November 2015 – January 2016

November 20, 2015 - December 4, 2015


“The Black Panthers: Vanguard of the Revolution arrives on PBS stations next year. I suggest not waiting.” – Michael Phillips, The Chicago Tribune

Change was coming to America and the fault lines could no longer be ignored—cities were burning, Vietnam was exploding, and disputes raged over equality and civil rights. A new revolutionary culture was emerging and it sought to drastically transform the system. The Black Panther Party for Self-Defense would, for a short time, put itself at the vanguard of that change.

THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION is the first feature length documentary to explore the Black Panther Party, its significance to the broader American culture, its cultural and political awakening for black people, and the painful lessons wrought when a movement derails. Master documentarian Stanley Nelson goes straight to the source, weaving a treasure trove of rare archival footage with the voices of the people who were there: police, FBI informants, journalists, white supporters and detractors, and Black Panthers who remained loyal to the party and those who left it. Featuring Kathleen Cleaver, Jamal Joseph, and many others, THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION is an essential history and a vibrant chronicle of this pivotal movement that birthed a new revolutionary culture in America.


Directed by Stanley Nelson, 115 min, USA.

November 27, 2015 - December 3, 2015

Rififi1Du Rififi chez les hommes (1955)


Fri, Nov. 27 – Thurs, Dec 3

 Back from the pen, homme dur Jean Servais first belts around his ex-girlfriend Marie Sabouret, then rejoins copain Carl Möhner and cohort Robert Manuel, who’ve got a little jewel store smash-and-grab job lined up — but Servais wants the whole works. With the aid of freshly imported safecracker “César the Milanese” (director Dassin billed as “Perlo Vita”), the resulting classic heist — a legendary 30-minute sequence with no dialogue or music — provided a usable blueprint for real-life professionals (causing outright bans in some countries) — but then, another of Sabouret’s ex-boyfriends wants a big cut. A world-wide smash, Rififi raised eyebrows for its excessive gunplay, décolletage, and dope use — all of which led to its condemnation by the American Legion of Decency. Blacklisted Hollywood exile Dassin turned a Rififi2potboiler by milieu specialist Auguste Le Breton into an existential thriller that earned him Cannes’ Best Director prize and set the standard for screen robberies for decades to come — from his own Topkapi to Mission: Impossible — while “Rififi” was subsequently stolen for titles of non-related thrillers. Philippe Agostini’s all-weather location shooting provides an invaluable time capsule of Paris in the 50s, with the late Magali Noël warbling the title song. Approx. 118 mins. DCP.

“THE BEST OF ALL HEIST MOVIES! Rififi mirrors the arcs of the criminal lives it examines: It seduces you in, and then won’t let you out cleanly. THIS IS TOUGH-GUY NOIR OF THE HIGHEST PROOF.” 
– Alan Scherstuhl, Village Voice 
Read full review here


Rfifi7“THE UNFORGETTABLE MASTERPIECE OF CRIME… Dassin’s meditative magnum opus. A MUST-SEE.” 
– Indiewire’s The Playlist

– Andrew Sarris


– Francois Truffaut

“The underworld equivalent of a sublime French meal… As Rififi goes on, it becomes as savage as Reservoir Dogs, The Killing, or any of the other dozens of films over which it still casts a shadow.”
– Owen Gleiberman, Entertainment Weekly

Rififi6“JUST ABOUT FLAWLESS! For lovers of tough-guy moviemaking, Rififi really means perfection. A genre movie brought off so keenly that it defines that genre’s strengths and limits… As a director, Mr. Dassin has perfect pitch. When anything disrupts the film’s dry yet convivial tone — like Tony beating his ex-lover for taking up with that nightclub owner in his absence — it registers as a troubling portent, not a dramatic miscue. The movie has been criticized for its astringency: no spontaneous emotion, no tender or playful impulse, goes unpunished. But that’s what gives the film its hardscrabble integrity. Mr. Dassin seduces you into thinking that you’re joining four underworld musketeers. Then he shows you there’s no room in this band for carefree camaraderie.”
– Michael Sragow, The New York Times

December 4, 2015 - December 10, 2015

Former Rolling Stone Journalist Ben Fong-Torres Will Moderate the Q&A with Big Brother Jazz Drummer David Getz This Friday, Dec. 4th.

Fri, Dec 4 – Thur, Dec 10!
5th April 1969: Rock singer Janis Joplin (1943 - 1970). (Photo by Evening Standard/Getty Images)

“There’s a special, rich, satisfying pleasure that comes of seeing a doc about someone you feel you know almost too well, and by the end the film has brought you so close to her that in your imagination, she’s been reborn.” – Owen Gleiberman, BBC

To celebrate the completion of her posthumous masterpiece, Pearl, Janis Joplin decide to celebrate. Unfortunately, celebration for Joplin often equated to injecting heroin. When she passed away on October 4th, 1970 in Hollywood, it seemed the mourning would never stop. That the pain would never subside. There are only a handful of artists in any medium that deeply connect with people. For many, Joplin was not merely a musician, but a beloved icon, an inimitable iconoclast, an additional member of their family.

Her memorialization continues in Janis: Little Girl Blue, the moving documentary from Amy Berg. In less than two hours, the gifted documentarian creates a transfixing portrait of Joplin, the multi-hyphenate artist whose life and legacy lives on through this film.

Directed by Amy J. Berg, 105 min, USA.

Additional Showtimes To Be Announced!

December 11, 2015 - December 17, 2015

BLEEDING-HEART_web_2Reserved yoga instructor May (Biel) lives a peaceful, clean-living life with her boyfriend. But her carefully maintained equilibrium is thrown out of balance when she discovers her long-lost biological sister Shiva (Mamet), a street-smart yet naive young woman caught working the streets and trapped in an abusive relationship. May feels compelled to rescue the hapless Shiva but as she takes steps to pull Shiva back from the edge she finds herself increasingly drawn out of her sedate world and deeper into Shiva’s chaotic one.

Directed by Diane Bell. 2015. 80 mins. Starring Jessica Biel and Zosia Mamet.


Popcorn for Breakfast: Saturday Morning Cartoons for Roxie Kids
December 12, 2015

bimbos-initiationJoin us on December 12th for a special winter holiday show!

Stay in your PJs, come on over to the Roxie, and have popcorn for breakfast! On the second Saturday of each month, we’re showing an assortment of great classic cartoons (in both black & white and full color) for Saturday-morning slackers of all ages.

Kids under 12 years old are FREE! Kids 12 and over: just $7.50. FREE OR DISCOUNTED FOR MEMBERS

December 13, 2015

Tyler Oakley has transcended what it means to be Youtube famous. Frequently vulnerable, candid, and inspiring, Oakley has altered the lives of many. His reach, and positive messages, have affected people of all ages from around the world. Even FLOTUS and POTUS sat down with Oakley for a lively conversation. He’s a champion of equal rights for the LGBTQ community and uncompromising individuality — to unabashedly be yourself,  always.

Accompanying the release of his best-selling book, BINGE, is a documentary certain to give another insight into the mind of Tyler Oakley. The singular personality will be attending this one-night event at the Roxie. Following the film, titled SNERVOUS, Oakley with be in conversation with Roxie creative director Sam Fragoso.

Directed by Amy Rice. 90 min. 2015. DCP

Sundance Film Festival 2015 Award-Winning Shorts
January 1, 2016 - January 7, 2016

SundanceShorts2015posterShowcasing a wide variety of story and style, the 2015 Sundance Film Festival Short Film Tour is an 83- minute theatrical program of six short films that won awards at this year’s Festival, which over the course of its more than 30-year history has been widely considered the premier showcase for short films and the launchpad for many now-prominent independent filmmakers. Including fiction, documentary and animation from around the world, the distinct 2015 program traverses vibrant styles from wild comedy to quiet poetry. Each breaks through its limited timeframe with a high level of artistry and story that will resonate with audiences long after it ends.

World of Tomorrow

Short Film Jury Award (Best of Fest)
Written and directed by Don Hertzfeldt. U.S.A., 17 minutes.
A little girl is taken on a mind-bending tour of the distant future.


Short Film Jury Prize: US Fiction
Written and directed by Frankie Shaw. USA, 9 minutes.
A young single mother struggles to balance her old life of freedom with her new one as mom. It all comes to a head during one particular nap-time when Bridgette invites an old friend over for a visit.

Oh Lucy!

Short Film Jury Prize: International Fiction
Written and directed by Atsuko Hirayanagi. Japan/Singapore/U.S.A, 22 minutes.
Setsuko, a 55-year-old single so-called office lady in Tokyo, is given a blonde wig and a new identity, Lucy, by her young, unconventional English-language teacher. “Lucy” awakens desires in Setsuko she never knew existed.

The Face of Ukraine: Casting Oksana Baiul

Short Film Jury Prize: Non-Fiction
Written and directed by Kitty Green. Russian and Ukrainian, 7 minutes.
Adorned in pink sequins, little girls from across a divided, war-torn Ukraine audition to play the role of Olympic champion figure skater Oksana Baiul, whose tears of joy once united their troubled country.

Storm hits jacket

Short Film Jury Prize: Animation
Written and directed by Paul Cabon. 2014, France, 13 minutes.
A storm reaches the shores of Brittany. Nature goes crazy, and two young scientists get caught up in the chaos. Espionage, romantic tension, and mysterious events clash with enthusiasm and randomness.


Short Film Special Jury Prize for Poetic Vision
Written and directed by Paulina Skibinska. Poland, 15 minutes.
A creative image of an underwater search in the dimensions of two worlds—ice desert and under water— told from the point of view of the rescue team, of the diver, and of the ordinary people waiting on the shore.