Calendar

September – October 2014

Sep
12
Fri
SECOND OPINION: LAETRILE AT SLOAN-KETTERING
September 12, 2014 - September 18, 2014
San Francisco Premiere!
Director Eric Merola and Ralph W. Moss, PhD, will attend and participate in a Q&A after screenings on: Friday 9/12 (7:00 pm show); Sunday 9/14 (7:00 & 8:45 shows); and Monday 9/15 (7:00 pm show).
“Though a documentary, it’s dramatic enough to be reminiscent of ‘The Insider,’ the whistleblowing thriller about Big Tobacco.”
Graham Fuller, New York Daily News

“Ralph W. Moss has stayed the course in stating his case. I am glad his voice is being heard.”

— Harold P. Freeman, MD Past National President, American Cancer Society

“Mr. Moss’s message is clear, shrewdly edited and peculiarly interesting.”
Anita Gates, The New York Times

Trailer

The story of Ralph W. Moss, PhD—a young science-writer at Memorial Sloan-Kettering Cancer Center (MSKCC), who risked everything by blowing the whistle on a massive cover-up involving an unconventional, yet promising cancer therapy.

Ralph lived a double life, working as a loyal employee at MSKCC while also recruiting fellow employees to help anonymously leak their positive results of an unconventional therapy called “Laetrile” to the public—through a newly formed underground organization they called—“Second Opinion”.

Dir. Eric Merola. USA. 2014. Digital. 75 mins.

Sep
19
Fri
MEMPHIS
September 19, 2014 - September 25, 2014

 

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Official Selection, Sundance Film Festival 2014

A strange singer with “god given talent” drifts through the mythic city of Memphis under its canopy of ancient oak trees, shattered windows, and burning spirituality. Surrounded by lovers, legends, hustlers, preachers, and a wolfpack of kids, the unstable performer avoids the recording studio and is driven to spend time in his own form of self-discovery. Shown in fragments, his journey drags him from love and happiness right to the edge of another dimension. Featuring an explosive performance and score from the singular recording artist-cum-wizard, Willis Earl Beal, MEMPHIS is a film steeped in folklore, music, surrealism, and the abstract search for glory.

                                                                                                         DIRECTOR’S STATEMENT

807It is legend in Memphis that a blessed and cursed singer by the name of O.V. Wright fell from grace and was buried in an unmarked grave. I learned of his myth around the same time I was brought to Peace Baptist Church, and witnessed a deep spirituality as ancient as the oak trees that dress every street in the city. A true believer in ghost stories and a scholar of African American studies, I was drawn to tell my own folk tale, and there was only one place on my mind. Our film captures the descent of a troubled singer as he drifts through an urban landscape looking to save his very soul. We surrounded ourselves with real Memphians and made a film that hopes to project a cool, beautiful world – as old as dirt and yet entirely new, and deserved of the title MEMPHIS.

 
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Written and Directed by Tim Sutton.

Cast: Willis Earl Beal, Lopaka Thomas, Constance Brantley, Devonte Hull, John Gary Williams, Larry Dodson Music by Willis Earl Beal. Digital. USA  79 mins.

Official Site is Here.

 

Sep
25
Thu
NIPPON NIGHTS: TAMALA2010 a punkcat in space & Wake Up!! TAMALA
September 25, 2014

NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations.

NIPPON NIGHTS 〜 Neon Tokyo : Anime World #3 – TAMALA2010 a punkcat in space & Wake Up!! TAMALA 

 

Thursday, September 25th

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The 3rd program of the special series “Neon Tokyo” is “TAMALA”, Japanese animated film about kitten from the Planet of Cats, who sets out to solve the mystery of her birth.

With large eyes and a cherubic face. She is cute enough to make go crazy for her until she opens her mouth that is. Don’t be fooled by her innocent face; TAMALA is a real hell-on-wheels, bitter-sweet punk cat.

Playful, one year old, female cat. She played the heroine in the theatrical film ”TAMALA 2010 a punkcat in space” in 2002.

t.o.L FILM “TAMALA2010 a punkcat in space”

Originally Written, and Directed by t.o.L  / Music by t.o.L & trees of Life  /

Voice Over : ATSUKO HARASIMA, SHINJI TAKEDA, TAKESHI KATO, SATO(54-71),

BEATRICE DALLE

Producers : t.o.L & SEIICHI TSUKADA & KAZUKO MIO /  2D Animation : KENTARO NEMOTO /

3D CG Direction :MICHIRO TSUTSUMOTO & KENJI OKADA / Editor : KENSUKE KAWAMURA & DAISHIN SUZUKI

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92 mins. /2002 / English Subtitled

Presented by CULTURE PUBLISHES

“Wake Up!! TAMALA

 In 2010, the new “TAMALA” film project started cooperated with one of the world most famous environmental preservation fund, WWF Japan. 『Wakeup!! TAMALA』 depicts the vision of the crisis which has been destroying the biodiversity by human civilization during the poetic time travel with TAMALA. The subject of death and rebirth, as the place of origin of its concept, has been set in this film with the perspective of the nature conservation.” -

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Animation Creator : Kentaro Nemoto

Production : Tokyo News Service,Ltd

Executive Producer : Takashi Okuyama(Tokyo News Service,Ltd)

Producer : Akira Takeuchi(Tokyo News Service,Ltd)

Associate Production : Team From JP.

http://www.myspace.com/fromjp

Voice Over :  Atsuko Harashima, Chiaki Kuriyama

17mins. /2010 / English Subtitled

☆Other NIPPON NIGHTS lineup

Endorsed by Consulate General of Japan in San Francisco /
Co-Presented by CAAM / Promotional Partner: btrax

Sep
28
Sun
Dr. Strangelove and the Shining
September 28, 2014

Dr. Strangelove and the Shining – 35mm double feature – presented by Spoke Art

Join us Sunday, September 28th for a one night only screening of two classic Stanley Kubrick films, Dr. Strangelove and the Shining, both shown in glorious 35mm. Presented by Spoke Art gallery, this special event closes out their month long Kubrick themed art exhibit, on view at their Sutter street gallery from September 6th – 27th.  *SPOKE ART GALLERY “Kubrick an art show tribute”

A selection of limited edition posters will be available for purchase at this event.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

imagesParanoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, he believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper’s executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world.imgres Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all out nuclear war with the Soviets. Against Turgidson’s wishes, Muffley brings Soviet Ambassador Alexi de Sadesky into the War Room, and get his boss, Soviet Premier Dimitri Kisov, on the hot line to inform him of what’s going on.
The Americans in the War Room are dismayed to learn that the Soviets have a yet as unannounced Doomsday Device to detonate if any of their key targets are hit. As Ripper, Mandrake and those in the War Room try and work the situation to their end goal, Major T.J. “King” Kong, one of the B-52 bomber pilots, is working on his own agenda of deploying his bomb where ever he can on enemy soil if he can’t make it to his intended target.

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Directed by Stanley Kubrick, 95 minutes, 1964, U.S.A.

The Shining

imgres-2A novelist – Jack Torrance take a job interview as winter caretaker of the isolated, old, huge and beautiful Overlook Hotel. In the interview, Jack is told by the manager himself, that the previous caretaker – Grady, chopped his family and later killed himself with a shotgun. Ignoring the story, Jack brings his wife – Wendy and his son Danny. It happens that Danny, has a mysterious power known as “The Shining” that shows him things from the past and future. Some of the visions come from Tony – “the little boy who lives in Danny’s mouth”. Danny meets Hallorann – the hotel cook in their first day arriving at the Overlook, who also has this “Shining” and he warns him about the hotel and the sinister Room 237. imgres-4As the days go by, Danny has visions of previous guests and employees who died at the hotel years before, meanwhile Jack starts driving into insanity, turning more and more aggressive, at the point that Danny and Wendy gets convinced that Jack might try to do the same thing, Grady did.

Directed by Stanley Kubrick, 144 minutes, 1980, U.S.A.

Oct
2
Thu
NAS: Time is Illmatic
October 2, 2014

Nas-Time-is-Illmatic-official-poster-lowWritten by Erik Parker and produced by One9, Parker, and Anthony Saleh, the film follows the trajectory of Nas’ 1994 landmark debut album, “Illmatic” – widely considered one of the most important and revolutionary albums in hip-hop.

Twenty years after the release of Nas’s groundbreaking debut album ‘Illmatic,’ NAS: TIME IS ILLMATIC takes us into the heart of his creative process. Returning to his childhood home in Queensbridge, Nas shares stories of his upbringing, his influences — from the music of his jazz musician father Olu Dara to the burgeoning hip-hop scene in New York City — and the obstacles he faced before his major label signing at age 20. Featuring interviews with his ‘Illmatic’ producers (Large Professor, Pete Rock, Q-Tip, L.E.S., and DJ Premier) and musical peers (including Pharrell Williams and Alicia Keys), NAS: TIME IS ILLMATIC is a thrilling account of Nas’s evolution from a young street poet to a visionary MC.

Director: One9, 74 mins., 2014, U.S.A.

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Nas_Queensbridge_Bench_Celebration_1993_Photo_by_Danny_Clinch Olu_YoungNas_Photo-Courtesy-NasirJones

Oct
3
Fri
ABUSE OF WEAKNESS
October 3, 2014 - October 9, 2014

MV5BMTAzOTU3MzczNTZeQTJeQWpwZ15BbWU4MDA5MzQxMjIx._V1__SX870_SY631_Beginning in 2004, filmmaker/novelist Catherine Breillat had a series of debilitating strokes connected to a previously undiagnosed cerebrovascular disease.During her long, grueling recovery, she became fascinated by international con man Christophe Rocancourt. She decided only he could play the leading part in her next film. Their close friendship ended with a bang in 2009—when Breillat sued Rocancourt for conning her out of nearly $1 million.

No stranger to discomfiting her audience—or herself—Breillat fictionalizes that recent life chapter here, with the inimitable Isabelle Huppert as stroke-felled filmmaker/novelist “Maud Shainberg.” Maud invites into her life notorious celebrity “crook” Vilko Piran (French rapper Kool Shen). The two fast become thick as, well, thieves. The title Abuse of Weakness suggests a simple victimization that is in fact much more complex and ambiguous in Breillat’s queasy, thinly veiled self-portrait.

In Huppert’s fearless performance, Maud is perversely willing prey to “wild animal” Vilko. He’s rude, bullying, seductive—but then she is often demanding, arrogant and contrary herself. Their interdependency has elements of a marriage (though he’s already married) and an affair (though it’s platonic). These are two prickly, high-maintenance people determined to get the most out of each other, for better or worse. The fact that it’s very likely to be “for worse” seems key to their mutual attraction. –Dennis Harvey

images Unknown

 

Directed and Written by Catherine Breillat,
Casts: Isabelle Huppert, Kool Shen, Laurence Ursino

2014, France | Germany | Belgium, 105min.

English Subtitles

Oct
8
Wed
BAY AREA DOCS: TONGUES OF HEAVEN
October 8, 2014

FILMMAKER ANITA CHANG IN PERSON!

“You already know the importance of saving a language. You know the reason, but not the motivation to save it,” admits Anchi Chen, one of the collaborators for TONGUES OF HEAVEN. With 96% of the world’s population speaking only 4% of the world’s languages, what does it mean today to speak your mother tongue?

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To put it another way, what do you lose when you lose your native language? Using video as the primary medium of expression, four young indigenous women from the Austronesian language territories Taiwan and Hawai’i share their questions, desires and challenges of learning their native languages.

Dir: Anita Chang. 2013. 60 min.

Anita Chang is a Bay Area independent filmmaker, educator and writer. Her award-winning works have screened internationally and broadcast on U.S. and Taiwan public television. She has taught in community centers and film departments in San Francisco, Nepal and Taiwan’s College of Indigenous Studies at National Dong Hwa University. Honors include grant awards from the Fulbright, San Francisco Arts Commission, and KQED Peter J. Owens Filmmaker programs.

Artist website: anitachangworks.com

Tongues of Heaven is a Creative Capital and National Geographic All Roads Seeds funded project.

BAY AREA DOCS is a monthly program featuring the best films made in the mecca of documentary filmmaking.

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Co-presented by:

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Oct
26
Sun
PURGATORIO
October 26, 2014

Filmmaker RODRIGO REYES IN PERSON for Q&A after the screening!

“A searing, horrifying, at times starkly beautiful documentary ode to the netherworlds surrounding the U.S.-Mexico barrier”  –Andrew Barker, VARIETY 

“This haunting, beautifully photographed documentary presents the human side of its incendiary topic” –Frank Scheck, THE HOLLYWOOD REPORTER

“An elegiac and cinematically shot poem filled with emotional narration and iconography” –Christine Davila, IndieWIRE

•Jury Award for Best Documentary, NEW ORLEANS FILM FESTIVAL •Jury Award for Best Documentary, THIS HUMAN WORLD •Jury Award for Best Documentary, SAN DIEGO LATINO FILM FESTIVAL •Michael Moore Award for Best Documentary, ANN ARBOR FILM FESTIVAL

UnknownRodrigo Reyes’ provocative essay film re-imagines the Mexico/U.S. border as a mythical place comparable to Dante’s purgatory. Leaving politics aside, he takes a fresh look at the brutal beauty of the border and the people caught in its spell.By capturing a stunning mosaic of compelling characters and broken landscapes that live on the US/Mexico border, the filmmaker reflects on the flaws of human nature and the powerful absurdities of the modern world. An unusual border film, in the auteur tradition of camera-stylo, Purgatorio ultimately becomes a fable of humanity, an epic and visceral experience with powerful and lingering images.

Unknown-2PURGATORIO was shot in the fall of 2011 over 4 weeks with a crew of three, on a documentary-making road trip in a dilapidated Ford Van, meandering through back roads and highways from Tijuana to Big Bend National Park. It was a trip full of unforgettable anecdotes:The production vehicle became stranded in the desert dunes of Yuma, forcing the crew to hike several miles deep with temperatures over 100 degrees and hoisting all their gear, just so that they could capture the perfect shot of the border fence rising from the sand like a mythical beast.

UnknownNearly a week went by in Ciudad Juárez under a strange streak of luck: no murders were happening. Dumbfounded police officers and journalists swore that crime would soon pick up, as news media reported on the extreme rarity of so many days without violent crime. Lashing the camera and tripod to a 12 foot plastic canoe, filmmakers camped out in the canyons that run alongside the Rio Grande River, dividing Mexico from the US, capturing stark images of epic proportions. These are just a few of the many misadventures that the filmmakers encountered as they made their way along the border. The spirit of this journey has seeped into the film itself, and is one of the reasons why PURGATORIO is so unique.

Purgatorio – Official Trailer from RR Cinema on Vimeo.

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A film by Rodrigo Reyes, 80 minutes, 2013, Mexico