Calendar

October – December 2014

Oct
19
Sun
Roxie Kids : NOCTURNA
October 19, 2014

Roxie Kids is an age-appropriate film series for families and film lovers alike. 

KIDS under 12 years old are Admission FREE!!

Winner of Barcelona Film Awards & Goya Award

nocturna_poster_smallVisually stunning and wildly inventive, this film explores the mystery of the night in a sweeping nocturnal adventure full of Alice in Wonderland-like characters and moody, dream-inspired landscapes. Have you ever wondered why your hair looks funny in the morning or where the sounds outside your window come from at night? A young boy named Tim finds out after an unusual discovery on the rooftop of his orphanage plunges him into the secret world of Nocturna, inhabited by curious creatures who control the night.
There are hairdressers who specialize in bed-heads, dream writers, and a vast herd of guardian cats led by the gigantic Cat Shepherd. Yet this world is in danger: the stars in the sky are disappearing, kids are becoming restless at night, and a mysterious shadow creature is haunting the empty streets, extinguishing anything that gives off light. If Tim and the Cat Shepherd can’t set things right, nighttime will never be the same! Bold anime-influenced character design and beautiful, fluid 2D animation help to create a fantastic dream world that balances the magical with a touch of menace. Tim and the audience ultimately learn that the night doesn’t have to be so scary after all.

Nocturna – US Trailer from GKIDS on Vimeo.

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Directed by Adrià García, Víctor Maldonado, 2007, Spain / France, 88 min.

Check out more ROXIE KIDS lineups! 

Oct
23
Thu
NIPPON NIGHTS #4 : IDOL IS DEAD
October 23, 2014

NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations. In the 2nd season of the series, we introduce Japanese cinema themed with Music.The 1st title is “IDOL IS DEAD”, musical horror comedy stared by real Japanese idol group, BiS.

Iimgresn Japan, beautiful pop pin-up Idols rule the music scene. Frustrated in her dreams of being a star in Tokyo, Rui ended up a hostess in a provincial bar. When her former rival Momoko returns home a successful Idol singer, Rui flips out and kills her and the rest of her pop group. In order to hide the crime, she and her friends take the dead girls’ place, creating BiS (Brand-new Idol Society). But when a mad scientist reanimates Momoko as a half-robot half zombie, she retaliates on the new starlets and their fans. A strikingly original part-horror, part-comedy, part-music-video starring one of Japan’s freshest pop sensations. (in Japanese with English subtitles) 

 

IDO IS DEAD 09 IDO IS DEAD 06

(C) Copenhagen Theater 2013

Director/Screenwriter : Yukihiro Kato, JAPAN, 2012, 63min. 

Casts : BiS (Brand New Idol Society)

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Endorsed by Consulate General of Japan in San Francisco &  Japan Foundation

 

 

Oct
24
Fri
VIKTOR
October 24, 2014 - October 30, 2014

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Action/Thriller starring Gerard Depardieu (Life of Pi, Green Card, Cyrano de Bergerac)  and Elizabeth Hurley (Austin Powers series, Bedazzled, Mickey Blue Eyes).  A story of revenge and redemption. When Viktor Lambert returns to Russia after 7 years in French prison, he is determined to uncover the truth and gain revenge for his son’s death just 3 months earlier. He stops at nothing to protect his son’s girlfriend who carries his baby and vows to bring down everyone responsible for his son’s murder.  Thrilling pacing, stunning locations and brutal violence in the tradition of action films like Clint Eastwood’s “Gran Torino” and Sam Mendes’ “Road to Perdition.”

Directed by Philippe Martinez, 97min.,2014, Russia

Gerard-Depardieu-as-VIKTOR-LAMBERT-and-Elisabeth-Hurley-as-ALEXANDRA-IVANOVA-in-Director-Philippe-Martinez’s-film-VIKTOR-2

Oct
26
Sun
PURGATORIO
October 26, 2014

Filmmaker RODRIGO REYES IN PERSON for Q&A after the screening!

“A searing, horrifying, at times starkly beautiful documentary ode to the netherworlds surrounding the U.S.-Mexico barrier”  –Andrew Barker, VARIETY 

“This haunting, beautifully photographed documentary presents the human side of its incendiary topic” –Frank Scheck, THE HOLLYWOOD REPORTER

“An elegiac and cinematically shot poem filled with emotional narration and iconography” –Christine Davila, IndieWIRE

Jury Award for Best Documentary, NEW ORLEANS FILM FESTIVAL •Jury Award for Best Documentary, THIS HUMAN WORLD •Jury Award for Best Documentary, SAN DIEGO LATINO FILM FESTIVAL •Michael Moore Award for Best Documentary, ANN ARBOR FILM FESTIVAL

UnknownRodrigo Reyes’ provocative essay film re-imagines the Mexico/U.S. border as a mythical place comparable to Dante’s purgatory. Leaving politics aside, he takes a fresh look at the brutal beauty of the border and the people caught in its spell.By capturing a stunning mosaic of compelling characters and broken landscapes that live on the US/Mexico border, the filmmaker reflects on the flaws of human nature and the powerful absurdities of the modern world. An unusual border film, in the auteur tradition of camera-stylo, Purgatorio ultimately becomes a fable of humanity, an epic and visceral experience with powerful and lingering images.

Unknown-2PURGATORIO was shot in the fall of 2011 over 4 weeks with a crew of three, on a documentary-making road trip in a dilapidated Ford Van, meandering through back roads and highways from Tijuana to Big Bend National Park. It was a trip full of unforgettable anecdotes:The production vehicle became stranded in the desert dunes of Yuma, forcing the crew to hike several miles deep with temperatures over 100 degrees and hoisting all their gear, just so that they could capture the perfect shot of the border fence rising from the sand like a mythical beast.

UnknownNearly a week went by in Ciudad Juárez under a strange streak of luck: no murders were happening. Dumbfounded police officers and journalists swore that crime would soon pick up, as news media reported on the extreme rarity of so many days without violent crime. Lashing the camera and tripod to a 12 foot plastic canoe, filmmakers camped out in the canyons that run alongside the Rio Grande River, dividing Mexico from the US, capturing stark images of epic proportions. These are just a few of the many misadventures that the filmmakers encountered as they made their way along the border. The spirit of this journey has seeped into the film itself, and is one of the reasons why PURGATORIO is so unique.

Purgatorio – Official Trailer from RR Cinema on Vimeo.

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A film by Rodrigo Reyes, 80 minutes, 2013, Mexico

Nov
11
Tue
NIPPON NIGHTS #5 : SAVE THE CLUB NOON
November 11, 2014

NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations. In the 2nd season of the series, we introduce Japanese cinema themed with Music.

This is a documentary about Japan’s law regulating entertainments.

scn_mainNoon, a venerable Osaka club, was busted in April 2012 for violating Japan’s law regulating entertainment establishments. Eight were arrested in the case, their charges being that the club allowed approximately 20 people to dance on its premises “without permission.”  The law regulating entertainment businesses makes it illegal to allow patrons to dance, but the law went into effect in 1948, and in many ways is out of step with contemporary society. The 65-year-old law was created when so-called dance clubs were used as hotbeds of prostitution. This documentary covers the music event held in July of the same year by over 90 artist teams, who rallied in protest.  This film delves into problems in Japan’s music industry with interviews of performers like Ito Seiko and Hanaregumi, who have their doubts about the law.

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Directed by Moriro Miyamoto, 93mins., 2013, JAPAN, English Subtitled.

SAVE THE CLUB NOON」Production Committee.

 

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Endorsed by Consulate General of Japan in San Francisco & Japan Foundation

 

 

Nov
14
Fri
THE FRENCH HAD A NAME FOR IT: Classic French Noir from the 40s through the 60s
November 14, 2014 - November 17, 2014

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Elliot Lavine and Don Malcolm proudly present a stellar four- day festival of Gallic noir, twelve dazzling noir films featuring works by famed directors like Melville and Clouzot as well as films from equally talented but somewhat less widely known group of filmmakers such as Julien Duvivier, Jacques Becker, Robert Hossein, and Claude Autant-Lara. The big Roxie screen will glisten with unimaginable star power provided by Jean Gabin, Simone Signoret, Brigitte Bardot, and 1950s French glamour couple Robert Hossein and Marina Vlady.

Unknown-1 Most of these exciting films have been absent from US movie screens for decades and we are indeed honored to be hosting this incredible event. Be watching the Roxie website for a complete schedule of films!

FESTIVAL SCHEDULE
Friday, November 14
TWO BY CLOUZOT
LA VERITÉ (Clouzot, 1960) 7:45 • MANON (Clouzot, 1949) 6:0010:00

SaturdayNovember 15
(matinee)
SALUTE TO HENRI VIDAL
LES MAUDITS (Clement, 1947) 1:30 • UNE MANCHE ET LA BELLE aka A KISS FOR A KILLER (Verneuil, 1957) 3:30

FrenchNoir3(evening)
BE CAREFUL WHAT YOU SEARCH FOR!
UN TEMOIN DANS LA VILLE aka WITNESS IN THE CITY (Molinaro, 1959) 8:00 • 
TOI LE VENIN aka BLONDE IN A WHITE CAR (Hossein, 1958) 6:1510:00

SundayNovember 16
(matinee)
THE HAZARDS OF STREETWALKING
DEDEE D’ANVERS (Yves Allegret, 1948) 1:30 • EN CAS DE MALHEUR aka LOVE IS MY PROFESSION (Claude Autant-Lara, 1958) 3:15

(evening)
SALUTE TO JULIEN DUVIVIER
CHAIR DE POULE aka HIGHWAY PICKUP (Duvivier, 1964) 5:309:30 • VOICI LE TEMPS DES ASSASSINS aka DEADLIER THAN THE MALE (Duvivier, 1956) 7:30

MondayNovember 17
BLACK vs. WHITE IN A BLACK-AND-WHITE WORLD
LA P… RESPECTUEUSE aka THE RESPECTUL PROSTITUTE (Pagliero/Brabant, 1952) 6:009:30 • J’IRAI CRACHER SUR VOS TOMBES aka I SPIT ON YOUR GRAVES (Gast, 1959) 7:45

Nov
22
Sat
Come Hell or High Water: The Battle for Turkey Creek
November 22, 2014

Filmmaker Leah Mahan with Turkey Creek hero Rose Johnson and Sierra Club’s Leslie Fields in person!

03_Turkey-Creek_2003_©Leah-MahanCome Hell or High Water follows the painful but inspiring journey of Derrick Evans, a Boston teacher who moves home to coastal Mississippi when the graves of his ancestors are bulldozed to make way for the sprawling city of Gulfport. Bay Area filmmaker Leah Mahan worked on the documentary over the course of a decade, as Derrick and his neighbors stand up to powerful corporate interests and politicians and face ordeals that include Hurricane Katrina and the BP oil disaster. This film is about their struggle for self-determination and environmental justice and shows the resilience of a community that stands together for their rights.

s_01_Turkey Creek_2005_©SAWfoto.com_by Spencer Weiner“This powerful documentary illustrates a classic case of environmental injustice and exposes raw in-your-face Mississippi racial politics. Come Hell or High Water is a perfect lesson that we are not living in a post-racial era.” ~ Dr. Robert Bullard, ‘father of environmental justice’

Dec
16
Tue
NIPPON NIGHTS #6: WONDER FULL!!
December 16, 2014

 NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations. In the 2nd season of the series, we introduce Japanese cinema themed with Music.

I heard Mizue is making animation. How exciting! I can’t wait to see!!  

                                                                                                    —Darren Aronofsky (Black Swan)

s_wonder_omoteInternationally Noteworthy, Japanese Animation Creator : Mirai Mizue! His works have been screened and judged at many international film festivals and he continues to forge the future of the Japanese independent animation scene. Since 2002, he has been creating abstract animations, known as his ‘cell animations’, in which cell structures form the central motif.

In 2011, Modern No.2 was nominated to the Orizzonti section at the Venice Film Festival and to the Spectrum section at the Rotterdam International Film Festival, enthralling audiences with its vivid colors and dynamic, delicate movements synchronized with music. In 2012, Modern No.2 won the SACEM Award for Original Music Prize at the Annecy International Animated Film Festival, the world’s biggest animation festival. With his vast experience and boundless energy, Mizue is in his prime as a filmmaker.
In “WONDER FULL!!”, a film that Mirai selected and joined some films from his works himself will be screened.

Director’s statements

wonderfull_making03Getting this pleasant opportunity to show many of my films first time, I take into account of the order, music and screen size of my works since 2003 to make those like one long-animation film. I believe it will help you to enjoy and understand all films naturally and smoothly.

(As life and death is never-ending and have existed since extremely long time ago, it is probably just one tiny piece what I can feel.)
s_wonderfull_wonder1Our body is composed of over 60 trillion cells. Surprisingly, it is way much more than the number of all stars in the solar system. Needless to say, each of our cells is alive and both life and death take place for each cell again and again and again until our lives will end. The world is always full of WONDER.
If you feel wonder, miracle, surprise, and a mass of happiness through my masterpiece, I am very much satisfied.

wonderfull_playg■Modern No. 2 –We went for it without any hesitation. We’ve formed the world at a quickening pace. What on earth is this world that we have created?

■JAM– The sound is piled up. The image is piled up as well. Before long, the screen becomes chaotic.

wonderfull_lostu■Minamo– Made by a frame-by-frame shooting of ink streaming on the surface of water.

■FANTASTIC CELL– This animation is Mirai Mizue’s debut film.vThe birth of ‘cell animations’.

■METROPOLIS– This film was requested from the Seoul International Cartoon And Animation Festival, and produced for the appeal of Seoul City, South Korea.

■TATAMP– wonderfull_devourdEach living object has its own sound.a Thus the sounds varied when there are more living objects. It becomes chaotic, and at the same time, melodic.

■TRIP! TRAP!– An expression of a chaotic world. A mixture of different techniques.Graduation film.

■MODERN– The hexahedron keeps changing shape. Besides, anything doesn’t happen.

wonderfull_jam■LOST UTOPIA– The tale of the Biblical Adam and Eve is used as the motif in this anthropomorphic phantasmagoria of animated images.

■DEVOUR DINNE– Various dinners made with different living things…

■Adamski– A subjective view of an UFO. Shot frame-by-frame along the Tama River.

wonderfull_making01■Playground– An improvisation that combines several images: the innocent world-view of a child, the continuousness of life, order and chaos, unity and division and the real streaming world.

■AND AND– It is born. It dies. They repeat. The mandala of a life. Hypnotic patterns by Mirai Mizue for Toru Matsumoto’s And And.

 

Mirai Mizue Director/Animator

He was born in Tokyo, 1981. People around him was surprised by his drawing a perfect circle when he was three. He started making animation by himself when someone told him that his illustrations looked like it was moving in his study at the Department of Graphic Design, Tama Art University.

His high quality pictures that he drew by hand on paper and his method to make animation by computer with scanning all papers with his original drawings attract people beyond the border or stereotyped animation.
His first work “FANTASTIC CELL”(2003) debuted on the world stage after received recommendation of the jury at Japan Media Arts Festival.
The short animated films he made has been always beloved around the world.
His graduation film “LOST UTOPIA”(2007) has screened over eighty film festivals in the world.
In 2011, “MODEERN NO.2″ was screened in the Orizzonti section of the Venice International Film Festival,
and he became the first Japanese who received SACEM Award(an award for best music)
at Annecy International Animation Film Festival in the next year.
Director : Mirai Mizue Produce : Shuma Hirose Ad & Pub Advisor : Keiko Kusakabe DCP : Makotoya Co.,Ltd./Silk Purse Enterprises
ORIGINAL TITLE ( JAPANESE ) : ワンダー・フル!! / ENGLISH TITLE : WONDER FULL!! / GENRE : ANIMATION / PRODUCTION YEAR : 2014 / PRODUCTION COUNTRY:JAPAN / SCREEN SIZE : 16:9 / VISUAL : Color / SOUND : Stereo / SCREENING FORMAT : DCP, Blu-ray / LENGTH 79min /Distributed by Makotoya Co.,Ltd + CALF / ©2014 CALF

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Endorsed by Consulate General of Japan in San Francisco & Japan Foundation