February – March 2015
West Coast Premiere!!
A young woman is found dead, stabbed to death in a public restroom. The police and the town are indifferent to this shocking act, but her estranged younger sister (who happens to be a talented sharpshooter!) vows to avenge the killing by any means necessary. This sparse and shocking (in every way) Irish thriller is the real deal, a mesmerizing shocker from start to finish. – MK
Directed by Patrick Ryan | USA 2015 | 87 mins
West Coast Premiere!!
Following 1995’s Clueless, Hollywood made hundreds of movies exploring the teenage psyche. Most were set in the drama-rich landscape of high school, complete with jocks, cheerleaders, freaks, geeks, and countless sub cliques in between. Narrated by cult teen star Fairuza Balk, this stylish film takes us into the soul of the teen movie, as seen through the eyes of 200 modern coming-of-age classics, exploring themes of alienation, loss of self, and scouring the often amusing myriad of emotional tempests that dominate the teenage years. -CM
Directed by Charlie Lyne | UK 2014 | 89 min
“Reputedly one of Seijun Suzuki’s finest works and unquestionably very stylish in its ‘Scope framings (Jim Jarmusch copied a few shots from it in his Ghost Dog: The Way of the Samurai)”
-Jonathan Rosenbaum, Chicago Reader
A hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, putting him into conflict with his treacherous wife, with a mysterious woman eager for death and with the phantom-like hit-man known only as Number One.
Directed by Seijun Suzuki, 91min, 1967, Japan
Branded to Kill review – genuinely bizarre Japanese thriller
Seijun Suzuki’s Branded to Kill is a very 1960s metaphysical thriller, a cult item treasured by connoisseurs as the kind of film that – for all its delirious craziness – could even be a truer product of Japan than the higher artefacts of Ozu and Kurosawa. It is an erotic and dreamlike pulp noir, and its disdain for any sort of conventional plot infuriated the director’s employers at the Nikkatsu studio. Jô Shishido is Hanada, a hired killer with a sexual fetish for the smell of boiled rice; a bungled job brings him into mysterious contact with Misako (Anne Mari), a woman who hires him for three hits. He becomes obsessed with her, and finds himself in a duel with the legendary top killer, the No 1 (Kôji Nanbara). The obvious comparisons are with Melville’s Le Samouraï or Godard’s Pierrot le Fou – this film holds up against these perfectly well – with hints of John Boorman’s Point Blank and Patrick McGoohan’s The Prisoner. It is, however, closer to Luis Buñuel in its gleefully disquieting insistence on sudden horrific closeups: the glass eye removed from the skull, the bullet hole, the bleeding head in the toilet bowl. Where Godard had his jump-cut, Suzuki has his disorientating ellipses, his sudden dreamlike time-slips. Genuinely fascinating and bizarre.
Peter Bradshaw, The Gurdian