Calendar

October – November 2014

Oct
19
Sun
NAS: Time is Illmatic
October 19, 2014 - November 7, 2014

Nas-Time-is-Illmatic-official-poster-lowWritten by Erik Parker and produced by One9, Parker, and Anthony Saleh, the film follows the trajectory of Nas’ 1994 landmark debut album, “Illmatic” – widely considered one of the most important and revolutionary albums in hip-hop.

Twenty years after the release of Nas’s groundbreaking debut album ‘Illmatic,’ NAS: TIME IS ILLMATIC takes us into the heart of his creative process. Returning to his childhood home in Queensbridge, Nas shares stories of his upbringing, his influences — from the music of his jazz musician father Olu Dara to the burgeoning hip-hop scene in New York City — and the obstacles he faced before his major label signing at age 20. Featuring interviews with his ‘Illmatic’ producers (Large Professor, Pete Rock, Q-Tip, L.E.S., and DJ Premier) and musical peers (including Pharrell Williams and Alicia Keys), NAS: TIME IS ILLMATIC is a thrilling account of Nas’s evolution from a young street poet to a visionary MC.

Director: One9, 74 mins., 2014, U.S.A.

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Oct
31
Fri
BLOOD FEAST
October 31, 2014

 The Roxie presents a special Halloween screening from the “Godfather of Gore”…

Blood Feast

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The Roxie is thrilled to be presenting a rare screening of Herschell Gordon Lewis’ incredible and influential 1963 cult shocker! The local Miami cops are baffled (and sickened) when a string of inanely bloody murders paralyzes the city with fear! It seems a local caterer is hacking up beautiful girls in order to satisfy the blood lust of an ancient Egyptian goddess! Often cited as the first true “splatter gore” film, BLOOD FEAST is nothing short of of miracle of low budget exploitation cinema. Starring William Kerwin, Mal Arnold, Connie Mason. Written and directed by Herschell Gordon Lewis. In garish Eastman color! New digital transfer. Directed by Herschell Gordon Lewis, 67 mins. 1963. U.S.A.

TRAILER is HERE.

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Young Ones
October 31, 2014 - November 6, 2014

 As bone-dry as the harsh environment where its characters live, Young Ones gives us a futuristic Western so bleak that its pitiless tone becomes downright mesmerizing.

-Tim Grierson, Screen International

MV5BMTQwNDg2NjkwMF5BMl5BanBnXkFtZTcwNDg1NjEzOQ@@._V1__SX1082_SY581_-222x3001YOUNG ONES is set in a near future when water has become the most precious and dwindling resource on the planet, one that dictates everything from political to inter persona.  The land  has withered into something wretched. The dust has settled on a lonely, barren planet. The hardened survivors of the loss of Earth’s precious resources scrape and struggle. Ernest Holm lives on this harsh frontier with his children. He defends his farm from bandits, works the supply routes, and hopes to rejuvenate the soil. But his daughter’s boyfriend has grander designs.  A futuristic western that inventively layers Greek tragedy over an ethereal narrative that’s steeped deeply in the values of the American West. Written & directed by Jake Paltrow.  With Michael Shannon, Elle Fanning, Nicholas Hoult, Kodi Smit-McPhee. Digital. USA. 2014. 100 Minutes.

 

 

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Nov
3
Mon
TALES OF THE GRIM SLEEPER
November 3, 2014 - November 4, 2014

Special Screening of TALES OF THE GRIM SLEEPER,

Hosted by Tom Luddy and Julie Huntsinger

Director Nick Broomfield IN PERSON

UnknownLonnie Franklin Jr was arrested in July 2010 after a 25 year killing spree in which it is thought he could have killed over a 100 victims, potentially making him the most prolific serial killer in history. Significantly his arrest was not the product of painstaking detective work but completely accidental, the result of a computer DNA match that linked him to a possible 20 victims. Franklin now awaits trial. Tales of the Grim Sleeper looks into how it was possible for all this to happen.

Unknown-1The murders all took place in the South Central area of Los Angeles, the poor part of the city with the worst schools, the worst hospitals, and no jobs. The Lonnie Franklin case has become very political in Los Angeles amidst accusations that the reason the killings were able to go on for so long was because the victims were all black African-American women. The murders were all reported as being the killings of prostitutes, even though it now appears many were not.

What is revealed is a police force that didn’t care and a community estranged and abandoned from the rest of the city. A police force that for years used the slang term NHI (No Human Involved) for murders of prostitutes, drug addicts and gang members.

Unknown-3In this film we meet all those people the police never talked to. Like a detective story, we are introduced to Lonnie’s world. We meet his friends, Richard, Gary, and Steve, who slowly reveal the extent of their knowledge; Jerry, Lonnie’s night time companion when he picked up women, and Chris, Lonnie’s son, who paint a complicated portrait of a contradictory man; The survivors who narrowly escaped death at Lonnie’s hands but would never dream of sharing their experiences with the police.

Unknown-2We meet the amazing women of the Black Coalition Fighting Back Serial Murders, who for over 30 years have fought tirelessly to see justice for the Victims families. Through characters like Pam, who used to work the streets, we are taken on a tour of Lonnie’s haunts – the Mustang Motel, The Snooty Fox, the woman who’s throat he tried to cut, and the people of South Central LA. We find wit, humour, and humanity in the most unexpected places, and a people who have been dealt a grave injustice that extends far beyond this case.

Nov
5
Wed
Synesthesia Film Festival: Screening #8
November 5, 2014

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s_SynesthesiaPosterWelcome to the Synesthesia Film Festival!

The Synesthesia Film Festival is a monthly one-night film festival that screens the best independent short films, student films, web series, documentaries, music videos, experimental films and animations from around the world.

The goal is to bring an eclectic mix filmmakers together to mingle, share ideas, and collaborate on future projects.

This film festival is for filmmakers, writers, producers, directors, actors, editors, and anyone who loves indie movies.

-Mingling with the filmmakers will start at 6:30pm in lobby.

-Film screenings begin at 7pm.

-Afterparty at 9:30 PM down the street at a local bar or restaurant.

The Afterparty is an informal event where we can eat, drink, and just have fun talking about the screening.

At the end of the month the Film Festival panel will tally up the scores and announce the winners of the Audience Choice Award at the following screening.

The winners of the Audience Choice Award will receive $100 in prize money.

www.synesthesiafilmfestival.com

info@synesthesiafilmfestival.com

Nov
9
Sun
21 YEARS: RICHARD LINKLATER
November 9, 2014 - November 10, 2014

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Drawing on the concept that the first 21 years defines the career of an artist, this feature-length doc explores Linklater’s career from the trailblazing, Gen-X-On-Parade, SLACKER to his time-elapsing, box-office bonanza, BOYHOOD.  Made by Paste Magazine’s Michael Dunaway and Tara Wood, the film offers blunt, unvarnished perspectives on his collaborative method, motivation, and directorial style from the likes of Ethan Hawke, Jack Black, Kevin Smith, Keanu Reeves, Billy Bob Thornton, Matthew McConaughey,  Zac Efron,  Jason Reitman, Julie Delpy,  Jay Duplass and others, opining between an abundant treasure trove of undeniably entertaining clips.   USA.  2014.  78 mins.

Nov
11
Tue
NIPPON NIGHTS #5 : SAVE THE CLUB NOON
November 11, 2014

NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations. In the 2nd season of the series, we introduce Japanese cinema themed with Music.

This is a documentary about Japan’s law regulating entertainments.

scn_mainNoon, a venerable Osaka club, was busted in April 2012 for violating Japan’s law regulating entertainment establishments. Eight were arrested in the case, their charges being that the club allowed approximately 20 people to dance on its premises “without permission.”  The law regulating entertainment businesses makes it illegal to allow patrons to dance, but the law went into effect in 1948, and in many ways is out of step with contemporary society. The 65-year-old law was created when so-called dance clubs were used as hotbeds of prostitution. This documentary covers the music event held in July of the same year by over 90 artist teams, who rallied in protest.  This film delves into problems in Japan’s music industry with interviews of performers like Ito Seiko and Hanaregumi, who have their doubts about the law.

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Directed by Moriro Miyamoto, 93mins., 2013, JAPAN, English Subtitled.

SAVE THE CLUB NOON」Production Committee.

 

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Endorsed by Consulate General of Japan in San Francisco & Japan Foundation

 

 

Nov
14
Fri
THE FRENCH HAD A NAME FOR IT: Classic French Noir from the 40s through the 60s
November 14, 2014 - November 17, 2014

The French Had a Name for It

Elliot Lavine and Don Malcolm proudly present a stellar four-day festival of Gallic noir, twelve dazzling noir films featuring works by famed directors like Melville and Clouzot as well as films from equally talented but somewhat less widely known group of filmmakers such as Julien Duvivier, Jacques Becker, Robert Hossein, and Claude Autant-Lara.

The big Roxie screen will glisten with unimaginable star power provided by Jean Gabin, Simone Signoret, Brigitte Bardot, and 1950s French glamour couple Robert Hossein and Marina Vlady. Most of these exciting films have been absent from US movie screens for decades and we are indeed honored to be hosting this incredible event.

→ View the complete program guide, images and in-depth festival coverage of THE FRENCH HAD A NAME FOR IT at the MidCentury Productions site.

FESTIVAL SCHEDULE

Friday, November 14
TWO BY CLOUZOT
LA VERITÉ (Clouzot, 1960) 8:00 • MANON (Clouzot, 1949) 6:0010:15

SaturdayNovember 15
(matinee)
SALUTE TO HENRI VIDAL
LES MAUDITS (Clement, 1947) 1:30 • UNE MANCHE ET LA BELLE aka A KISS FOR A KILLER (Verneuil, 1957) 3:30
(evening)
BE CAREFUL WHAT YOU SEARCH FOR!
UN TEMOIN DANS LA VILLE aka WITNESS IN THE CITY (Molinaro, 1959) 8:00 • 
TOI LE VENIN aka BLONDE IN A WHITE CAR (Hossein, 1958) 6:15, 9:45

SundayNovember 16
(matinee)
THE HAZARDS OF STREETWALKING
DEDEE D’ANVERS (Yves Allegret, 1948) 1:30 • EN CAS DE MALHEUR aka LOVE IS MY PROFESSION (Claude Autant-Lara, 1958) 3:15
(evening)
SALUTE TO JULIEN DUVIVIER
CHAIR DE POULE aka HIGHWAY PICKUP (Duvivier, 1964) 5:309:30 • VOICI LE TEMPS DES ASSASSINS aka DEADLIER THAN THE MALE (Duvivier, 1956) 7:30

MondayNovember 17
BLACK vs. WHITE IN A BLACK-AND-WHITE WORLD
LA P… RESPECTUEUSE aka THE RESPECTUL PROSTITUTE (Pagliero/Brabant, 1952) 6:009:45 • J’IRAI CRACHER SUR VOS TOMBES aka I SPIT ON YOUR GRAVES (Gast, 1959) 7:45

Nov
18
Tue
HAIRY WHO & THE CHICAGO IMAGISTS
November 18, 2014

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hairywho_coverIn the mid 1960s, the city of Chicago was an incubator for an iconoclastic group of young artists. Collectively known as the Imagists, they showed in successive waves of exhibitions with monikers that might have been psychedelic rock bands of the era – Hairy Who, Nonplussed Some, False Image, Marriage Chicago Style.

comicKissing cousins to the contempora- neous international phenomenon of Pop Art, Chicago Imag- ism took its own weird, wondrous, in-your-face tack. Variously pugnacious, puerile, scatological, graphic, comical, and absurd, it celebrated a very different version of ‘popular’ from the detached cool of New York, London and Los Angeles. HAIRY WHO & THE CHICAGO IMAGISTS is the first film to tell their wild, woolly, utterly irreverent story.

Directed by Leslie Buchbinder. Written by John Corbett Animated by Lilli Carré. Narrated by Cheryl Lynne Bruce. USA. 2014. 105 mins. 7pm. 

Nov
21
Fri
Rocks In My Pockets
November 21, 2014 - November 27, 2014

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Filmmaker Signe Baumane IN PERSON opening weekend!

In the new animated gem Rocks in My Pockets, Latvian-born artist and filmmaker Signe Baumane tells five fantastical tales based on the courageous women in her family and their battles with madness. With boundless imagination and a twisted sense of humor, she has created daring stories of art, romance, marriage, nature, business, and Eastern European upheaval—all in the fight for her own sanity. Employing a unique, beautifully textured combination of papier-mâché stop-motion and classic hand-drawn animation (with inspiration from Jan Svankmajer and Bill Plympton), Baumane has produced a poignant and often hilarious tale of mystery, mental health, redemption and survival. Winner Of The International Film Critics (fipresci) Prize Karlovy Vary International Film Fest.  In English. 2014. USA. 88 mins.

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