September – October 2014
NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations.
NIPPON NIGHTS 〜 Neon Tokyo : Anime World #3 – TAMALA2010 a punk cat in space & Wake Up!! TAMALA
★Get a TAMALA sticker with your ticket (only 50 first people)!! ★TAMALA × The Roxie Theater SPECIAL POSTER Limited Edition is now on sale.
The 3rd program of the special series “Neon Tokyo” is “TAMALA”, Japanese animated film about kitten from the Planet of Cats, who sets out to solve the mystery of her birth.
TAMALA 2010 a punk cat in space
With large eyes and a cherubic face. She is cute enough to make go crazy for her until she opens her mouth that is. Don’t be fooled by her innocent face; TAMALA is a real hell-on-wheels, bitter-sweet punk cat.
Playful, one year old, female cat. She played the heroine in the theatrical film ”TAMALA 2010 a punkcat in space” in 2002.
t.o.L FILM “TAMALA2010 a punkcat in space”
Originally Written, and Directed by t.o.L / Music by t.o.L & trees of Life /Voice Over : ATSUKO HARASIMA, SHINJI TAKEDA, TAKESHI KATO, SATO(54-71),
BEATRICE DALLE Producers : t.o.L & SEIICHI TSUKADA & KAZUKO MIO / 2D Animation : KENTARO NEMOTO /3D CG Direction :MICHIRO TSUTSUMOTO & KENJI OKADA / Editor : KENSUKE KAWAMURA & DAISHIN SUZUKI
92 mins. /2002 / English Subtitled Presented by CULTURE PUBLISHES
Wake Up!! TAMALA
In 2010, the new “TAMALA” film project started cooperated with one of the world most famous environmental preservation fund, WWF Japan. 『Wakeup!! TAMALA』 depicts the vision of the crisis which has been destroying the biodiversity by human civilization during the poetic time travel with TAMALA. The subject of death and rebirth, as the place of origin of its concept, has been set in this film with the perspective of the nature conservation.” -
Animation Creator : Kentaro Nemoto, Production : Tokyo News Service,Ltd,
Executive Producer: Takashi Okuyama（Tokyo News Service,Ltd), Producer : Akira Takeuchi（Tokyo News Service,Ltd）
Associate Production : Team From JP. http://www.myspace.com/fromjp
Voice Over : Atsuko Harashima, Chiaki Kuriyama 17mins. /2010 / English Subtitled
TAMALA × The Roxie Theater Special Poster
Endorsed by Consulate General of Japan in San Francisco /
Co-Presented by CAAM / Promotional Partner: btrax
Dr. Strangelove and the Shining – 35mm double feature – presented by Spoke Art
Join us Sunday, September 28th for a one night only screening of two classic Stanley Kubrick films, Dr. Strangelove and the Shining, both shown in glorious 35mm. Presented by Spoke Art gallery, this special event closes out their month long Kubrick themed art exhibit, on view at their Sutter street gallery from September 6th – 27th. *SPOKE ART GALLERY “Kubrick an art show tribute”
A selection of limited edition posters will be available for purchase at this event.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, he believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper’s executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all out nuclear war with the Soviets. Against Turgidson’s wishes, Muffley brings Soviet Ambassador Alexi de Sadesky into the War Room, and get his boss, Soviet Premier Dimitri Kisov, on the hot line to inform him of what’s going on.
The Americans in the War Room are dismayed to learn that the Soviets have a yet as unannounced Doomsday Device to detonate if any of their key targets are hit. As Ripper, Mandrake and those in the War Room try and work the situation to their end goal, Major T.J. “King” Kong, one of the B-52 bomber pilots, is working on his own agenda of deploying his bomb where ever he can on enemy soil if he can’t make it to his intended target.
Directed by Stanley Kubrick, 95 minutes, 1964, U.S.A.
A novelist – Jack Torrance take a job interview as winter caretaker of the isolated, old, huge and beautiful Overlook Hotel. In the interview, Jack is told by the manager himself, that the previous caretaker – Grady, chopped his family and later killed himself with a shotgun. Ignoring the story, Jack brings his wife – Wendy and his son Danny. It happens that Danny, has a mysterious power known as “The Shining” that shows him things from the past and future. Some of the visions come from Tony – “the little boy who lives in Danny’s mouth”. Danny meets Hallorann – the hotel cook in their first day arriving at the Overlook, who also has this “Shining” and he warns him about the hotel and the sinister Room 237. As the days go by, Danny has visions of previous guests and employees who died at the hotel years before, meanwhile Jack starts driving into insanity, turning more and more aggressive, at the point that Danny and Wendy gets convinced that Jack might try to do the same thing, Grady did.
Directed by Stanley Kubrick, 144 minutes, 1980, U.S.A.
Beginning in 2004, filmmaker/novelist Catherine Breillat had a series of debilitating strokes connected to a previously undiagnosed cerebrovascular disease.During her long, grueling recovery, she became fascinated by international con man Christophe Rocancourt. She decided only he could play the leading part in her next film. Their close friendship ended with a bang in 2009—when Breillat sued Rocancourt for conning her out of nearly $1 million.
No stranger to discomfiting her audience—or herself—Breillat fictionalizes that recent life chapter here, with the inimitable Isabelle Huppert as stroke-felled filmmaker/novelist “Maud Shainberg.” Maud invites into her life notorious celebrity “crook” Vilko Piran (French rapper Kool Shen). The two fast become thick as, well, thieves. The title Abuse of Weakness suggests a simple victimization that is in fact much more complex and ambiguous in Breillat’s queasy, thinly veiled self-portrait.
In Huppert’s fearless performance, Maud is perversely willing prey to “wild animal” Vilko. He’s rude, bullying, seductive—but then she is often demanding, arrogant and contrary herself. Their interdependency has elements of a marriage (though he’s already married) and an affair (though it’s platonic). These are two prickly, high-maintenance people determined to get the most out of each other, for better or worse. The fact that it’s very likely to be “for worse” seems key to their mutual attraction. –Dennis Harvey
Directed and Written by Catherine Breillat,
Casts: Isabelle Huppert, Kool Shen, Laurence Ursino
2014, France | Germany | Belgium, 105min.
The subject of Somali pirates still strikes fear in the hearts of us Westerners, for it’s all a landscape that’s totally different than anything we could possibly know about. Shot in East Africa using first-time Somali actors, Fishing Without Nets ls the mesmerizing, sobering story of the region’s bandits from the Somali point-of-view. In Somalia, principled, young husband and father Abdi turns to piracy to support his family. While his wife and child wait for him in Yemen, an outdated and fragile satellite phone is his only connection to all he truly values. Here (in Sundance 2014′s winner for the Directing Award, U.S. Dramatic), debut feature filmmaker Cutter Hodierne combines the epic cinematic vision of a glorious action thriller with the intimate, textured qualities of an arthouse film, humanizing the pirates by bringing us inside their moral dilemmas and gut-wrenching struggles.
Dir: Cutter Hodierne – 2014 – 110 mins
* Berlin Film Festival 2014 * * New York Film Festival 2014 * * South By Southwest 2014 *
Last Highjack directed by Tommy Pallotta (animator and collaborator of Richard Linklater on “A Scanner Darkly” and “Waking Life”) tells the true tale of survival in Somalia from the pirate’s perspective. Combining animation with documentary storytelling, the film takes an innovative hybrid approach to explore how one Somali pirate – Mohamed – came to live such a brutal and dangerous existence. Animatedre-enactments exploring Mohamed’s memories, dreams and fears from his point of view are juxtaposed with raw footage from his everyday life in an original non-fiction narrative. Dir: Tommy Palotta. 2014. 83 min.
Dir: Tommy Palotta – 2014 – 83 mins
The Arab Film Festival returns to the Roxie this fall for its 18th edition. With an international standing, the Arab Film Festival is considered one of the most important festivals of Arab films outside the Arab world. It strives to present the best contemporary films that provide insight into the beauty, complexity and diversity of the Arab world alongside realistic perspectives on Arab people, culture, art, history and politics. This year the festival will screen in San Francisco, Berkeley, Oakland and Palo Alto, October 10-23.
SF Shorts is about grabbing someone by the eyeballs and making them think, feel and react. It’s about what people see every day but now stare at in wonder. SF Shorts proves that entertainment can have human value. Mixed genre short films curated into 7 feature programs.
Oct.18th:Screenings with Q&A feature discussions with the filmmakers.
See sfshorts.com for details.
You can buy an ALL-PASS here for $35, you get to see all 7 programs.
Action/Thriller starring Gerard Depardieu (Life of Pi, Green Card, Cyrano de Bergerac) and Elizabeth Hurley (Austin Powers series, Bedazzled, Mickey Blue Eyes). A story of revenge and redemption. When Viktor Lambert returns to Russia after 7 years in French prison, he is determined to uncover the truth and gain revenge for his son’s death just 3 months earlier. He stops at nothing to protect his son’s girlfriend who carries his baby and vows to bring down everyone responsible for his son’s murder. Thrilling pacing, stunning locations and brutal violence in the tradition of action films like Clint Eastwood’s “Gran Torino” and Sam Mendes’ “Road to Perdition.”
Directed by Philippe Martinez, 97min.,2014, Russia
Filmmaker RODRIGO REYES IN PERSON for Q&A after the screening!
“A searing, horrifying, at times starkly beautiful documentary ode to the netherworlds surrounding the U.S.-Mexico barrier” –Andrew Barker, VARIETY
“This haunting, beautifully photographed documentary presents the human side of its incendiary topic” –Frank Scheck, THE HOLLYWOOD REPORTER“An elegiac and cinematically shot poem filled with emotional narration and iconography” –Christine Davila, IndieWIRE
•Jury Award for Best Documentary, NEW ORLEANS FILM FESTIVAL •Jury Award for Best Documentary, THIS HUMAN WORLD •Jury Award for Best Documentary, SAN DIEGO LATINO FILM FESTIVAL •Michael Moore Award for Best Documentary, ANN ARBOR FILM FESTIVAL
Rodrigo Reyes’ provocative essay film re-imagines the Mexico/U.S. border as a mythical place comparable to Dante’s purgatory. Leaving politics aside, he takes a fresh look at the brutal beauty of the border and the people caught in its spell.By capturing a stunning mosaic of compelling characters and broken landscapes that live on the US/Mexico border, the filmmaker reflects on the flaws of human nature and the powerful absurdities of the modern world. An unusual border film, in the auteur tradition of camera-stylo, Purgatorio ultimately becomes a fable of humanity, an epic and visceral experience with powerful and lingering images.
PURGATORIO was shot in the fall of 2011 over 4 weeks with a crew of three, on a documentary-making road trip in a dilapidated Ford Van, meandering through back roads and highways from Tijuana to Big Bend National Park. It was a trip full of unforgettable anecdotes:The production vehicle became stranded in the desert dunes of Yuma, forcing the crew to hike several miles deep with temperatures over 100 degrees and hoisting all their gear, just so that they could capture the perfect shot of the border fence rising from the sand like a mythical beast.
Nearly a week went by in Ciudad Juárez under a strange streak of luck: no murders were happening. Dumbfounded police officers and journalists swore that crime would soon pick up, as news media reported on the extreme rarity of so many days without violent crime. Lashing the camera and tripod to a 12 foot plastic canoe, filmmakers camped out in the canyons that run alongside the Rio Grande River, dividing Mexico from the US, capturing stark images of epic proportions. These are just a few of the many misadventures that the filmmakers encountered as they made their way along the border. The spirit of this journey has seeped into the film itself, and is one of the reasons why PURGATORIO is so unique.
A film by Rodrigo Reyes, 80 minutes, 2013, Mexico
BLOOD DRIVE The Roxie is thrilled to be presenting a rare screening of Herschell Gordon Lewis’ incredible and influential 1963 cult shocker! The local Miami cops are baffled (and sickened) when a string of inanely bloddy murders paralyzes the city with fear! It seems a local caterer is hacking up beautiful girls in order to satisfy the blood lust of an ancient Egyptian goddess! Often cited as the first true “splatter gore” film, BLOOD FEAST is nothing short of of miracle of low budget exploitation cinema. Starring William Kerwin, Mal Arnold, Connie Mason. Written and directed by Herschell Gordon Lewis. In garish Eastman color! New digital transfer. Directed by Herschell Gordon Lewis, 67 mins. 1963. U.S.A.
TRAILER is HERE.