Calendar

February – March 2015

Feb
2
Mon
SF Sketchfest 2015: “Groundhog Day” on Groundhog Day: Film Screening and special Tobolowsky Files with Stephen Tobolowsky
February 2, 2015

SF Sketchfest was founded in 2001 by David Owen, Cole Stratton and Janet Varney as a way to showcase the talents of six Bay Area sketch comedy groups: The Fresh Robots, Kasper Hauser, The Meehan Brothers, Please Leave the Bronx, Totally False People and White Noise Radio Theatre. The festival debuted in January of 2002 at the Shelton Theatre in downtown San Francisco and has grown rapidly into a nationally recognized comedy festival that mixes national headliners, local favorites and the best up-and-coming groups from throughout North America for a month of sketch, improv, stand-up and alternative comedy.

“Groundhog Day” on Groundhog Day: Film Screening and special Tobolowsky Files with Stephen Tobolowsky

Original Cinema Quad Poster - Movie Film PostersWhat better way to celebrate a giant rodent seeing his shadow than a screening of the beloved Bill Murray deja vu comedy “Groundhog Day?” SF Sketchfest is thrilled to screen the film on the day itself, followed by a special Tobolowsky Files, the award-winning storytelling show and podcast by veteran character actor Stephen Tobolowsky (who stars in the film as the hilariously irritation Ned “BING!” Ryerson).

GD-bill-murrayDon’t miss your chance to relive this special film over and over again and listen to engaging yarns by a true master storyteller!

$20 All Ages

Performer:

Stephen Tobolowky

avatar-5.jpg.320x320pxStephen Tobolowsky is one of the leading character actors in film today. USA Today listed Stephen as the 9th most frequently seen actor in movies. He has appeared over 200 movies and television shows. He is best known for playing Ned Ryerson in “Groundhog Day,” Sammy Jankis in “Memento,” Werner Brandes in “Sneakers,” Happy Chapman in “Garfield,” and Mr. Bates in “Freaky Friday.”

On television, he has played Tor Ekland on “Seinfeld,” Hugo Jarry on “Deadwood,” Bob Bishop on “Heroes,” and is currently seen as Sandy Ryerson on “Glee” and Stu Beggs on “Californication.” He wrote and performed “Stephen Tobolowsky’s Birthday Party” that premiered at the HBO Comedy Festival in Aspen. He wrote “True Stories” with David Byrne and Beth Henley. He has written and performed his stories on the “The Tobolowsky Files” for Slashfilm.com and on iTunes. They are also broadcast weekly on KUOW in Seattle and on WFPL in Louisville. PRI (Public Radio International) is now producing broadcasts of his stories to air on stations across the country.

Feb
8
Sun
SF Indie Fest: FREE
February 8, 2015 - February 14, 2015

Local Filmmakers!

UnknownThis stirring, up-close documentary follows a group of Oakland teens who find personal liberation and mutual support through dance.  These dynamic young people face the very real challenges of poverty, alienation, HIV, sexual abuse, and gang violence, but they are dedicated to tell the truth, even if it hurts, because the truth will in some degree set them free.  Free captures their struggles as they turn the courage, determination, and stamina demanded of their lives into a contagious joy.   – CM

Directed by David Collier and Suzanne LaFetra | USA 2014 | 73 min

Plays with: STAND, Melanie D’Andrea, 21 min

F R E E Trailer from F R E E on Vimeo.

Feb
14
Sat
SF Indie Fest: ALL CONTAINED IN VOID
February 14, 2015 - February 17, 2015

World Premiere!! Local Filmmaker 

ACIV 1This intriguing and thought provoking experimental documentary crawls over, under and inside the leftover ‘dead zones’ of the California road and freeway system, finding an eclectic mix of people who inhabit, explore, and re-purpose these liminal spaces, sometimes uncovering a world to call their own.  Urban planners, artists and engineers reflect on the sociological considerations about the built environment, including interviews with KALW’S Roman Mars (host of the popular architecture and design podcast “99 Percent Invisible”) and John Law (co-founder of Burning Man and the Cacophony Society).   -CM

Directed by Whit Missildine | USA 2015 | 52 min

 

Plays wth: Broken City Poets, Ariane Wu, 29 min

All Contained In Void – Trailer from Whit Missildine on Vimeo.

SF Indie Fest: BEYOND CLUELESS
February 14, 2015 - February 19, 2015

West Coast Premiere!!

beyond clueless 2 heathersFollowing 1995’s Clueless, Hollywood made hundreds of movies exploring the teenage psyche. Most were set in the drama-rich landscape of high school, complete with jocks, cheerleaders, freaks, geeks, and countless sub cliques in between.  Narrated by cult teen star Fairuza Balk, this stylish film takes us into the soul of the teen movie, as seen through the eyes of 200 modern coming-of-age classics, exploring themes of alienation, loss of self, and scouring the often amusing myriad of emotional tempests that dominate the teenage years.   -CM

Directed by Charlie Lyne | UK 2014 | 89 min

Feb
20
Fri
2015 Noise Pop Film Series: Hardcore DEVO Live
February 20, 2015

WEST COAST PREMIERE!

Q&A filmmaker Keirda Bahruth and Jerry Casale from Devo

Devo PosterNo matter how messy, beginnings are exciting. Especially when what happens next endures the test of time. For DEVO the beginning happened in the basements and garages of Akron, Ohio. The songs they wrote were raw and unfiltered with no commercial intent. They called it Hardcore DEVO.  In the summer of 2014, DEVO performed 10 shows playing the seminal, experimental songs they created between 1974 and 1977. They have not played most of these songs that pre-dated any fame or record contracts since that time. This film captures these ground breaking artists performing the songs that started it all. It’s DEVO unmasked, coming face to face with their past and paying tribute to their fallen brother, Bob Casale. It’s their “thank you” to everyone who believed in them before it was safe to be DEVO!

Director: Keirda Bahruth. 2014. Digital. 94 minutes.

2015 Noise Pop Film Series: Ollies, Dollies & Drones: A Survey of Spike Jonze’s Skate Videos
February 20, 2015

NOISE POP EXCLUSIVE PREMIERE!

Q&A with special guests

Spike Jonze PosterOne of the best filmmakers of his generation (and indisputably the greatest music video director ever) Spike Jonze learned his craft in the last remaining Wild West for filmmakers growing up in the ‘80s and ‘90s – skateboard videos. From early work with World Industries through his contemporary contributions to Lakai and Girl (of which he is a co-owner) Spike’s grasp on the formal restraints of the genre – namely, a loose interpretation of trespass and copyright laws – were immediate, and the boundary shattering imagination he applied to his skate videos changed the game forever. As skate videos, they’re thrilling and hilarious and super cool; viewed as a sort of sketchbook for a restlessly creative artist sharpening his craft, they’re invaluable. Join us for a survey of Spike’s skateboard videos.

Director: Spike Jonze. 2014. Digital. 90 minutes.

 

 

 

Spike Lee’s Da Sweet Blood of Jesus
February 20, 2015 - February 26, 2015

Spike Lee Da Sweet Blood of Jesus Pic. 2A Spike Lee Joint, DA SWEET BLOOD OF JESUS is a new kind of love story, one that centers on an addiction to blood that once doomed a long forgotten ancient African tribe. When Dr. Hess Green (Stephen Tyrone Williams) is introduced to a mysteriously cursed artifact by an art curator, Lafayette Hightower (Elvis Nolasco), he is uncontrollably drawn into a newfound thirst for blood that overwhelms his soul. He however is not a vampire. Lafayette quickly succumbs to the ravenous nature of the infliction but leaves Hess a transformed man. Soon Lafayette’s wife, Ganja Hightower (Zaraah Abrahams), comes looking for her husband and becomes involved in a dangerous romance with Hess that questions the very nature of love, addiction, sex, and status in our seemingly sophisticated society. A reinterpretation of Bill Gunn’s horror cult film “Ganja & Hess”, which played as a Critics’ Choice at the 1973 Cannes Film Festival, Spike Lee’s stylized thriller features an Original Score by Bruce Hornsby.

Director: Spike Lee/123 minutes/Country: USA

 

Feb
21
Sat
2015 Noise Pop Film Series: SALAD DAYS: The Birth of Punk in the Nation’s Capital
February 21, 2015

WEST COAST PREMIERE!

Q&A with director Scott Crawford and Mark Haggerty (Gray Matter), Meghan Adkins and Nicky Thomas (Fire Party)

Salad Days PosterThey weren’t the first and they weren’t the last, but they never got hit by the adult crash. SALAD DAYS tells the story of birth, childhood, awkward adolescence and triumphant young adulthood of Washington, D.C.’s extremely tight-knit and world renown punk scene. From all-ages shows to straight edge hardcore to Go Go music to Revolution Summer to Repeater, it’s all here in this sprawling love letter to the most vibrant regional music scene of the last forty years. Featuring jaw-dropping, archival footage and interviews with Ian MacKaye, Henry Rollins, Dave Grohl and many more, SALAD DAYS is mandatory viewing for punk lifers and social anthropologists alike.

Director: Scott Crawford. 2014. Digital. 103 minutes.

Mar
10
Tue
Nippon Nights #7: Branded to Kill by Seijun Suzuki
March 10, 2015

“Reputedly one of Seijun Suzuki’s finest works and unquestionably very stylish in its ‘Scope framings (Jim Jarmusch copied a few shots from it in his Ghost Dog: The Way of the Samurai)”

-Jonathan Rosenbaum,  Chicago Reader

Unknown-5A hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, putting him into conflict with his treacherous wife, with a mysterious woman eager for death and with the phantom-like hit-man known only as Number One.

Directed by Seijun Suzuki, 91min, 1967, Japan

Branded to Kill review – genuinely bizarre Japanese thriller

Seijun Suzuki’s Branded to Kill is a very 1960s metaphysical thriller, a cult item treasured by connoisseurs as the kind of film that – for all its delirious craziness – could even be a truer product of Japan than the higher artefacts of Ozu and Kurosawa. It is an erotic and dreamlike pulp noir, and its disdain for any sort of conventional plot infuriated the director’s employers at the Nikkatsu studio. Jô Shishido is Hanada, a hired killer with a sexual fetish for the smell of boiled rice; a bungled job brings him into mysterious contact with Misako (Anne Mari), a woman who hires him for three hits. He becomes obsessed with her, and finds himself in a duel with the legendary top killer, the No 1 (Kôji Nanbara). The obvious comparisons are with Melville’s Le Samouraï or Godard’s Pierrot le Fou – this film holds up against these perfectly well – with hints of John Boorman’s Point Blank and Patrick McGoohan’s The Prisoner. It is, however, closer to Luis Buñuel in its gleefully disquieting insistence on sudden horrific closeups: the glass eye removed from the skull, the bullet hole, the bleeding head in the toilet bowl. Where Godard had his jump-cut, Suzuki has his disorientating ellipses, his sudden dreamlike time-slips. Genuinely fascinating and bizarre.

Peter Bradshaw, The Gurdian