Calendar

September – December 2014

Sep
19
Fri
MEMPHIS
September 19, 2014 - September 25, 2014

 

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Official Selection, Sundance Film Festival 2014

A strange singer with “god given talent” drifts through the mythic city of Memphis under its canopy of ancient oak trees, shattered windows, and burning spirituality. Surrounded by lovers, legends, hustlers, preachers, and a wolfpack of kids, the unstable performer avoids the recording studio and is driven to spend time in his own form of self-discovery. Shown in fragments, his journey drags him from love and happiness right to the edge of another dimension. Featuring an explosive performance and score from the singular recording artist-cum-wizard, Willis Earl Beal, MEMPHIS is a film steeped in folklore, music, surrealism, and the abstract search for glory.

                                                                                                         DIRECTOR’S STATEMENT

807It is legend in Memphis that a blessed and cursed singer by the name of O.V. Wright fell from grace and was buried in an unmarked grave. I learned of his myth around the same time I was brought to Peace Baptist Church, and witnessed a deep spirituality as ancient as the oak trees that dress every street in the city. A true believer in ghost stories and a scholar of African American studies, I was drawn to tell my own folk tale, and there was only one place on my mind. Our film captures the descent of a troubled singer as he drifts through an urban landscape looking to save his very soul. We surrounded ourselves with real Memphians and made a film that hopes to project a cool, beautiful world – as old as dirt and yet entirely new, and deserved of the title MEMPHIS.

 
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Written and Directed by Tim Sutton.

Cast: Willis Earl Beal, Lopaka Thomas, Constance Brantley, Devonte Hull, John Gary Williams, Larry Dodson Music by Willis Earl Beal. Digital. USA  79 mins.

Official Site is Here.

 

Oct
5
Sun
Pirate Night: FISHING WITHOUT NETS
October 5, 2014

unnamedThe subject of Somali pirates still strikes fear in the hearts of us Westerners, for it’s all a landscape that’s totally different than anything we could possibly know about. Shot in East Africa using first-time Somali actors, Fishing Without Nets ls the mesmerizing, sobering story of the region’s bandits from the Somali point-of-view. In Somalia, principled, young husband and father Abdi turns to piracy to support his family. While his wife and child wait for him in Yemen, an outdated and fragile satellite phone is his only connection to all he truly values. Here (in Sundance 2014′s winner for the Directing Award, U.S. Dramatic), debut feature filmmaker Cutter Hodierne combines the epic cinematic vision of a glorious action thriller with the intimate, textured qualities of an arthouse film, humanizing the pirates by bringing us inside their moral dilemmas and gut-wrenching struggles.

Dir: Cutter Hodierne – 2014 – 110 mins

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FISHING WITHOUT NETS – TEASER (feature) from mynameisCutter.com on Vimeo.

Oct
9
Thu
FRAMELINE ENCORE: THE CIRCLE
October 9, 2014

FREE TO ALL!!

381717lPart love story, part thriller, and all astonishingly true, The Circle weaves a gorgeous 1950s period drama around a documentary to reveal the story of Zürich’s groundbreaking gay magazine Der Kreis—and its network of readers, friends, and lovers, who formed one of the first modern homophile societies.

In the years following World War II, a small band of Swiss writers dared to publish their bimonthly magazine Der Kreis (The Circle), smuggling it into countries throughout Europe. It provided subscribers with news and erotica (in German, French, and English), “artistic” physique pictorials, and—perhaps most importantly—a sense of community. The magazine’s sumptuous galas helped give Zürich a reputation as the gay capital of Europe. At one of these balls, in 1958, closeted schoolteacher Ernst Ostertag meets local drag celebrity Röbi Rapp—who is very much out of the closet (his loving mother sews his gowns for him). This encounter is the beginning of a love affair that endures today: in 2007, Ostertag and Rapp became Switzerland’s first same-sex civil partners. The film follows their relationship and the challenges faced by the controversial magazine after a gay prostitute murders a prominent client, igniting press hysteria and police crackdowns that threaten to end Zürich’s era of freedom.

Directed by Stefan Haupt, 102 Minutes, Switzerland, 2014

Oct
23
Thu
NIPPON NIGHTS #4 : IDOL IS DEAD
October 23, 2014

NIPPON NIGHTS is monthly series of Japanese cinema bridging different genres, styles and generations. In the 2nd season of the series, we introduce Japanese cinema themed with Music.The 1st title is “IDOL IS DEAD”, musical horror comedy stared by real Japanese idol group, BiS.

 

Iimgresn Japan, beautiful pop pin-up Idols rule the music scene. Frustrated in her dreams of being a star in Tokyo, Rui ended up a hostess in a provincial bar. When her former rival Momoko returns home a successful Idol singer, Rui flips out and kills her and the rest of her pop group. In order to hide the crime, she and her friends take the dead girls’ place, creating BiS (Brand-new Idol Society). But when a mad scientist reanimates Momoko as a half-robot half zombie, she retaliates on the new starlets and their fans. A strikingly original part-horror, part-comedy, part-music-video starring one of Japan’s freshest pop sensations. (in Japanese with English subtitles) 

 

story…

Once, Rui has aimed at a singer. However, now, she was frustrated and was doing the hostess’s work in the country. When Rui goes home together with a friend’s Tsunko, She met Momoko, the rival at the time of her having aimed as a singer. Momoko became an idol singer and was successful. On the grounds that Momoko has ridiculed Rui, Rui killed two friends, her and her. In order that Rui may escape a crime, She formed the idol group together with Tsunko pretending to be Momoko and others.

IDO IS DEAD 09 IDO IS DEAD 06

(C) Copenhagen Theater 2013

Director/Screenwriter : Yukihiro Kato, JAPAN, 2012, 63min. 

Casts : BiS (Brand New Idol Society)

 

 

Oct
31
Fri
BLOOD FEAST
October 31, 2014

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BLOOD DRIVE The Roxie is thrilled to be presenting a rare screening of Herschell Gordon Lewis’ incredible and influential 1963 cult shocker! The local Miami cops are baffled (and sickened) when a string of inanely bloddy murders paralyzes the city with fear! It seems a local caterer is hacking up beautiful girls in order to satisfy the blood lust of an ancient Egyptian goddess! Often cited as the first true “splatter gore” film, BLOOD FEAST is nothing short of of miracle of low budget exploitation cinema. Starring William Kerwin, Mal Arnold, Connie Mason. Written and directed by Herschell Gordon Lewis. In garish Eastman color! New digital transfer.

Directed by Herschell Gordon Lewis, 67 mins. 1963. U.S.A.

Young Ones
October 31, 2014 - November 6, 2014

 

MV5BMTQwNDg2NjkwMF5BMl5BanBnXkFtZTcwNDg1NjEzOQ@@._V1__SX1082_SY581_YOUNG ONES is set in a near future when water has become the most precious and dwindling resource on the planet, one that dictates everything from political to inter persona.  The land  has withered into something wretched. The dust has settled on a lonely, barren planet. The hardened survivors of the loss of Earth’s precious resources scrape and struggle. Ernest Holm lives on this harsh frontier with his children. He defends his farm from bandits, works the supply routes, and hopes to rejuvenate the soil. But his daughter’s boyfriend has grander designs.  A futuristic western that inventively layers Greek tragedy over an ethereal narrative that’s steeped deeply in the values of the American West. Written & directed by Jake Paltrow.  With Michael Shannon, Elle Fanning, Nicholas Hoult, Kodi Smit-McPhee. Digital. USA. 2014. 100 Minutes.  

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Trailer for Young Ones on TrailerAddict.

Nov
6
Thu
FRAMELINE ENCORE: REGARDING SUSAN SONTAG
November 6, 2014

FREE TO ALL!!

RegardingSusanSontagREGARDING SUSAN SONTAG is an intimate and nuanced investigation into the life of one of the most influential and provocative thinkers of the 20th century. Passionate and gracefully outspoken throughout her career, Susan Sontag became one of the most important literary, political and feminist icons of her generation. The documentary explores Sontag’s life through evocative experimental images, archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, read by actress Patricia Clarkson. From her early infatuation with books and her first experience in a gay bar; from her marriage in adolescence to her last lover, REGARDING SUSAN SONTAG is a fascinating look at a towering cultural critic and writer whose works on photography, war, illness, and terrorism still resonate today. More than any other thinker of her day, Sontag was watched, viewed, photographed and stared at. She was gazed at, and she looked back, very carefully, particularly at language and metaphor and at photography and what she called “the ecology of images.” PhotosInGlass-1024x682REGARDING SUSAN SONTAG gives viewers the chance to watch Sontag while she examines the world. REGARDING SUSAN SONTAG has been made in partnership with HBO Documentary Films and will be broadcast Fall 2014.

Directed by Nancy D. Kates, 100 Minutes, U.S.A., 2014

Dec
4
Thu
FRAMELINE ENCORE: EAT WITH ME
December 4, 2014

FREE TO ALL!!

shapeimage_1A middle-aged Asian woman leaves her bland marriage and winds up crashing in her gay son’s apartment. Mother and son attempt to reconcile their estranged relationship and rediscover their zest for life in this hilarious food-centered dramatic comedy.Food becomes a metaphor for relating through deep nourishing sustenance in Eat With Me. Filmmaker David Au has cooked up a laugh-out-loud poignant dramedy—and a food lover’s dream. This Frameline Encore screening is free and open to the public.

shapeimage_1-1Emma only knows how to add spice to her life in one way… by squirting it from a bottle of hot sauce. The rest of her life is cushy but bland: scrambled egg whites, decaffeinated coffee and her husband, Ray. She’s had enough and runs away from home. Her estranged son, Elliot, finds her lurking outside his restaurant with suitcase in hand. They try to start over again as mother and son in this odd-couple living situation. But she’s old-fashioned. He’s gay. Between them are years of awkward moments and unspoken tensions. Feeling lonely, Emma accidentally befriends the lady next door who’s so eccentric that Emma’s way over her head. Meanwhile, a passionate encounter with a man in a bar turns Elliot’s fear of commitment on its head. With dumplings, dessert, whiskey, and even Ecstasy in front of them, will they give into their indulgences? And can mother and son reconcile while struggling to discover their own appetites for life?

Directed by David Au, 95 Minutes, U.S.A. 2014