings Soviet Ambassador Alexi de Sadesky into the War Room, and get his boss, Soviet Premier Dimitri Kisov, on the hot line to inform him of what’s going on.
The Americans in the War Room are dismayed to learn that the Soviets have a yet as unannounced Doomsday Device to detonate if any of their key targets are hit. As Ripper, Mandrake and those in the War Room try and work the situation to their end goal, Major T.J. “King” Kong, one of the B-52 bomber pilots, is working on his own agenda of deploying his bomb where ever he can on enemy soil if he can’t make it to his intended target.
Directed by Stanley Kubrick, 95 minutes, 1964, U.S.A.
A novelist – Jack Torrance take a job interview as winter caretaker of the isolated, old, huge and beautiful Overlook Hotel. In the interview, Jack is told by the manager himself, that the previous caretaker – Grady, chopped his family and later killed himself with a shotgun. Ignoring the story, Jack brings his wife – Wendy and his son Danny. It happens that Danny, has a mysterious power known as “The Shining” that shows him things from the past and future. Some of the visions come from Tony – “the little boy who lives in Danny’s mouth”. Danny meets Hallorann – the hotel cook in their first day arriving at the Overlook, who also has this “Shining” and he warns him about the hotel and the sinister Room 237. As the days go by, Danny has visions of previous guests and employees who died at the hotel years before, meanwhile Jack starts driving into insanity, turning more and more aggressive, at the point that Danny and Wendy gets convinced that Jack might try to do the same thing, Grady did.
Directed by Stanley Kubrick, 144 minutes, 1980, U.S.A.
The subject of Somali pirates still strikes fear in the hearts of us Westerners, for it’s all a landscape that’s totally different than anything we could possibly know about. Shot in East Africa using first-time Somali actors, Fishing Without Nets ls the mesmerizing, sobering story of the region’s bandits from the Somali point-of-view. In Somalia, principled, young husband and father Abdi turns to piracy to support his family. While his wife and child wait for him in Yemen, an outdated and fragile satellite phone is his only connection to all he truly values. Here (in Sundance 2014′s winner for the Directing Award, U.S. Dramatic), debut feature filmmaker Cutter Hodierne combines the epic cinematic vision of a glorious action thriller with the intimate, textured qualities of an arthouse film, humanizing the pirates by bringing us inside their moral dilemmas and gut-wrenching struggles.
Dir: Cutter Hodierne – 2014 – 110 mins
YOUNG ONES is set in a near future when water has become the most precious and dwindling resource on the planet, one that dictates everything from political to inter persona. The land has withered into something wretched. The dust has settled on a lonely, barren planet. The hardened survivors of the loss of Earth’s precious resources scrape and struggle. Ernest Holm lives on this harsh frontier with his children. He defends his farm from bandits, works the supply routes, and hopes to rejuvenate the soil. But his daughter’s boyfriend has grander designs. A futuristic western that inventively layers Greek tragedy over an ethereal narrative that’s steeped deeply in the values of the American West. Written & directed by Jake Paltrow. With Michael Shannon, Elle Fanning, Nicholas Hoult, Kodi Smit-McPhee. Digital. USA. 2014. 100 Minutes.