Calendar

October – December 2014

Oct
31
Fri
BLOOD FEAST
October 31, 2014

 The Roxie presents a special Halloween screening from the “Godfather of Gore”…

Blood Feast

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The Roxie is thrilled to be presenting a rare screening of Herschell Gordon Lewis’ incredible and influential 1963 cult shocker! The local Miami cops are baffled (and sickened) when a string of inanely bloody murders paralyzes the city with fear! It seems a local caterer is hacking up beautiful girls in order to satisfy the blood lust of an ancient Egyptian goddess! Often cited as the first true “splatter gore” film, BLOOD FEAST is nothing short of of miracle of low budget exploitation cinema. Starring William Kerwin, Mal Arnold, Connie Mason. Written and directed by Herschell Gordon Lewis. In garish Eastman color! New digital transfer. Directed by Herschell Gordon Lewis, 67 mins. 1963. U.S.A.

TRAILER is HERE.

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Young Ones
October 31, 2014 - November 6, 2014

 As bone-dry as the harsh environment where its characters live, Young Ones gives us a futuristic Western so bleak that its pitiless tone becomes downright mesmerizing.

-Tim Grierson, Screen International

MV5BMTQwNDg2NjkwMF5BMl5BanBnXkFtZTcwNDg1NjEzOQ@@._V1__SX1082_SY581_-222x3001YOUNG ONES is set in a near future when water has become the most precious and dwindling resource on the planet, one that dictates everything from political to inter persona.  The land  has withered into something wretched. The dust has settled on a lonely, barren planet. The hardened survivors of the loss of Earth’s precious resources scrape and struggle. Ernest Holm lives on this harsh frontier with his children. He defends his farm from bandits, works the supply routes, and hopes to rejuvenate the soil. But his daughter’s boyfriend has grander designs.  A futuristic western that inventively layers Greek tragedy over an ethereal narrative that’s steeped deeply in the values of the American West. Written & directed by Jake Paltrow.  With Michael Shannon, Elle Fanning, Nicholas Hoult, Kodi Smit-McPhee. Digital. USA. 2014. 100 Minutes.

 

 

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Nov
5
Wed
Synesthesia Film Festival: Screening #8
November 5, 2014

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s_SynesthesiaPosterWelcome to the Synesthesia Film Festival!

The Synesthesia Film Festival is a monthly one-night film festival that screens the best independent short films, student films, web series, documentaries, music videos, experimental films and animations from around the world.

The goal is to bring an eclectic mix filmmakers together to mingle, share ideas, and collaborate on future projects.

This film festival is for filmmakers, writers, producers, directors, actors, editors, and anyone who loves indie movies.

-Mingling with the filmmakers will start at 6:30pm in lobby.

-Film screenings begin at 7pm.

-Afterparty at 9:30 PM down the street at a local bar or restaurant.

The Afterparty is an informal event where we can eat, drink, and just have fun talking about the screening.

At the end of the month the Film Festival panel will tally up the scores and announce the winners of the Audience Choice Award at the following screening.

The winners of the Audience Choice Award will receive $100 in prize money.

www.synesthesiafilmfestival.com

info@synesthesiafilmfestival.com

Nov
6
Thu
FRAMELINE ENCORE: REGARDING SUSAN SONTAG
November 6, 2014

FREE TO ALL!!

RegardingSusanSontagREGARDING SUSAN SONTAG is an intimate and nuanced investigation into the life of one of the most influential and provocative thinkers of the 20th century. Passionate and gracefully outspoken throughout her career, Susan Sontag became one of the most important literary, political and feminist icons of her generation. The documentary explores Sontag’s life through evocative experimental images, archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, read by actress Patricia Clarkson. From her early infatuation with books and her first experience in a gay bar; from her marriage in adolescence to her last lover, REGARDING SUSAN SONTAG is a fascinating look at a towering cultural critic and writer whose works on photography, war, illness, and terrorism still resonate today. More than any other thinker of her day, Sontag was watched, viewed, photographed and stared at. She was gazed at, and she looked back, very carefully, particularly at language and metaphor and at photography and what she called “the ecology of images.” PhotosInGlass-1024x682REGARDING SUSAN SONTAG gives viewers the chance to watch Sontag while she examines the world. REGARDING SUSAN SONTAG has been made in partnership with HBO Documentary Films and will be broadcast Fall 2014.

Directed by Nancy D. Kates, 100 Minutes, U.S.A., 2014

Nov
11
Tue
NIPPON NIGHTS #5 : SAVE THE CLUB NOON
November 11, 2014

NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations. In the 2nd season of the series, we introduce Japanese cinema themed with Music.

This is a documentary about Japan’s law regulating entertainments.

scn_mainNoon, a venerable Osaka club, was busted in April 2012 for violating Japan’s law regulating entertainment establishments. Eight were arrested in the case, their charges being that the club allowed approximately 20 people to dance on its premises “without permission.”  The law regulating entertainment businesses makes it illegal to allow patrons to dance, but the law went into effect in 1948, and in many ways is out of step with contemporary society. The 65-year-old law was created when so-called dance clubs were used as hotbeds of prostitution. This documentary covers the music event held in July of the same year by over 90 artist teams, who rallied in protest.  This film delves into problems in Japan’s music industry with interviews of performers like Ito Seiko and Hanaregumi, who have their doubts about the law.

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Directed by Moriro Miyamoto, 93mins., 2013, JAPAN, English Subtitled.

SAVE THE CLUB NOON」Production Committee.

 

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Endorsed by Consulate General of Japan in San Francisco & Japan Foundation

 

 

Nov
12
Wed
BAY AREA DOCS: Shorts Program
November 12, 2014

Filmmakers in Person!

High Five

high_five1On October 2nd, 1977 Dusty Baker hit his 30th homerun of the season, making history as the 4th player on the Dodgers to hit 30 or more home runs. As Baker rounded the bases, an excited rookie named Glenn Burke met him at home plate, raised his arm high in the air and slapped Baker five. It was the first high five recorded in the history of sports. A year later, Burke was forced about of baseball amid rumors of his sexual orientation. The film takes audiences back to the spontaneous moment between the two men and tells the story of how the celebratory gesture spread throughout the sports world at same time Burke was being forced from the game he loved. The film won the Jury Award and Best Short Doc at the 2014 San Francisco International Film Festival.

10 Minutes, Short Documentary, A Film by Michal Jacobs

Director’s Bio…

Michael Jacobs debut feature Audience of One won awards at SXSW, Silverdocs and screened at New Directors/New Films before going on to theatrical release and a premiere on Sundance Channel. Jacobs has directed documentaries for Sony Pictures, Current TV and Popup Magazine. Jacobs is currently a founding member of Strike Anywhere Films.

Santa Cruz del Islote

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Santa Cruz Isolate is less than three acres large and is one of the world’s most densely populated islands. This remote but family-like community resides fifty miles from Cartagena, Colombia. Such isolation has provided a peaceful existence for generations, but sufficient resources are becoming increasingly scarce. This short documentary explores the daily lives of a young boy and a fisherman as they come to terms with their changing paradise.

19 Minutes, Short Documentary, A Film by Luke Lorentzen

Islote_01Director’s Bio…

Luke Lorentzen is an undergraduate Film Studies major and American Studies minor at Stanford University. He has a particular interest in visually centered stories that explore everyday ways of life. His work has won awards at the San Francisco International Film Festival and Full Frame Documentary Film Festival. Luke is currently working on a new documentary about the variety of barber shops and hair salons throughout the five boroughs of New York City.

 The Delano Manongs

oR5Ne1k2ogFp6GG9yEEAv__8k4V3mAyFvAtw8BpXUhcForgotten Heroes of the United Farm Workers Movement

The Delano Manongs tells the story of the Filipino farmworkers who spurred the Great Grape Strike in 1965 and joined forces with the other ethnic workers to create the United Farmworkers Union.

The film chronicles the untold story of the Filipino farmworkers who instigated one of the biggest labor struggles in American history — the Delano Grape Strike of 1965. Led by Larry Itliong, Philip Vera Cruz and Pete Velasco, the Manongs (a Filipino term of respect for an older man) joined forces with Chicano farmworkers, led by Cesar Chavez and Dolores Huerta, to create the United Farm Workers Union (UFW). The documentary, compounded by interviews and both archival and present-day footage, sheds light on the lives of these Filipino farmworkers from their arrival into the United States in the 1920s and ’30s to the demise of their assemblage in the 1980s, highlighting their many struggles and achievements. The legacy created by the Manongs — out of a necessity and want for basic equality and humanity — is one still significant to and celebrated by thousands of Filipino Americans today.   The Trailer is Here.

27 Minutes, Short Documentary, A Film By Marissa Aroy

Director’s Bio…

Marissa Aroy, director, of The Delano Manongs received an Emmy for the documentary “Sikhs in America,” which was shown on PBS. She produced and directed “Little Manila: Filipinos in California’s Heartland” also for PBS and produced “Sounds of Hope” for Frontline World. Aroy holds a bachelor’s degree in psychology from Boston College and a master’s degree in journalism from University of California, Berkeley. She recently came back from Tacloban where she was filming the aftermath of Typhoon Haiyan in Tacloban, Philippines for the United Nations Children’s Fund (UNICEF). Aroy was named one of the most influential Filipina women in the US in 2009 by the Filipina Womens Network. She and her filmmaking partner, Niall McKay, founded Media Factory, a media production company in 2004. For more about Media Factory: http://www.mediafactory.tv

Facing Fear

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As a 13 year-old, Matthew Boger was thrown out of his home for being gay. While living on the streets of Hollywood, he was savagely beaten in a back alley by a group of neo-Nazi skinheads. Boger managed to survive the attack and escape life on the streets. Twenty-five years later, Boger found himself in a chance meeting with a former neo-Nazi skinhead, Tim Zaal. The two men soon realized that they had met before…Zaal was one of the attackers who beat Boger and left him for dead. 

With their worlds turned upside down, the two embarked on a journey of forgiveness and reconciliation that challenged both to grapple with their own beliefs and fears. Neither could imagine that it would to lead to an improbable collaboration…and friendship. 

“Facing Fear” Trailer from Jason Cohen Productions on Vimeo.

23 Minutes, Short Documentary, A Film By  Jason Cohen

Director’s Bio…

Academy Award-nominated Jason Cohen has produced and directed all formats of film and television on projects that cover a broad range of topics over the past 20 years. Currently, Cohen is in production on a global film about love and forgiveness that has taken him around the world to highlight stories in Uganda, India, Haiti, Spain and Italy.

Cohen has had an ongoing relationship with Academy Award-winning director Steven Okazaki for over 15 years. Last year he produced the Okazaki-directed APPROXIMATELY NELS CLINE, about the world-renowned lead guitarist of the rock band Wilco. He co-produced HBO’s Emmy-nominated BLACK TAR HEROIN: DARK END OF THE STREET, with Okazaki and was a producer on his Emmy Award-winning HBO doc on the dropping of the atomic bomb, WHITE LIGHT/BLACK RAIN, which also screened at the 2007 Sundance Film Festival.  *Full Biography

 

SLOMO

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Depressed and frustrated with his life, Dr. John Kitchin abandons his career as a neurologist and moves to Pacific Beach. There, he undergoes a radical transformation into SLOMO, trading his lab coat for a pair of rollerblades and his IRA for a taste of divinity.

18 Minutes, Short Documentary, A Film by Josh Izenberg

Director’s Bio…

Josh hails from Ann Arbor, where he earned a degree in Screenwriting from the University of Michigan. He’s since worked as a copywriter, a cab driver, and a carpenter. SLOMO is his first documentary.

Nov
14
Fri
THE FRENCH HAD A NAME FOR IT: Classic French Noir from the 40s through the 60s
November 14, 2014 - November 17, 2014

The French Had a Name for It

Elliot Lavine and Don Malcolm proudly present a stellar four-day festival of Gallic noir, twelve dazzling noir films featuring works by famed directors like Melville and Clouzot as well as films from equally talented but somewhat less widely known group of filmmakers such as Julien Duvivier, Jacques Becker, Robert Hossein, and Claude Autant-Lara.

The big Roxie screen will glisten with unimaginable star power provided by Jean Gabin, Simone Signoret, Brigitte Bardot, and 1950s French glamour couple Robert Hossein and Marina Vlady. Most of these exciting films have been absent from US movie screens for decades and we are indeed honored to be hosting this incredible event.

→ View the complete program guide, images and in-depth festival coverage of THE FRENCH HAD A NAME FOR IT at the MidCentury Productions site.

FESTIVAL SCHEDULE

Friday, November 14
TWO BY CLOUZOT
LA VERITÉ (Clouzot, 1960) 8:00 • MANON (Clouzot, 1949) 6:0010:15

SaturdayNovember 15
(matinee)
SALUTE TO HENRI VIDAL
LES MAUDITS (Clement, 1947) 1:30 • UNE MANCHE ET LA BELLE aka A KISS FOR A KILLER (Verneuil, 1957) 3:30
(evening)
BE CAREFUL WHAT YOU SEARCH FOR!
UN TEMOIN DANS LA VILLE aka WITNESS IN THE CITY (Molinaro, 1959) 8:00 • 
TOI LE VENIN aka BLONDE IN A WHITE CAR (Hossein, 1958) 6:15, 9:45

SundayNovember 16
(matinee)
THE HAZARDS OF STREETWALKING
DEDEE D’ANVERS (Yves Allegret, 1948) 1:30 • EN CAS DE MALHEUR aka LOVE IS MY PROFESSION (Claude Autant-Lara, 1958) 3:15
(evening)
SALUTE TO JULIEN DUVIVIER
CHAIR DE POULE aka HIGHWAY PICKUP (Duvivier, 1964) 5:309:30 • VOICI LE TEMPS DES ASSASSINS aka DEADLIER THAN THE MALE (Duvivier, 1956) 7:30

MondayNovember 17
BLACK vs. WHITE IN A BLACK-AND-WHITE WORLD
LA P… RESPECTUEUSE aka THE RESPECTUL PROSTITUTE (Pagliero/Brabant, 1952) 6:009:45 • J’IRAI CRACHER SUR VOS TOMBES aka I SPIT ON YOUR GRAVES (Gast, 1959) 7:45

Nov
21
Fri
Rocks In My Pockets
November 21, 2014 - November 27, 2014

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Filmmaker Signe Baumane IN PERSON opening weekend!

In the new animated gem Rocks in My Pockets, Latvian-born artist and filmmaker Signe Baumane tells five fantastical tales based on the courageous women in her family and their battles with madness. With boundless imagination and a twisted sense of humor, she has created daring stories of art, romance, marriage, nature, business, and Eastern European upheaval—all in the fight for her own sanity. Employing a unique, beautifully textured combination of papier-mâché stop-motion and classic hand-drawn animation (with inspiration from Jan Svankmajer and Bill Plympton), Baumane has produced a poignant and often hilarious tale of mystery, mental health, redemption and survival. Winner Of The International Film Critics (fipresci) Prize Karlovy Vary International Film Fest.  In English. 2014. USA. 88 mins.

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Nov
22
Sat
Come Hell or High Water: The Battle for Turkey Creek
November 22, 2014

Filmmaker Leah Mahan with Turkey Creek hero Rose Johnson and Sierra Club’s Leslie Fields in person!

03_Turkey-Creek_2003_©Leah-MahanCome Hell or High Water follows the painful but inspiring journey of Derrick Evans, a Boston teacher who moves home to coastal Mississippi when the graves of his ancestors are bulldozed to make way for the sprawling city of Gulfport. Bay Area filmmaker Leah Mahan worked on the documentary over the course of a decade, as Derrick and his neighbors stand up to powerful corporate interests and politicians and face ordeals that include Hurricane Katrina and the BP oil disaster. This film is about their struggle for self-determination and environmental justice and shows the resilience of a community that stands together for their rights.

s_01_Turkey Creek_2005_©SAWfoto.com_by Spencer Weiner“This powerful documentary illustrates a classic case of environmental injustice and exposes raw in-your-face Mississippi racial politics. Come Hell or High Water is a perfect lesson that we are not living in a post-racial era.” ~ Dr. Robert Bullard, ‘father of environmental justice’

Dec
4
Thu
FRAMELINE ENCORE: EAT WITH ME
December 4, 2014

FREE TO ALL!!

shapeimage_1A middle-aged Asian woman leaves her bland marriage and winds up crashing in her gay son’s apartment. Mother and son attempt to reconcile their estranged relationship and rediscover their zest for life in this hilarious food-centered dramatic comedy.Food becomes a metaphor for relating through deep nourishing sustenance in Eat With Me. Filmmaker David Au has cooked up a laugh-out-loud poignant dramedy—and a food lover’s dream. This Frameline Encore screening is free and open to the public.

shapeimage_1-1Emma only knows how to add spice to her life in one way… by squirting it from a bottle of hot sauce. The rest of her life is cushy but bland: scrambled egg whites, decaffeinated coffee and her husband, Ray. She’s had enough and runs away from home. Her estranged son, Elliot, finds her lurking outside his restaurant with suitcase in hand. They try to start over again as mother and son in this odd-couple living situation. But she’s old-fashioned. He’s gay. Between them are years of awkward moments and unspoken tensions. Feeling lonely, Emma accidentally befriends the lady next door who’s so eccentric that Emma’s way over her head. Meanwhile, a passionate encounter with a man in a bar turns Elliot’s fear of commitment on its head. With dumplings, dessert, whiskey, and even Ecstasy in front of them, will they give into their indulgences? And can mother and son reconcile while struggling to discover their own appetites for life?

Directed by David Au, 95 Minutes, U.S.A. 2014