Calendar

Jan
23
Fri
Loitering with Intent
January 23, 2015 - January 29, 2015

Loitering-with-intent19_11_14_5_ntsEnsemble comedy benefits hugely from the presence of Marisa Tomei and Sam Rockwell.

by John DeFore, Hollywood Reporter

After a chance run-in with a film producer eager to invest in a new project, aspiring writers Dominic (Michael Godere) and Raphael (Ivan Martin) need to come up with a script fast, so the pair head to the seclusion of upstate New York to churn out their masterpiece. But when Dominic’s siren of a sister (Marisa Tomei) turns up desperate for reprieve from her boyfriend (Sam Rockwell), they soon realize they’re in for more than they bargained for as their creative retreat is increasingly waylaid by uninvited guests, romantic entanglements, and unexpected distractions. Isabelle McNally and a hilarious Brian Geraghty round out the ensemble cast of New York art world characters in this romantic comedy from director Adam Rapp. -Cara Cusuman, Tribeca Film Festival.

Directed by Adam Rapp. Starring Michael Godere, Ivan Martin, Marisa Tomei, Sam Rockwell, Brian Geraghty and Isabelle McNally. 2014. 75 min. USA.

Feb
2
Mon
SF Sketchfest 2015: “Groundhog Day” on Groundhog Day: Film Screening and special Tobolowsky Files with Stephen Tobolowsky
February 2, 2015

SF Sketchfest was founded in 2001 by David Owen, Cole Stratton and Janet Varney as a way to showcase the talents of six Bay Area sketch comedy groups: The Fresh Robots, Kasper Hauser, The Meehan Brothers, Please Leave the Bronx, Totally False People and White Noise Radio Theatre. The festival debuted in January of 2002 at the Shelton Theatre in downtown San Francisco and has grown rapidly into a nationally recognized comedy festival that mixes national headliners, local favorites and the best up-and-coming groups from throughout North America for a month of sketch, improv, stand-up and alternative comedy.

“Groundhog Day” on Groundhog Day: Film Screening and special Tobolowsky Files with Stephen Tobolowsky

Original Cinema Quad Poster - Movie Film PostersWhat better way to celebrate a giant rodent seeing his shadow than a screening of the beloved Bill Murray deja vu comedy “Groundhog Day?” SF Sketchfest is thrilled to screen the film on the day itself, followed by a special Tobolowsky Files, the award-winning storytelling show and podcast by veteran character actor Stephen Tobolowsky (who stars in the film as the hilariously irritation Ned “BING!” Ryerson).

GD-bill-murrayDon’t miss your chance to relive this special film over and over again and listen to engaging yarns by a true master storyteller!

$20 All Ages

Performer:

Stephen Tobolowky

avatar-5.jpg.320x320pxStephen Tobolowsky is one of the leading character actors in film today. USA Today listed Stephen as the 9th most frequently seen actor in movies. He has appeared over 200 movies and television shows. He is best known for playing Ned Ryerson in “Groundhog Day,” Sammy Jankis in “Memento,” Werner Brandes in “Sneakers,” Happy Chapman in “Garfield,” and Mr. Bates in “Freaky Friday.”

On television, he has played Tor Ekland on “Seinfeld,” Hugo Jarry on “Deadwood,” Bob Bishop on “Heroes,” and is currently seen as Sandy Ryerson on “Glee” and Stu Beggs on “Californication.” He wrote and performed “Stephen Tobolowsky’s Birthday Party” that premiered at the HBO Comedy Festival in Aspen. He wrote “True Stories” with David Byrne and Beth Henley. He has written and performed his stories on the “The Tobolowsky Files” for Slashfilm.com and on iTunes. They are also broadcast weekly on KUOW in Seattle and on WFPL in Louisville. PRI (Public Radio International) is now producing broadcasts of his stories to air on stations across the country.

Feb
20
Fri
2015 Noise Pop Film Series: Hardcore DEVO Live
February 20, 2015

WEST COAST PREMIERE!

Q&A filmmaker Keirda Bahruth and Jerry Casale from Devo

Devo PosterNo matter how messy, beginnings are exciting. Especially when what happens next endures the test of time. For DEVO the beginning happened in the basements and garages of Akron, Ohio. The songs they wrote were raw and unfiltered with no commercial intent. They called it Hardcore DEVO.  In the summer of 2014, DEVO performed 10 shows playing the seminal, experimental songs they created between 1974 and 1977. They have not played most of these songs that pre-dated any fame or record contracts since that time. This film captures these ground breaking artists performing the songs that started it all. It’s DEVO unmasked, coming face to face with their past and paying tribute to their fallen brother, Bob Casale. It’s their “thank you” to everyone who believed in them before it was safe to be DEVO!

Director: Keirda Bahruth. 2014. Digital. 94 minutes.

2015 Noise Pop Film Series: Ollies, Dollies & Drones: A Survey of Spike Jonze’s Skate Videos
February 20, 2015

NOISE POP EXCLUSIVE PREMIERE!

Q&A with special guests

Spike Jonze PosterOne of the best filmmakers of his generation (and indisputably the greatest music video director ever) Spike Jonze learned his craft in the last remaining Wild West for filmmakers growing up in the ‘80s and ‘90s – skateboard videos. From early work with World Industries through his contemporary contributions to Lakai and Girl (of which he is a co-owner) Spike’s grasp on the formal restraints of the genre – namely, a loose interpretation of trespass and copyright laws – were immediate, and the boundary shattering imagination he applied to his skate videos changed the game forever. As skate videos, they’re thrilling and hilarious and super cool; viewed as a sort of sketchbook for a restlessly creative artist sharpening his craft, they’re invaluable. Join us for a survey of Spike’s skateboard videos.

Director: Spike Jonze. 2014. Digital. 90 minutes.

 

 

 

Spike Lee’s Da Sweet Blood of Jesus
February 20, 2015 - February 26, 2015

Spike Lee Da Sweet Blood of Jesus Pic. 2A Spike Lee Joint, DA SWEET BLOOD OF JESUS is a new kind of love story, one that centers on an addiction to blood that once doomed a long forgotten ancient African tribe. When Dr. Hess Green (Stephen Tyrone Williams) is introduced to a mysteriously cursed artifact by an art curator, Lafayette Hightower (Elvis Nolasco), he is uncontrollably drawn into a newfound thirst for blood that overwhelms his soul. He however is not a vampire. Lafayette quickly succumbs to the ravenous nature of the infliction but leaves Hess a transformed man. Soon Lafayette’s wife, Ganja Hightower (Zaraah Abrahams), comes looking for her husband and becomes involved in a dangerous romance with Hess that questions the very nature of love, addiction, sex, and status in our seemingly sophisticated society. A reinterpretation of Bill Gunn’s horror cult film “Ganja & Hess”, which played as a Critics’ Choice at the 1973 Cannes Film Festival, Spike Lee’s stylized thriller features an Original Score by Bruce Hornsby.

Director: Spike Lee/123 minutes/Country: USA

 

Feb
21
Sat
2015 Noise Pop Film Series: SALAD DAYS: The Birth of Punk in the Nation’s Capital
February 21, 2015

WEST COAST PREMIERE!

Q&A with director Scott Crawford and Mark Haggerty (Gray Matter), Meghan Adkins and Nicky Thomas (Fire Party)

Salad Days PosterThey weren’t the first and they weren’t the last, but they never got hit by the adult crash. SALAD DAYS tells the story of birth, childhood, awkward adolescence and triumphant young adulthood of Washington, D.C.’s extremely tight-knit and world renown punk scene. From all-ages shows to straight edge hardcore to Go Go music to Revolution Summer to Repeater, it’s all here in this sprawling love letter to the most vibrant regional music scene of the last forty years. Featuring jaw-dropping, archival footage and interviews with Ian MacKaye, Henry Rollins, Dave Grohl and many more, SALAD DAYS is mandatory viewing for punk lifers and social anthropologists alike.

Director: Scott Crawford. 2014. Digital. 103 minutes.

Mar
10
Tue
Nippon Nights #7: Branded to Kill by Seijun Suzuki
March 10, 2015

“Reputedly one of Seijun Suzuki’s finest works and unquestionably very stylish in its ‘Scope framings (Jim Jarmusch copied a few shots from it in his Ghost Dog: The Way of the Samurai)”

-Jonathan Rosenbaum,  Chicago Reader

Unknown-5A hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, putting him into conflict with his treacherous wife, with a mysterious woman eager for death and with the phantom-like hit-man known only as Number One.

Directed by Seijun Suzuki, 91min, 1967, Japan

Branded to Kill review – genuinely bizarre Japanese thriller

Seijun Suzuki’s Branded to Kill is a very 1960s metaphysical thriller, a cult item treasured by connoisseurs as the kind of film that – for all its delirious craziness – could even be a truer product of Japan than the higher artefacts of Ozu and Kurosawa. It is an erotic and dreamlike pulp noir, and its disdain for any sort of conventional plot infuriated the director’s employers at the Nikkatsu studio. Jô Shishido is Hanada, a hired killer with a sexual fetish for the smell of boiled rice; a bungled job brings him into mysterious contact with Misako (Anne Mari), a woman who hires him for three hits. He becomes obsessed with her, and finds himself in a duel with the legendary top killer, the No 1 (Kôji Nanbara). The obvious comparisons are with Melville’s Le Samouraï or Godard’s Pierrot le Fou – this film holds up against these perfectly well – with hints of John Boorman’s Point Blank and Patrick McGoohan’s The Prisoner. It is, however, closer to Luis Buñuel in its gleefully disquieting insistence on sudden horrific closeups: the glass eye removed from the skull, the bullet hole, the bleeding head in the toilet bowl. Where Godard had his jump-cut, Suzuki has his disorientating ellipses, his sudden dreamlike time-slips. Genuinely fascinating and bizarre.

Peter Bradshaw, The Gurdian